MASTERPIECES OF CHESS COMPOSITION
MEISTERWERKE DER SCHACHKOMPOSITION
IUEflEBPbl IIIAXMATHOH KOMIIO3MIJWH
JOYAS DE LA COMPOSICION AJEDRECISTICA
y¿JK 794.1
BEK 75.581
Yakov Vladimirov
V. AND M. PLATOVS
Design Veronika Kasatkina
Publisher «RUSSIAN CHESS HOUSE»
(director Murad Amannazarov), 2002
Tel/fax: (095) 963-80-17, 964-13-54, 964-13-32
e-mail: chesshouse@softhome.net
ISBN 5-94693-010-9
© «RUSSIAN CHESS HOUSE», 2002
<I>opMaT 60x90/32. Hen. jihct. 5
V. & M. PLATOVS
Yakov Vladimirov
Grandmaster in Chess Composition
MASTERPIECES OF CHESS COMPOSITION - 5
MEISTERWERKE DER SCHACHKOMPOSITION - 5
IIIE/JEBPEI IIIAXMATHOH KOMnO3HIJMH - 5
JOYAS DE LA COMOSICION AJEDRECISTICA -5
MOSCOW 2002
EVERY book of this series contains 100 masterpieces from the
golden treasury of chess lore, that are distinguished by bright,
elegant, but not too complicated solution. Therefore almost all
these studies are, besides all, fine leaming examples. They can
be solved directly from the diagrams, without chess board and
pieces.
JEDES Buch dieser Reine enthielt 100 Meisterwerke der
Studiekomposition, 'dessen Merkmal ist schóne, glanzende, aber
nicht auBerordentlich komplizierte Lósung. Deshalb fast alie diese
Werke sind, neben allem, auch sehr gute Beispiele für
Schachstudium; man kann losen sie direkt aus dem Buch, ohne
Schachfiguren und Brett.
KA3K/JBIÍ1 cóopHHK 3Ton cepnn co^ep^cHT 100 nie^espoB
MnpoBon maxMaTHon KOMnoamjnn, oTJiHHUTejibHa^ nepTa
KOTopbix - KpacnBoe, apKoe, ho ne onent cjiotkhoc peíneme.
IIo3TOMy nonra Bce ora npoH3Bej{eHHsi, noMMMO nponero,
npeKpacHbie yneÓHbie npnMepbi. Hx peKOMeimyeTCfl peinaTB
npHMo c .unarpaMM, ne paccTamim (¡)nryp na ¿jocKe.
CADA libro de esta serie contiene 100 obras maestras de la
compositión ajedrecística mundial, el rasgo característico de las
cuales son sus soluciones bellas y elocuentes, pero sin ser
demasiado complicadas. Y es por eso que casi todas estas obras
pueden también verse como unos estupendos ejemplos de
aprendizaje. Se recomienda solucionarías directa-mente en diagrama,
sin colocar las piezas en el tabiero.
2
Vasily Platov
Mikhail Platov
3
CLASSICS OF THE CHESS STUDY
The Platov brothers, Vasily (born Riga 1881, died Moscow
1952) and Mikhail (born Riga 1883, died c. 1942), are classics
of the modem artistic chess study.
They began their Creative work in 1903-1905. Soon they
were among the leading study composers in the world. The Platov
brothers skilfully developed themes such as the battle of two
pieces against a queen, luring black pieces onto key squares,
and subtle aspects of rook endings. Amazingly beautiful stale-
mate combinations occur in their studies. A whole series of
studies demónstrate tactical the abilities of specific pieces, and
also defence and attack procedures in the battle between various
pieces. The Platov brothers’ progress in study composition was
combined with giving priority to the development of the combi-
native-positional trend.
