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Теги: magazine magazine tatler
Год: 2024
Текст
Georgina Wilson-Burnand
makes a sensational return
and she’s better than ever
AROUND ASIA
Every month, we curate an online selection of stories from the
previous month’s print editions of Tatler Asia for you to enjoy
TATLER PHILIPPINES
TATLER TAIWAN
Josef Werker, a Gen.T
honouree and the
co-founder and CEO
of Humble, a circular
economy solutions
start-up, told Tatler how his
company aims to prolong
the lifespan of consumer
products, reducing their
impact on the environment.
Sky Yen, the founder and
CEO of the non-profit
Learning Is Science
Education (LIS) and an
Asia’s Most Influential
honouree, has been on a
quest to improve Taiwanese
education. Through the
company, Yen redesigns
science teaching materials,
to encourage critical and
creative thinking. More than
78 per cent of secondary
schools now use the
materials, and the company’s
YouTube channel boasts
140,000 subscribers.
SHANGLIU TATLER
Kenna Xu, who founded
his eponymous Shenzhenbased gallery in 2018, is one
of the most influential forces
in the Greater Bay Area’s art
scene today. He shared his
thoughts on his discovery
of emerging artists and why
he thinks Shenzhen isn’t a
cultural desert.
The eponymous founder
of Nadine Ghosn Fine
Jewellery talked about
her connection to Asia
and why lacking formal
design training is a
blessing, not a burden.
TATLER MALAYSIA
8
Author Vanessa Chan
spoke to Tatler about her
debut novel The Storm
We Made, her decision to
write historical fiction,
and how writing helped
her manage her grief.
TATLER THAILAND
Kim Visudharomn, a
former fashion editor who
now enjoys handicrafts
and creating visual arts,
explained to Tatler how
her sustainable lifestyle is
achievable, as well as about
her eco-printed fabric
works that were made from
leaves, and her definition of
the word “beauty”.
TATLER SINGAPORE
Keng How Chong
explained how he and his
brother Kage built their
streetwear label AAI
and creative production
house MO.Studio, and the
influence of Japan on what
they do.
To read these
stories, please scan
the QR code
PHOTOGRAPHY DARREN GABRIEL LEOW (HK); FADY YOUNIS (MY); WESLEY VILLARICA (PH); JAMES LIN (TW); KEVIN (SH)
TATLER HONG KONG
144
100
66
DEPARTMENTS
08
14
18
178
Around Asia
Editor’s Note
The Guest List
Last Word
THE SCENE
22 Cosmic Attraction
Sofia Coyiuto and Ross
Tan share many things in
common, dancing prowess
included, which they used to
wow their wedding guests
with a dance number
10
26 A Lasting Impression
After two days of talks,
the country’s economic
pillars showed visiting
US Commerce Secretary
Gina Raimondo a cultural
glimpse of the Philippines
Women’s Month at the
same time pay homage
to her patron, Nedy
Tantoco who passed
away the month before
30 And the Winners Are
It’s time for another evening
of celebrating the best in the
local culinary scene as the
launch of the 2024 Tatler
Dining Guide gives out its
coveted awards to a select
list of restaurants and chefs
36 Curtain Call
Some good things must
end, including Sevva, the
watering hole of the rich
and famous in Hong
Kong for 16 years
34 A Little Night Music
Piano virtuoso Cecile
Licad held a poignant
concert to celebrate
38 A Toast to Jojie
Nothing could be better
than spending your
birthday among friends,
which is how Jojie
Dingcong spent his
Photography and Creative Direction
Bj Pascual
Words Maritess Garcia Reyes
Styling Stylized Studio,
led by Jolo Bartolo
Make-up Jelly Eugenio
Hair Paul Nebres
Logistics Isabel Martel Francisco,
James Mayo, Michelle Soriano
Location Balay Kobo
IMAGES JAYSON ISAAC; LOUIS VUITTON; PRADA
On the Cover
May
108
166
12
40 Masters of Design
Eight of the country’s top
architects and designers
give an insight into the
personas behind their
magnificent and designs
of activity today and
in the years to come,
with many renovations
to its drawing board,
including Greenbelt,
Glorietta and Trinoma
48 The Place to Be
Take a visual tour of LV The
Place Bangkok, and marvel
at this cutting-edge retail
concept that pushes the
brand ahead of the pack
56 Asia’s Most
Influential
Get to know Asia’s
wealth builders: Franco
Varona, Minette
Navarette and Ana
Aboitiz Delgado
52 The Best is Yet
to Come
Ayala Malls is a beehive
58 Gen. T
Minnie Pangilinan
spearheaded the team that
developed a comfortable,
environmentally friendly
beast prosthesis out of
bakong, a locally grown
aquatic plant with
antimicrobial purposes
STYLE
66 The Wish List
Flavours of the month:
drapes, tweeds, bejewelled
bags and more
90 A Second Chance
Maia Urrutia and Ling
Ling King give pre-loved
luxury items another
shot with their boutique,
The Bag Hub