They published «Collected Studies» (1914,2nd edition 1928)
and the compilation «150 Modem Studies» (1925). For many
years Vasily Platov ran study columns in a number of Russian
and Soviet magazines, and he often acted as an arbiter in study
competitions. He was an honoured Doctor of Medicine of the
USSR, and was awarded numerous State decorations. Mikhail
was an engineer; in 1937 he was arrested and sent to a labour
camp near Kargopol. The exact place and date of his death are
unknown.
4
DIEKIASSIKDERSCHACHSTUDIE
Brüder Vasiliy (1881, Riga-1952, Moskau) undMichail (1883,
Riga - ung. 1942, ?) Platov - die Klassiker der modernen
künstlerischen Studie.
Der Schaffenweg der Brüder begann in den Jahren 1903-1905.
Bald wurden sie zu den leitenden Studieschópfem der Welt. Brüder
Platov erarbeitete erfolgreich solche Themen, wie der Kampf zwei
Figuren gegen die Dame, die Heranziehung der schwarzen Figuren
zu den Schlüsselstellungen, die Nuance des Kampfes im turmischen
Endspiel. In diesen Studien trifft man sehr schóne
Pattkombinationen. Ganze Studieserien sind der Schau der
Kombinationsmóglichkeiten einzelner Figuren und auch den Griffen
des Sturmes und der Verteidigung im Kampf zwischen verschidenen
Figuren gewidmet. Den Fortschritt in der Studiekomposition
verbanden Brüder Platov mit der Entwiklung der wichtigsten
Kompositions- und Stellungsrichtungen.
Sie waren Autoren der «Sammlung der Studien» (erschien 1914,
zweite Ausgabe -1928) und der «150 modernen Studien» (erschien
1925). Viele Jahren führte Vasiliy Platov die Studie-teile mancher
Russischen und Sovjetischen Zeitschriften, auftritt ais ein
Kampfrichter in den Kompositionswettbewerben. Er war ein
Verdienter Arzt der Sovjetunion, hatte viele Orden und Medaillen
der Sovjetunion. Michail war ein Engeneur; 1937 wurde er
repressiert und verbannt in den Lager bei Kargopol. Das Datum
und der Platz seines Todes sind unbekannt.
5
KJIACCHKH IIIAXMATHOrO 3TTOAA
EpaTbH Bacnjinn (1881, Pura - 1952, MocKBa) h Mnxann
(1883, Pura - ok. 1942, ?) IljiaTOBBi - KJiaccHKH coBpeMeHHoro
xyqo)KecTBeHHoro aTio/ja.
TBopHecKHÍi nyTb ópaTBeB HanajicH b 1903-1905 rr. BcKope
OHH BbmBHHyJIHCb B HHCJIO Be^yUJllX 3TKVJHCTOB MHpa.
ILiaTOBBi ncKycHO pa3pa6aTBiBajin TaKue tümbi, xax 6opB6a
jjByx (Jmryp npoTUB (¡)ep3H, npHBJieneHHe nepHBix (J)Hryp na
KjiiOHeBBie non», tohkocth 6opb6bi b na,neñHOM aimnmnjie. B
nx 3Tio/(ax BCTpenaioTCB yjjHBnTejiBHO KpacHBBie naTOBBie
KOMÓHHauHM. IJeiiBie cepnn stio^ob .neMOHCTpHpyioT
KOMÓHHaijnoHHBie bo3mo)khocth OTjjejiBHBix (¡)Hryp, a TaK)Ke
npneMBi 3amnTBi h Hana/jeHua b óopBÓe Mencjjy pa3JinHHBiMn
(J)MrypaMn. üporpecc b sttoahoh KOMnoanunn ópaTBH ÜJiaTOBBi
CB5I3BIBajin C IipHOpMTeTHBIM pa3BMTHeM KOMÓHHaUMOHHO-
no3HunoHHoro HanpaBJieHMB.
Kmh BBinymeHBi “CóopHHK stioaob” (1914, BTopoe H3,qaHHe
- 1928)nc6opHHK “150 coBpeMeHHBix stkvjob” (1925). Bacnjinn
ÜJiaTOB jjojirne rojjBi Ben owen stkvjob b pa/je pyccKHx n
coBeTCKBX ^ypnajiOB, Hacro BBiCTynaji b KanecTBe ap6«Tpa
KOHKypcoB no KOMnoanunn. Oh 6biji 3acny>KeHHBiM BpanoM
CCCP, Harpa^KHeH rocyqapcTBeHHBiMH op/jenaMn h MejiajiHMH.
MnxaHii 6biji HH^cenepoM; b 1937 ro/jy ero penpeccnpoBajin h
cocjiajiH b narepB no# KaprononeM. Merco h .naTa ero CMepra
tohho ne yrcaHOBiieHBi.
6
CLASICOS DEL ESTUDIO AJEDRECISTICO
Los hermanos Platov, Vasily (1881, Riga-1952, Moscú) y Mijail
(1883, Riga - hacia 1942,?) - clásicos del final artístico
contemporáneo.
El inicio del camino creador de los hermanos se remonta a los
anos 1903-1905. Pronto se destacaron como mejores compositores
del estudios de renombre mundial. Los Platov trabajaron hábilmente
con tales temas como lucha de dos piezas contra la dama, atracción
de los piezas negras a las casillas clave, finezas de la lucha en los
finales de torre. En sus estudios se puede contemplar unas
combinaciones asombrosas sobre el tema de rey ajogado. Unas
series enteras de sus estudios fueron consagradas a las
posibilidades de combinación de tal o qual pieza, así como a los
procedimientos defensivos y atacantes en la lucha de distintas
figuras. Los hermanos Platov vinculaban el progreso en la
composición de finales artísticos con el desarrollo primordial de la
dirección basada tanto en la combinación como en el juego
posicional a la vez.
Publicaron «Finales artísticos» (1914, la 2a edición en 1928) y
«150 estudios contemporáneos» (1925). Vasily Platov durante
muchos años redactó secciones de estudios en varias revistas rusas
y soviéticas, muchas veces intervino como árbitro en concursos
de composición. Llevó título honorífico de «Médico Emérito de la
URSS», fue varias veces condecorado con órdenes y medallas de
la URSS. Mijail siendo injeniero; en el 1937 sometido a las represalias
y metido en el campo de trabajo forzado de la ciudad de Kargopol.
El lugar y la fecha de su muerte se desconocen.
7
SIGNS AND SYMBOLS
DAS ZEICHENSYSTEM
CKCTEMA 3HAKOB
EL SISTEMA DE SIGNOS
Q H White (Black) to play; White (Black) * Weiss
(Schwarz) am Zuge; Weiss (Schwarz) * xoa Sejibix,
HepHbix; óejibie, uepHbie * toca a las blancas (negras);
las blancas (las negras)
co arbitrary move * beliebiger Zug * jiioóoü xoa *
cualguier jugada