88 Midnight Train
to Manila
Train ride of the
imagination to search for
the best designers and
accessories in Manila
100 Watches Picks
These covetable luxury
watches go beyond
telling time as they enter
the world of art
IMAGES BJ PASCUAL; PATRICK DIOKNO; NOBIS HOTEL PALMA; CARTIER; KARE; ALEXANDERMCQUEEN
174
116
66
132
Bold(er) and
Beautiful
Georgina WilsonBurnand makes a
sensational return
to these magazine
pages, armed with
new experiences and
a fresh mindset
66
107 Test of Time
Taking time to marvel at the
precision, endurance and
masterful craftsmanship of
a Rolex watch
108 Jewellery Picks
The latest news from the
field of luxury jewellery
here and abroad
112 Legacy Reimagined
Centuries-old Tiffany
& Co keeps up to date
with modern technology,
launching its online
shopping with its
campaign With Love,
Since 1837
FEATURES
116 If Walls Could Talk
The 19th-century Laperal
Mansion, an architectural
landmark with a wealth
of history, today stands
proudly in its refurbished
state courtesy of a handful
of the country’s creatives
144 Entertainment: Gary V
Facing a crossroads
in his life, one of the
country’s top entertainers
Gary Valenciano is not
perturbed; his faith has told
him which path to take
152 Behind the Seams
We can say they’re still
under the radar, but not
for long. These fashion
designers are steadily
making their mark on the
fashion scene
162 Heroes on a Mission
The NGO Cape has
already done wonders
for Asian American and
Pacific Islander artists
in the film industry;
however, it feels there’s
a lot more that can
be done
166 Different by Design
Stijn Oyen, managing
director of Design
Hotels, talks about
neuroaesthetics
and how the company
has kept the individual
properties of all the
300 design-driven
hotels around
the world
13
EDITORIAL
info.ph@tatlerasia.com
Editor-in-Chief
Deputy Editorial Director ISABEL
ANTON SAN DIEGO
MARTEL FRANCISCO
Managing Editor
Senior Features Editor
MARITESS GARCIA REYES
Arts and Culture Editor
Gen.T and Lists Editor
CHIT L LIJAUCO
FRANZ SORILLA IV
SYRAH VIVIEN INOCENCIO
Senior Features Writer
Features Writers
JOVE MOYA
GABRIEL BOHOL,
DWYANE YRA DINGLASAN, MAC FABELLA,
ANGELA NICOLE GUIRAL
Contributing Writers JULIANNA
CABILI,
DARA CLARIZA EVANGELISTA, ZABRINA LO
DIGITAL
info.ph@tatlerasia.com
Regional Managing Editor, Digital
Regional Social Media Director
Digital Director
JOANNA GOH
PACHARAPUN TINNABAL
DORYNNA UNTIVERO
Digital Marketing Officer CHRISTOFER
Tatler Dining Officer LAUREN
PALENTINO
DOMINIQUE GOLANGCO
TATLER ASIA
Regional Managing Editor, Print, and Staff Editor
Regional Fashion Director
KARLY COX
CHERRY MUI
RACHEL DUFFELL
Regional Content Director, Front & Female
Arts and Culture Editor
Contributing Wine Editor
HILAHAN
Junior Graphic Designers
SHAIRA CATABONA , JAIRA CERYCE LALICON
RICHARD LORD
DAI
Contributing Photographers PATRICK
DIOKNO, JAYSON ISAAC,
BJ PASCUAL, KEVIN PRUDON, JAMES ROBINSON,
WESLEY VILLARICA
CHONG SEOW WEI
SARAH HELLER MW
Contributing Travel Editor
YAU
Art Director MARIENNE
Regional Head, Gen.T DAISY
Regional Senior Editor, Gen. T
MIGUEL MARI
Regional Art Director for Photography ZOE
FENBY
AAINA BHARGAVA
Sub-Editor
Regional Creative Director
COCO MARETT
Regional Head of Digital Content and Growth ALEX
Lifestyle Editor
ART AND PHOTOGRAPHY
JEREMY JAUNCEY
REGIONAL EDITORS
Editor-in-Chief, Tatler Hong Kong
AHY CHOI
Editor-in-Chief, Tatler Malaysia LYNETTE OW
Editor-in-Chief, Tatler Singapore AUN KOH
Editor-in-Chief, Tatler Taiwan SEPTEMBER
LEU
Editor-in-Chief, Tatler Thailand NONGNATH KAMALASANA NA AYUDHYA
Regional Managing Editor, Homes
JENNIFER CHOO
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LET TER FROM THE EDITOR
She’s All That
and More
16
I must confess, Georgina Wilson-Burnand is one of my
favourite cover ladies that has come out in the magazine,
probably in my top three. I first met her through our thenfashion editor, Blue Carreon, and she debuted on our cover
in November 2004 alongside other beautiful women such
as Lucy Torres Gomez, Apples Aberin, Rissa Mananquil
Trillo, Katrina Tantoco and Amanda Griffin-Jacob. It’s her
sixth cover, the most for any individual featured in our 22
years of history.
Georgina’s path is a unique testament to her resilience
and determination. She didn’t just captivate and dominate
Philippine society; she redefined the concept of a “Filipino
IT girl”. Her narrative transcends the typical image of a
wealthy and beautiful woman who dabbles in modelling. She
expanded the definition by venturing into diverse roles such
as a VJ, a reality TV show participant, a brand spokesperson
and an image model, among others, thereby achieving a
remarkable breadth of accomplishments.