4— —F White (Black) wins * Weiss (Schwarz)
gewinnt * Bbiurpbim Sejibix, uepHbix * las blancas (las
negras) ganan
= Draw ♦ Remis * nmiba * Tablas
! strong move * starker Zug * xopoinnii xoa *
jugada fuerte
!! a very strong move * ein sehr starker Zug *
oueHb xopoumH xoa * jugada muy fuerte
? weak move * schwacher Zug * cjiadbiñ xoa *
jugada mala
® a thematic false attempt * ein thematischer Ver-
such * TeMaTimecKHH JioxHbiñ cjie/i * pseudosolución
# checkmate * Matt * MaT * Mate
© stalemate * Patt * na? * ahogado
© positional draw * positionell Remis *
n03HUU0HHaa hhhbíi * empate posicional
8
© perpetual check * ewiges Schach * bchebih max
* jaque continuo
O Zugzwang * Zugzwang * nyruBanr * zugzwang
>| echo-repetition * Echo-Wiederholen *
oxo-noBTop * eco-repetición
♦ white’s domination * weisse Domination *
«noMHHamiH Gejibix * domination blanca
—> double attack, fork * Doppelangriff, Gabel *
4B0WH0H yaap, bhjikh * ataque doble
o«, o □ reciprocal Zugzwang * beiderseitiger
Zugzwang * B3anMHbiñ nynjBaHr * zugzwang reciproco
X] white piece maneuver * weisse Figurenmanover *
MaHeBp Gejioñ 4>nrypbi * maniobra de una pieza blanca
M piece struggle * Figurengefecht *
4)nrypHaa 6opb6a * la lucha de piezas
4V systematic movement * systematische Bewegung
* cncTeMaTinecKoe «BnxeHne * movimiento sistemático
9 j enticement of a white, black piece * Verloc-
kerung des weissen, schwarzen Figurs * 3aBJie*ieHKe 6e-
jioh, HepHoñ 4>niypbi * atracción de una pieza blanca, negra
distraction of white, black * Ablenkung des
Weissen, Schwarzen * OTBjieqeHHe Gejibix, 'repHbrx *
distracción de blancas, negras
O line interception by white, black * Weisses,
Schwarzes Liniendeckung * nepeKpbnue jihhhk Gejibi-
mh, nepHbiMH * intercepción de una linea por las blancas
(negras)
9
No i. y. piatov
“Rigaer Tageblatt”, 1903
No 2. V. Platov
“Rigaer Tageblatt”, 1903
+
+
No 3. M. Platov
“Rigaer Tageblatt”, 1903
Na 4. V. Platov
“Rigaer Tageblatt”, 1904
10
N° 5. V. Platov
“Rigaer Tageblatt”, 1904
Ns 6. M. Platov
“Rigaer Tageblatt”, 1904
+
JVs 7. M. Platov
“Rigaer Tageblatt”, 1904
Ns 8. V. & M. Platov
“Rigaer Tageblatt”, 1905
11
Nb 9. M. Platov
“Rigaer Tageblatt”, 1905
Nb 10. V. & M. Platov
Deut. Schachzeitung”, 1905
Nb 11. M. Platov
“Rigaer Tageblatt”, 1905
Nb 12. V. Platov
“Rigaer Tageblatt”, 1905
12
N° 13. V. & M. Platov
“Rigaer Tageblatt”, 1905
Ns 14. V. Platov
“Rigaer Tageblatt”, 1905
N° 15. M. Platov
“Duna-Zeitung”, 1905
No 16. V. & M. Platov
“Bohemia”, 1906
13
No 17. V. & M. Platov
“Deut. Schachzeitung”, 1906
No 18. V. Platov
“Deut. Schachzeitung”, 1906
N° 19. V. & M. Platov
“Deut. Schachzeitung”, 1906
No 20. V. Platov
“Bohemia”, 1906
14
No 21. V. & M. Platov
“Deut. Schachzeitung”, 1906
Ns 22. V. & M. Platov
“Deut. Schachzeitung”, 1906
No 23. V. & M. Platov
“Bohemia”, 1906
No 24. V. & M. Platov
“Bohemia”, 1906
15
Ns 25. V. & M. Platov
“Bohemia”, 1906
No 26. V. & M. Platov
“HuBa”, 1906
No 27. V. & M. Platov
“Deut. Schachzeitung”, 1906
No 28. V. Platov
“Deut. Schachzeitung”, 1906
16
Nb 29. V. Platov
“Pycb”, 1906
Nb 30. V. & M. Platov
“Bohemia”, 1906
Ns 31. V. Platov
“Rigaer Tageblatt”, 1906
No 32. V. Platov
“Bohemia”, 1906
+
17
Na 33. M. Platov
“Rigaer Tageblatt”, 1906
Na 34. V. & M. Platov
St. Petersb. Zeitung”, 1907
Na 36. V. & M. Platov
“La Strategie”, 1907
Ns 35. V. & M. Platov
“Bohemia”, 1907
18
Ns 37. V. & M. Platov
Deut. Wochenschach”, 1907
Ns 38. Ve & M\ Platov
“La Strategie”, 1907
No 40. V. & M. Platov
“Deut. Schachzeitung”, 1907
No 39. V. & M. Platov
“Bohema”, 1907
19
N° 42. V. & M. Platov
Deut. Wochenschach”, 1907
Ns 41. V. Platov
“Pycb”, 1907
Nb 43. V. & M. Platov
Ns 44. V. & M. Platov
“Rigaer Tageblatt” , 1907	' “Deut. Schachzeitung”, 1907
20
JNb 45. V. & M. Platov
“Deut. Schachzeitung”, 1907
No 46. V. Platov
“Deut. Schachzeitung”, 1907
+
No 47. V. & M. Platov
“KneBCKaa Mbicjib”, 1907
No 48. V. & M. Platov
“Bohemia”, 1908
+
21
No 49. V. & M. Platov
“Deut. Schachzeitung”, 1908
Ns 50. V. & M. Platov
“La Strategie”, 1908
+
No 52. V. & M. Platov
“Rigaer Tageblatt”, 1909
Ns 51. V. & M. Platov
“Bohemia”, 1908
+
22
JNb 53. V. & M. Platov
UlaxMaTHoe oóoapeHiie”, 1909
Ns 54. V. & M. Platov
“Duna-Zeitung”, 1909
No 55. V. & M. Platov
“UlaxMaTHoe oóospenne”, 1909
Ns 56. V. & M. Platov
“UlaxMaTHoe oóospeHHe”, 1909
23
N° 57. V. & M. Platov
“Rigaer Tageblatt”, 1909
Ns» 58. V. & M. Platov
“Deut. Schachzeitung”, 1909
Ns 60. V. & M. Platov
“Duns-Zeitung”, 1909
Ns 59. V. & M. Platov
“Bohemia”, 1909
24
Ns 61. V. & M. Platov
“IIIaxMaTHoe oóoapeHMe”, 1909
No 62. V. & M. Platov
“IIIaxMaTHoe oóoapeHne”, 1910
No 63. V. & M. Platov
No 64. V. & M. Platov
“Rigaer Tageblatt” ,1910
“IIIaxMaTHoe oóo3peHne”, 1910
25
Ns 65. V. & M. Platov
“Tidskrift for Schack”, 1910
Ns 66. V. & M. Platov
“IIIaxMaTHoe o6o3peHne”, 1910
Ns 67. V. & M. Platov
“Deut. Schachzeitung”, 1911