She last graced the cover of Tatler magazine in
September 2017 alongside her one-year-old son Archie, who
is now turning seven. She welcomed two more beautiful
children: Alfie, who is four years old, and Charlotte, who is
three. Like many women, she faced the challenge of postpregnancy weight. However, her unwavering determination
and disciplined lifestyle led her to a healthier and fitter self,
as evident from the cover and cover story. “I didn’t take
Ozempic, not that I’m against it, but I lost weight because of
diet and exercise,” she shared with a laugh.
I was at the cover photoshoot at a studio in Las Piñas,
which was led by the incredibly talented photographer BJ
Pascual. I am thrilled to see that Georgina Wilson is back,
this time as a mother, wife and brand director of Sunnies
Studios, armed with a wealth of experience. She has always
looked stunning, but today, she looks more radiant than
ever! It's great to see you back, Georg, front and centre!
One of the most remarkable projects, led by First Lady
Liza Marcos and featured in this month’s ‘Design Issue’,
is the renovation of the Laperal Mansion (also known as
Arlegui Guest House), once a residence of Presidents
Aquino and Ramos. Today, the mansion stands as a
testament to Filipino creativity, serving as a guest house for
foreign dignitaries and ambassadors. What sets this project
apart is the collective effort of several architects and interior
designers who united to create a Filipino-inspired design
marvel. We are confident that, like us, you will feel a sense of
pride in the outcome.
Not to be missed are our interviews with the country’s
best architects, interior designers and emerging fashion
designers. As well as our conversation with the iconic, Mr
Pure Energy, Gary Valenciano, on the heels of his ‘last’
concert. In our discussion, he shares his struggles, highs,
and, most importantly, unwavering faith. His words carry a
profound resonance: “Once a career has lasted this long, it
often brings to mind the question, how long can this go on
for, in this way?" His journey is sure to captivate and inspire
you all.
Dear readers, I am thrilled to share this issue with you. I
hope you find it as engaging and exciting as we do!
—Anton San Diego, editor-in-chief
PHOTOGRAPHY BJ PASCUAL STYLING STYLIZED STUDIO, LED BY JOLO BARTOLO MAKE-UP JELLY EUGENIO HAIR PAUL NEBRES
Georgina WilsonBurnand wears
Alaïa dress
and Manolo
Blahnik shoes
THE GUEST LIST
LYN ALUMNO
BJ PASCUAL
A certified Tatler-favourite, this
talented photographer and content
creator has photographed countless
covers and fashion editorials for the
magazine for many years now, thanks
to his distinct style and out-of-the-box
creativity. He captures this month’s
cover star, the multi-hyphenated
beauty and his good friend, Georgina
Wilson-Burnand (p.130).
18
Lyn Alumno is a freelance fashion
stylist based in Manila. She
previously worked as a fashion and
beauty editor for Nylon Manila and
Mega magazine. She has worked
with brands including Celine,
Nike and Louis Vuitton, and styled
international artists including
Sabrina Carpenter and Jordan
Alexander, as well as Filipino stars
such as Dolly de Leon, Anne Curtis
and Nadine Lustre. She styled this
month’s fashion shoot.
JAMES J ROBINSON
James J Robinson is an Australian
Filipino photographer and
filmmaker from Melbourne, whose
work centres on magical realism
and elevating ordinary places’
inherent beauty into something
surreal. Explaining the concept
for this month’s fashion shoot, he
says, “Trains are places we tend to
switch off and use our phones, but
I wanted to spend time exploring
the textures, symmetry and design
of the carriages, combining this
with luxury portraiture.”
Tatler Dining
unveils the best
in the country’s
culinary scene,
US Secretary of
Commerce Gina
Raimondo visits
the Philippines,
and eight architects
take the spotlight
Tatler
Features
20
PHOTOGRAPHY PAT DY IMAGE COURTESY OF LOUIS VUITTON
Sofia Coyiuto and
Ross Tan tie the knot
Opposite page:
A scenographic
experience by Shohei
Shigematsu for LV
The Place in Bangkok
Tatler
Features
21
1
THE SCENE | WEDDING
1. Sofia Coyiuto-Tan and Ross
Tan 2. All hugs from the Tan
family: Candice, Lance, Phoebe,
Ross, Marisse, Chester, Kyle,
Charlie, Jacob and Calvin 3. Fresh
gypsophilia by Teddy Manuel
4. The bride with her parents Elena
and Peter Coyiuto 5. The couple
exchanging their vows at Santuario
de San Antonio
2
WORDS JULIANNA CABILI PHOTOGRAPHY PAT DY
Cosmic Attraction
Sofia Coyiuto and Ross Tan
shared a love for music,
dance and family, making
them a perfect match. They
celebrated their wedding on
February 25, 2024, with a
grand ceremony at Santuario
de San Antonio. The venue
was decorated with baby’s
breath, and around 700
guests, including close
friends and family, witnessed
the couple’s union.
The couple’s story began
just as the Covid-19 pandemic
was nearing its end.
Coyiuto fondly describes,
“Meeting him was like a
breath of fresh air, a new
beginning—especially after
the last couple of years.” The
pandemic’s restrictions did
not stop the couple from
trying to spend as much
time together. Coyiuto
recalls, “On our first date, we
walked my golden retriever
Stella around our village.