Ne 68. V. & M. Platov
“Deut. Schachzeitung”, 1911
26
Ns 69. V. & M. Platov
Ns 70. V. & M. Platov
“La Strategie”, 1911
“HHBa”, 1911
Ns 71. V. & M. Platov
Ns 72. V. & M. Platov
“Syd. Dagb. Snallpost.”, 1911 “Wiener Schachzeit.”, 1912
27
N° 73. V. & M. Platov
“Taglische Rundschau”, 1913
hfe 74. V. & M. Platov
“CGopHUK 3TIOAOB”, 1914
28
N° 77. V. & M. Platov
“C6opHMK 3TJOJJOB”, 1914
N® 78. M. Platov
“IIIaxMaTbi”, 1922
Ns 79. V. Platov
“IIIaxMaTM” , 1922
Ns 80. V. Platov
“IUaxMarbi” , 1922
29
N> 81. V. Platov
IIIaxMaTbi” , 1922
No 82. V. & M. Platov
L’Italia Scacchistica”, 1923
No 83. V. & M. Platov
“IUaxMarbi”, 1924
No 84. V. & M. Platov
“LUaxMaTbi”, 1924
30
No 85. M. Platov
“IIIaxMaTbi” , 1924
No 86. V. Platov
“IIIaxMaTHbiH jihctok”, 1925
+
N2 87. M. Platov
“IIIaxMaTbi”, 1925
No 88. M. Platov
“IIIaxMaTbi”, 1925
+
+
31
Ns 89. M. Platov
“64”, 1925
Ne 90. V. & M. Platov
“64”, 1925
+
Ne 91. M. Platov
“IIIaxMaTHbiM jihctok”, 1925
No 92. V. & M. Platov
“CÓOpHHK 3TI040B”, 1925
32
N> 93. V. & M. Platov
“28 Rijen”, 1926
JVe 94. M. Platov
Ceskoslovensky Sach”, 1927
Ns 95. V. & M. Platov
“IIIaxMaTBi”, 1909
Ns 96. V. & M. Platov
“IIpaBfla”, 1927
33
Na 97. M. Platov
“BenepHaa MocKBa”, 1927
N° 98. M. Platov
“inaxMaTbi”, 1927-11
Ns 99. V. & M. Platov
Ns 100. V. & M. Platov
“H3BecTjM”, 1928
“64”, 1929
+
34
SOLUTIONS
LOSUNGEN
PEHIEHI4M
SOLUCIONES
N°l. 1.&13 £h5 2.&g3 £g6 3.&e5 £h7 4.g6 £h6
5.£g4 Se6 6.&15 Sf5 7.£f5 &h5 8.£f3 ¿h6 9.£h2
&h5 10. &fl ¿h611. ¿e6 ¿g612. ¿d5 ¿?f5 13. &c6 ❖ .
N°2. l.Ag2 ®c8 2.315 £d7 3.3d5 £e8 4.3h5 4.£h3? &a6
5.£d7 &[86.c6 &c4.4...fia6 (4... &e65.Sh8 3d76.£h3) 5x6
Sa3 6.£g4 fií8 7. Bb5 Sd6 8.3b8, l...Sa6 2.3d3 £c5 3.3d5
£c44.Afl £d55.Aa6 £e56..£c4 £f67.£14	.
N°3. l.Sa8 É?d3 (l...£d4 2.&a4 ^e5 3. ^g6, 2...&e3
3.^g2) 2.©a6 É?d2 3.Sa2 £d3 (3...&dl 4.&c2 ¿leí 5.£g2)
4.®c2 &d4 5.fic4 £e5 6.&g6. 5...£e3 6.&g2
N°4. 1x7 l.Ad7? &a4 2.b3 &d4 3.^f5 &dl, l.£g6?
^d42.c7 &b7.1...^bl 2x8S fic8 3.Ag6 £f44.ád5 fig4
5.AÍ5! Sf5 6.&e3 £14 7.fcf5 £f5 8.a4 £e4 9.b4, 3...£d4
4.^f5 £c5 5.b4 £ oo 6.&d6 (e7) ♦ .
N°5. 1.3b5 £14 2.3e5 Sa3 (2...¿?e5 3.2c4, 2...&e5
3.&d3 &e4 4.£e5 ^e5 5.&h4) 3.&d3 Sd3 4xd £e5
5.£h4 £14 (5...£d4 6.£h5 £d3 7.g4) 6.£h5 £g3 7.£g5
(g6)	❖ •
35
N°6. 1.3g8 Sa6 2.Se8 &d5 3.&f4 £c5 4.&d3 &b5
(4...&d5 5.£b4, 4...&d6 5.Se6, 4...&b6 5.8e6) 5.3e5
£b6 6.Se6c67.Sc6 &c6 8.£b4 Éb6 9.&a6 &a6 10.&d4,
5...c5 6. Sc5 &a4 7.&b2 ¿?a3 8.&c4 é?a4 9.2a5 —*	.