We weren’t even allowed to
remove our face masks then!”
Years later, their adorable fur
baby would serve as the “Dog
of Honour” at the ceremony,
wearing her diminutive
white outfit.
The proposal was joyfully
unexpected, according to the
bride. Tan dropped Coyiuto
off at her childhood home
after spending a night out
with friends. Little would
she know that she was in
for the surprise of her life.
Tan caught her attention in
the garden when he played
one of her favourite songs,
Mikrokosmos by BTS. “I
saw our pavilion had fairy
lights on them. That’s
when I realised what was
happening,” she gushes.
After saying yes, the bride’s
friends and family surprised
the couple and emerged from
the dining room. “I had no
idea they were there! It was
everything I hoped for in a
proposal—to be surrounded
by our loved ones in the
home I grew up in.”
Planning a wedding for
700 guests was challenging,
as the couple still wanted the
festivities to feel intimate
and personal. Working with
their coordinator, Jenny
3
4
5
23
6
7
8
6. The newlyweds 7. Alice
Eduardo, Elena Coyiuto, Small
Laude 8. The groom and his
friends showing off their moves
9. Robert Coyiuto, Jr and Ricky
Razon, Jr 10. The bride with her
bridesmaids: Alexandra Sy, Ciara
Lao, Evanthe Chua, Erika DeeGonzalez, Alannah Tan, Pearl
Juang, Bea Coyiuto, Lexi Tiutan,
Micah Cabral and Carel Tan
11. The newlyweds pictured
with their principal sponsors
12. Kathie and Andrew Tan
13. Senator Sonny Angara and
Tootsy Echauz-Angara
14. Sabin Aboitiz, Jaime
Augusto Zobel de Ayala, Robina
Gokongwei-Pe, Tessie Sy-Coson
15. The bride’s beloved golden
retriever, Stella Bey Bear, as a
cake decoration
10
24
Lim, allowed them a
programme that stayed
true to their vision. “We
wanted our wedding
to feel light, classy and
understated,” the bride
shared. The church was
decked out in clouds
of gypsophila courtesy
of Teddy Manuel, who
helped add a modern twist
to the wedding’s classic
green and white theme.
The bride fell headover-heels in love with a
Monique Lhuillier gown
she spotted at the label’s
Melrose Place location in
Los Angeles. “I decided
[on the gown] then and
there. I love how it looked
soft, natural and feminine.”
She changed into “the
perfect dancing outfit”
by Vania Romoff for
the reception, which
her friends described
as “very Marilyn
Monroe”. Additionally,
Coyiuto’s sisters stunned
in aquamarine Rajo
Laurel dresses while
her bridesmaids wore
emerald green courtesy of
Sharleen Solis.
The reception was held
at Conrad Manila. With
an extensive guest list,
the couple wanted their
wedding to accommodate
everyone. Though the
wedding fell on a Sunday,
9
11
12
13
15
the day before the workweek
started, many guests kept
the party going and danced
the night away. The hotel
was their sole choice
since China Blue is the
couple’s favourite Chinese
restaurant. “We have no
regrets; guests were raving
about the food afterwards.
We are immensely grateful
to the Conrad and China
Blue team.”
14
Singers Gab and
Kara Pangilinan, close
friends of the bride and
groom, provided musical
performances. Gab sang a
rendition of Lea Salonga’s
Two Words as the bride
descended the aisle. At
the reception, the sisters
performed The Journey by
Salonga, Runaway by The
Corrs and Landslide by
Fleetwood Mac.
Fittingly, the couple’s
most cherished part of their
wedding day was their first
dance. “Our love for dancing
is one of the reasons why we
fell in love with each other
and played such an important
role in our wedding,” says
Coyiuto, who co-founded
808 Studio, Manila’s first
boutique dance fitness
studio. Ross was co-captain
of Xavier School’s dance
team and president of the
Company of Ateneo Dancers.
“I thought I’d be
nervous, but as soon as
I stepped on stage, I let
go and just had the best
time!” she describes the
magic moment. “Many
guests told us that our first
dance was their favourite
part of the night. It started
with just the two of us slow
dancing, then we excited
the energy and ended with
our family and friends
joining us. It became one
big dance party!”
25
1
2
26
26
The successful two-day visit of
US Secretary of Commerce Gina
Raimondo came to a colourful
culmination with a culturally rich
lunch event at the Ayala Museum
held in her honour. The event was
hosted by Sec Raimondo’s close
friend from her Harvard College,
Atty Geraldine Acuña-Sunshine;
Doris Magsaysay Ho, chair of
the Asia Society Philippines; and
Nanette Medved-Po, chair of HOPE
and the Plastic Credit Exchange.
The Asia Society Philippines and
the associations of alumni of US
universities headed by the Harvard
Club of the Philippines helped to
highlight the best of Philippine
arts, heritage and culture for the US
delegation and esteemed guests.
From March 11 to 12, Raimondo
led a delegation of senior executives
from 22 prominent American
businesses and non-profit
organisations on a first-of-its-kind
Presidential Trade and Investment
Mission to the Philippines. This
momentous visit crystallises US
President Joe Biden’s commitment
during Philippine President
Ferdinand Marcos, Jr’s May 2023
visit to Washington, DC. At the
lunch, Raimondo encouraged the
private sectors from both countries
and the Philippine government
to capitalise on the historic
WORDS FRANZ SORILLA IV PHOTOGRAPHY MEDAL ELEPANO
A Lasting
Impression
THE SCENE | PARTY
3
4
5
3
4
5
6
1. Nanette Medved-Po, Gina Raimondo, Doris
Magsaysay Ho, Geraldine Acuna-Sunshine
2. Gina Raimondo 3. Fernando Zobel de
Ayala, Nanette Medved-Po, Amb Jose Manuel
Romualdez, Chantale Wong, Jaime Augusto
Zobel de Ayala 4. UP Cultural Dancers 5. Marife
Zamora 6. Ira Liran, US Amb MaryKay Carlson,
Ana Liran, Leo Po
27
7
28
featured traditional dancers from
the University of the Philippines,
classic Filipino food and delicacies
catered by Kai, curated exhibitions
of the country’s top design and
lifestyle brands and creative
innovations pursued by the Design
Center of the Philippines. Jaime
Augusto and Fernando Zobel de
Ayala toured the Secretary around
the museum’s unique one-dayonly Philippine textile, furniture
and clothing design exhibition.
Fernando, Ayala Foundation
president and Asia Society vicechair, cheerfully welcomed the
guests with his opening remarks
at the lunch, followed by AcuñaSunshine’s toast to the Trade
Mission’s achievements, of which
she was a co-organiser.
“Today, through this beautiful
museum and wonderful exhibition,
we are proud to give you a glimpse
into our vibrant art and culture—so
that in addition to the economic
partnerships forged during this
visit, you all hopefully leave with
a greater understanding of the
Filipino spirit and the boundless
potential that the Philippines
can bring to US businesses and
the global community,” AcuñaSunshine said in her speech.
Raimondo shared words of
gratitude and optimism regarding
the strengthening economic
relations between the US and the
Philippines.
The capsule exhibition
titled A Celebration of Filipino
Culture included select pieces
from Kenneth Cobonpue, the
exhibition’s curator Tony Gonzalez,
Bea Valdes, Tadeco, Philux, Balay
ni Atong; spirits by Fortuna Cools,
Don Papa, ARC Gin, Tanduay
Rhum, Destileria Limtuaco,
Filipino coffee by Yardstick and
Filipino chocolate by Theo &
Philo. The Design Center of the
Philippines proudly introduced
to Raimondo and the guests their
incredible work in converting
pineapple waste material into many
uses such as paper and cloth, for
fashion and commercial use. “Del
Monte showed a video of how
Americans initially established [its]
plantation [in the Philippines],”
Acuña-Sunshine shared with
Tatler. “Today, Filipinos not only
own the operations [here] but also
Del Monte USA,” she added.
8
THE SCENE | PARTY
9
11
10
13
12
12
One of the most memorable
moments during the lunch was
when Raimondo joined the UP
Cultural Dancers in dancing
tinikling after an exhilarating
performance of various
Filipino fiesta dances in the
museum’s driveway.
The event came to a poignant
conclusion with the Magsaysay
7. Gina Raimondo dancing tinikling with the UP
Cultural Dancers 8. Apl.de.ap, Gianna Montinola
9. Maricris Floirendo-Brias, Barbee Chuidian,
Lourdes “Tunting” Cruz Matters 10. Rick Santos
11. Ricky Delgado, Senator Sonny Angara
12. Patricia Nichol 13. Cedie Lopez-Vargas
Children’s Chorale special number,
including the performance of the
classic Somewhere Over the Rainbow.
“A child named Elise thanked the
Secretary for bringing investors,”
Acuña-Sunshine recalled. “Then
Elise said: ‘We have a great country,
and we, the children, are its future.
We dare to dream because dreams
really do come true’.”
29
THE SCENE | PARTY
1
And The
Winners Are
2
The best in the industry gather for the launch
of the annual Tatler Dining Guide 2024
By Isabel Martel Francisco. Photography by Medal Elepano,
Ramon Mangila and Ian Santos
30
This year was
extraordinary, thanks
to the F&B industry
rebounding and
snapping back to its
glorious fighting form.
Restaurateurs and chefs
tickled our fancies with
bold menus, dynamic
collaborations, and
impressive new concepts
making their mark on
the scene. From pop-ups
to four-hands events,
bar crawls, and drinks
pairings, the dining
industry was bubbling
with activity and showed
no signs of slowing down.
The continued
development and
progression of new Filipino
cuisine, coupled with the
redefining of the fine dining
experience, has birthed
quite a few noteworthy
3
8
4
5
6
7
1. Tatler Dining Awardees 2024
2. The Grand Ballroom at
Shangri-La The Fort 3. Ian
Paradies, Peter Faulhaber, Denise
Faulhaber, Sandra Paradies, Tim
Yap 4. The Tatler Dining Guide
2024 5. Arlo Gregorio, Stephan
Duhesme, Karen Ramos 6. Basti
Escalante and Anna Mallari
7. Abba Napa, Colin Mackay
8. Joel del Prado, Malu Gamboa
9. Teri and Chele Gonzalez
9
establishments and kept
several key names on our
lips. Evidently, the F&B
community has been, and
remains, hard at work,
cooking up several concepts
for us to feast on. From
formal degustations that
daringly push boundaries
to laid-back, fuss-free
fare with comforting bites
to a booming cocktail
culture, we have been spoilt
for choice.