Ne7. l.Sg7 ¿2e6 2.Sg8 fif3 (2...«g8 3.Ac4) 3.^.e2
Sb7 (3...fie2 4.3e8, 3...®h3 4.Ag4) 4.c6 ®c6 5.3g6
N°8. l.áfó Í2 2.^.d5 £b5 3.^.c4 £c4 4.&g4 fl&!
5.&e5 ¿?c3 6.^d3 ¿?d3 7.fih6(g5); 2...£b6(c7) 3.^.g2 d2
3.£id5 =
N°9. l.Ag8 e2 2.&e5 el® 3.Ac4 &g2 4.Ad5 &h3
5.Ae6 &g2 6.Ad5 © , l...c3 2.&g5 e2 3.Ac4 &Í2 4.Ae2
fie2 5.fic3=, @ .
N°10. I.^h4 Ah4 2.^.d7 &d5 3.Ac8 £c6 4.^.g4 hlS
5.A13 SÍ3 © .
Nell. I.£e4 Sf5 2.^.a3 £e5 3.&b2 Sf5 (5... &e44. ^fó
&d3 5. £h5 ^c2 6.Ag7 a3 7. &f6 a2 8. £d5 &bl 9. £c3
&b2 10. £b5) 4.^d6 £g5 5.Acl figó 6.&f4, 5...*g4
6.&f6	.
Nsl2. I.c4 &d4 2,Ae5 &c5 3.Ad6 &d4 4.&c6 &c3
5.Ae5 £c2 6.&b4 &cl 7.^.f4! fif4 8.&d3 -*	.
36
Ns 13. I.f4 Ah3 2.Ael £g4 3.Ah3 ¿?f4 4.Ad2 £e5
5.Ac3 ¿?d6 6.Ab4 £c7 7.Aa5 fib8 8.Ag2! W .
No 14. 1.3e8 É?d5 2.ñe6 Sc4 3.3e4 Sc6 4.d3 Sg6
5. 3e5 á?c6 6.3e6 fie6 7.&d4 —►	.
Nbl5. l.Bg2 fg (l...¿d52.Bf3 &c8 3.Sf4 8h5 4.gf8
&c75. &gl &a76. &h2) 2.3h3 £g5(g4) 3.g8S Sg8 4.Sg3
fg (4... Üf5 5. Sg8 £d5 6. Sg2) 5.£gl ® , 1...fífg8 2. ad8
Sd8 3.g8S Sg8 4. Sg8 f2 5.3g4 £g4 @ .
Ns 16. I.d6 I.£e6?h2 2.f7hl& 3.f8& &g2 4.&J7 &f3
5.^e7 &f8 6.&f8 ^d6 =. I...£d6 2.&e8 h2 3.f7 hlS
4.f8® £d5 5.Acó £c6 6.Sa8, l...cd 2.Ad5 £d5 3.f7 h2
4.f8© hlS 5.fia8
N°17. I.&e2 £g4 2.&g3 £g3 3.Ah4 £h4 4.£e2 £g3
5.£fl d5 6.b5 d4 7.b6 d3 8.b7 d2 9.b8fi, 5...£f4 6.b5 £e5
7.b6.
Nel8. I.c7 Ae6 (7...^/>7 2.f6 £d5 3J7 £f4 4.£f5)
2.fe £id5 3.c8£i! £if4 4,&f7 £ie6 (4...£d5 5.£b6 &b6
6.e7 ^c8 7.e8&) 5.&b6 &b4 6.&d5 £c4 7.£e6, 5...£b5
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BRILLIANT CHESS STUDIES
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Up to now, two volumes have been published:
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2. Nadareishvili, Akobia «4492 Checkmate studies»
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Ten70aKc: (095) 963B0-17, 964-13-54,E-mail: chesshouse@softhome.net
HENRI RINCK
IB LEONID KUBBEL
/1® ALEXEY TROITZKY
SAMUEL LOYD
V. & M. PLATOVS
|® R. RETI & J. FRITZ
ISBN 5-94693-010-9