For this year’s Tatler
Dining Guide, the team,
with the help of our
esteemed (anonymous)
panel of experts, has voted
and curated a substantial list
of the best restaurants in the
Philippines. Flip through
the pages and find out which
20 restaurants have been
named the cream of the crop
and who have earned the
recognition of our Best of
the Year special awards.
The Tatler Dining
Awards are an annual event
that calls for celebration.
This year was no different,
providing the industry’s top
chefs and restaurateurs a
moment of pause to enjoy.
The grand ballroom of
Shangri-La the Fort, Manila
played host to over 300 of
the brightest stars in the
F&B industry, along with
their brilliant teams, for an
uplifting evening dedicated
to honouring the best in
food and beverage.
Hosted by Tim Yap, we
proudly introduced this
year’s Tatler Dining Guide,
Tatler Dining 20 and Special
31
10
11
13
10. James Thomas, James Reid,
Jeff Oh 11. Nick Sonderup and
Patricia Molina 12. Dom Pérignon
Champagne 13. Jerome and Jin
Go, Kidd and Eric Thomas Dee
14. Don Papa Rum 15. Roby
Goco, Rhea Rizzo, Aliza Goco
16. Julia Quisumbing-Lorenzana,
Erica Concepcion Reyes, Magsy
Concepcion 17. Quenee Vilar,
Nicco Santos, Thomas Woudwyk,
Ingga Cabangon Chua 18. Roman
Recto, Ina Kole, Laureen Uy,
Miggy Cruz, Amado Fores, Lui
Clavano 19. Lauren Golangco,
Cheryl Tiu, Isabel Francisco
20. Restaurateurs gather for a
selfie 21. Michelle Ayuyao, Jordy
Navarra, JP Cruz, May Navarra,
Dani Monfort, Cecille Juan
14
12
32
Award winners. Friendly
faces and new acquaintances
connected to cheer one
another on and raise a glass
to great F&B.
This year’s Tatler Dining
Guide profiles the best
restaurants in the country
and is your ultimate resource
for where to eat and what
to order in the Philippines.
With only 195 restaurants,
the Tatler Dining Guide 2024
opted to be more discerning
than ever, curating the list
of restaurants tighter and
with more input from our
anonymous panellists.
Foodies design the guide
for foodies and hopes to
keep you hungry, curious,
adventurous and eager to try
the many tasty experiences
coming your way.
This annual gathering
has become a muchawaited industry night that
we all look forward to, and
we cannot wait to prepare
for the coming year!
Thank you to our partners
who helped make this
event possible: HSBC,
Dom Perignon, Don Papa
Rum, The Glenlivet,
Megaworld Lifestyle
Malls and Shangri-La the
Fort, Manila.
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17
19
18
20
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33
A Little Night
Music
1
34
Senate President Pro
Tempore Loren Legarda
and Stores Specialists Inc’s
resident and CEO Anton
Huang mounted a special
concert last March 19 at
the Metropolitan Theater.
The concert featured the
Philippine Philharmonic
Orchestra (PPO) under the
baton of its music director
and principal conductor,
Maestro Grzegorz Nowak.
Cecile Licad, the renowned
Filipina piano virtuoso,
headlined the concert,
which celebrated National
Women’s Month.
The concert was the
brainchild of the late
Zenaida “Nedy” Tantoco,
a dear friend of Legarda.
Licad, after playing Pyotr
Ilyich Tchaikovsky’s
Piano Concerto No. 1 in
B-Flat Minor, Op. 23,
treated the enthusiastic
audience to three encore
performances dedicated to
the Metropolitan Theater
and Tantoco.
“I couldn’t help but
feel emotional during
the concert. I could only
think of Tita Nedy and her
legacy,” Licad says. “But
when I saw Anton Huang in
the theatre, I finally felt like
I had found a kindred spirit
who was also mourning the
loss of Tita Nedy. I had been
dealing with the pain on my
own while I was abroad. I
know that her contribution
to the Philippine art and
culture scene is now in
good hands with her son,”
she adds.
The concert’s first act
featured only the PPO
performing Johannes
Brahms’ Symphony No. 2,
Op. 73, D Major. Received
with rousing applause,
PPO’s opening performance
radiated energy and
optimism from start to finish.
When Licad performed
the Tchaikovsky piece
during the second act,
the entire theatre was
mesmerised by her
2
WORDS ANGELA NICOLE GUIRAL IMAGES COURTESY OF E ZOBEL FOUNDATION
THE SCENE | PARTY
3
1. Cecile Licad performing a
Tchaikovsky concerto piece
2. Cecile Licad, Senator Loren
Legarda 3. Rose Zamora, Therese
Coronel Santos, Dulce Cepeda, Anna
Tirol 4. Amb. Marco Clemente, Eddie
Yap 5. The Philippine Philharmonic
Orchestra led by Maestro Grzegorz
Nowak 6. Ino Manalo, Anton Huang
7. Anna Angara, Gloria Angara,
Agnes Huibonhua, Fe Rodriguez,
Millet Mananquil, Tootsy Angara
8. Catherine Huang Endriga,
David Endriga, Sandra Gfeller,
Dr Joven Cuanang
4
5
7
finesse, dexterity and
heartfelt rendition of
the iconic composition.
From powerfully
pounding the chords in
the first movement, Licad
transitioned to a lighter,
uplifting follow-through
and finished strongly with
an energetic finale.
“This is truly a triumphant
night to stage the artistry
of Filipinos once again
when it comes to the music
industry,” Legarda says.
“Cecile Licad is an undying
testament to the Philippines’
contribution to the world of
classical music, which has
truly inspired a generation
of Filipino musical geniuses
who continue to shape and
advance the country’s rich
arts and culture scene.”
6
8
An exceptional gathering
of artistic talent, the guests
who attended the event
were dressed elegantly and
included dignitaries from the
Senate, government officials,
members of the diplomatic
corps, business leaders,
socio-civic stalwarts, young
artists, music students and
educators from various state
colleges and universities.
“Our dedication
to promoting the
unparalleled talent
of Filipino artists is a
testament to our enduring
legacy,” Legarda says.
“This event underscores
the essence of Filipino
creativity and highlights
our unwavering passion
for nurturing worldclass talent.”
35
THE SCENE | PARTY
2
3
1
Curtain Call
36
Before closing its doors
last April, Sevva hosted
a dazzling soirée to
commemorate its illustrious
years of operation and
thank its loyal guests,
supporters and fans.
Sevva, a popular social
spot in Hong Kong, was
inaugurated in 2008. It has
been continuously setting
new benchmarks in the
entertainment industry in
Hong Kong. The visionary,
one of Asia’s tastemakers,
and definitely one of
the most stylish ladies,
Bonnae Gokson, has been
leading Sevva, redefining
entertainment, and
attracting a global clientele
of celebrities, royals,
jet-setters, and luminaries
from the fashion, music and
film industries.
The momentous final act
was attended by esteemed
social figures, prominent
members of Hong Kong’s
society and influential
tastemakers including Alan
Chan, Allan Zeman, Cecilia
Wang Shi Shi and Donnie
Yen, Goodwin Gaw and
Yama Gaw, Kamsen Lau,
Kim Robinson, Mira Yeh,
Sandra Ng, Virginia Yung,
Linda Mcafee, Vivienne
Tan, Winnie Yu Tsang and
Yvette Ho, to name a few.
Gokson, Sevva’s creative
visionary, curated the
celebration, allowing guests
to reminisce and savour
the unforgettable moments
forged at Sevva.
“While bidding farewell
is bittersweet, we take
pride in reflecting on
past accomplishments
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5
6
8
7
WORDS ANGELA NICOLE GUIRAL IMAGES COURTESY OF E ZOBEL FOUNDATION
9
and remaining open to
new creative directions,”
Gokson says. Carefully
orchestrated, the
magnificent affair
had a curated song
list complemented by
captivating and heartfelt
performances and
showcased the impeccable
hospitality it was known
for. Guests partook in
the
7 delectable array
of signature canapés
and champagnes.
Gokson’s commitment to
discovering and nurturing
talent manifested in the
lineup of artist-performers
amused and mesmerised
the attendees for the
celebration’s international
flair. One of the performers
was our very own
Bituin Escalante.
Gokson’s closing
remarks brought a
poignant conclusion to the
establishment’s farewell
party. She expressed her
gratitude and appreciation
to the entire team and
employees behind Sevva.
She reflected on the
past 16 years of Sevva’s
existence, acknowledging
the challenges and
moments of joy they have
encountered along the
way. Gokson also took
the opportunity to extend
her heartfelt gratitude to
all their customers, loyal
staff, and friends who
have believed in her and
supported Sevva, making
it a landmark social and
entertainment destination
in Hong Kong for both
international and local
guests. “Sevva will always
remain in our memories,”
said Gokson bidding
farewell. “Thank you again
for your unwavering love
and support.”
1. Bituin Escalante 2. Thomas Hui,
Allan Zeman 3. A surprise song
performance by Sevva’s chef
4. One of the many performances
throughout the night 5. Su Lee Chen,
James Chen 6. Kim Robinson
7. Bonnae Gokson 8. James Wu,
Virginia Yung 9. Cissy and Donnie Yen
37
THE SCENE | PARTY
1
1
A Toast
to Jojie
38
They say that Jojie
Dingcong, a talent
manager extraordinaire,
is one of the few
individuals with the talent
to bring together a diverse
and vibrant group of
people on a
single occasion. He
recently proved this at
his birthday party, which
was graciously hosted by
his dear friends Ching
and Philip Cruz. The
gathering, consisting
of approximately 45
attendees, took place
in the hosts’ beautiful
Dasmariñas Village
home on the evening of
March 15th. According
to Dingcong, the party’s
theme was simply
happiness and
the celebration of
enduring friendships.
Sighted at the party of
luminaries were Drs Vicki
3
3
2
3
4
2
4
5
8
WORDS ANGELA GUIRAL PHOTOGRAPHY DANIEL TAN
6
Belo and Hayden Kho,
Alice Eduardo, Philip and
Small Laude, Kevin and
Mich Tan, Iñigo Zobel,
Tina Cuevas, Carla Tengco,
Karen Santos, Nikki
Teodoro, Michelle Tiangco,
Ana Lorenzana de Ocampo
and Paul Cabral. This
exclusive guest list added an
extra layer of prestige to the
festivities, a detail not lost
on Dingcong. “This year is
extra special because I am
[born in the year of the]
dragon,” he shares, further
highlighting the high status
of the event in society.
The evening’s
entertainment was provided
by Rexvin Wolfe and his
team of gorgeous singers
serenading the guests.
This was followed by an
exceptional performance of
the sensational Small Laude.
Meals were also a cause
for joy, with chefs Freddie
Tembrevilla, Melgazar
Siena, and Wilson Entatano
preparing a gastronomic
experience. “The fresh
lobsters flown in from
Roxas City just for the party
were a major hit, as was
the delicious lechon belly
baked to perfect crispiness,”
says the thankful celebrator.
For Dingcong, this
celebration is the best
example of a perfect birthday.
Surrounded by friends and
loved ones, their presence
alone was the greatest gift he
could ever hope to receive.
“I just feel so grateful and
blessed,” he reflects. “They
are all heaven’s grace.”
1. The night’s table setup by Ching
Cruz 2. Jojie Dingcong and Ching
Cruz 3. Dr Vicki Belo, Alice Eduardo,
Ching Cruz, Susan Joven 4. Karen
Santos, Joe Miro, Agnes Roscigno,
Korina Sanchez 5. Ana Lorenzana
De Ocampo, Dr Hayden Kho, Jr,
Nicole Ortega, Melba Eduardo
Solidum, Michelle Tiangco 6. Margie
Moran Floirendo, Tina Cuevas, Nikki
Teodoro, Carla Reyes-Tengco
7. Kevin and Michelle Tan
7
39
THE SCENE | INTERVIEW
Masters
of
Design
Eight of the country’s top
architects and designers reveal
how their creative minds shape
their excellent works
By Chit L Lijauco
JAMES JJ ACUÑA
Architectural Designer and
Founder JJ Acuña / Bespoke
Studio
(Hong Kong & Manila)
Sources of inspiration
My concept narratives are generally
inspired by stories told, histories of
places, cultures and people, my lived
experiences, art I’ve seen, spatial
fantasies and cities I’ve travelled to.
40
Favourite design era
At university at Cornell and Columbia
in the late Nineties and early Aughts,
I looked at the emerging works of
Dutch designers like OMA Rem
Koolhaas and Mecanoo. The husbandand-wife teams of Tod Williams-Billie
Tsien and Diller-Scofidio. In contrast,
I also study the interiors of America’s
Gilded Age era in the United States
from the late 1800s to the early 1900s.
The millwork, crown mouldings,
detailing, wainscotting, and fabric use
all exploded with the money coming
in from oil and industry. The exquisite
works of many historic gilded age
spaces in the northeastern United
States inform a few of my works today.
Finish this sentence: A home
must have _____?
Great daylight. This is key to having
a beautiful space.
Please share a few practical
design tips.
Get rid of clutter. Invest in natural
materials. Work with talented
designers. Support local design
talents. Look within and inside
oneself to choose art. Embrace
fabric and great detailing.
Who/what inspired you to choose
a profession in design?
When I was young, I wanted to
be a painter or fashion designer,
but my mum pushed me to attend
architecture school. It was ultimately
the best decision of my life to study
architecture. Now, I’m very proud
of my work, our studio’s work and
what we’ve been able to build for our
clients. My mum is also delighted,
which is very important to me.
What principles of design do you
adhere to?
Be bold and tell a great story
through design. Let’s create
transformative places that take
the project to the next level.
Let’s celebrate the client’s lived
experiences. Let’s celebrate
cultures. Let’s celebrate light and
how it adds dimension to the space.
And I find meaning and purpose in
everything I do. The combination
of all the above, ─ that’s excellent
alchemy right there.
IMAGE COURTESY OF JJ ACUÑA
Design heroes
I was inspired by the work of Louis
I Kahn, Tadao Ando and Carlo
Scarpa. These days, as I focus
primarily on hospitality and luxury
residential interiors, I appreciate
the works of women designers like
India Mahdavi, Patricia Urquiola,
Kelly Wearstler and Ilse Crawford.
“Designs
should be
practical and
logical—
designed with
young children
and senior
citizens
in mind”
Please share a few practical
design tips.
Always create a timeless home. A
home must be well-edited. Know
when to begin and when to end.
An architect must coordinate
with the client for her likes and
dislikes; the house must reflect
the owner’s personality. Work
around the property’s orientation,
mainly where the morning and
the afternoon sun rest. Specify
materials that are easy to maintain.
RAMON ANTONIO
Architect
IMAGE COURTESY OF RAMON ANTONIO
Sources of inspiration
My first and foremost inspiration is
my late father, National Artist Pablo
S Antonio. Until today, I still heed
his words and guidance.
Design heroes
In architecture: Pablo Antonio,
Frank Lloyd Wright, Le
Corbusier, Richard Neutra, Oscar
Niemeyer, Geoffrey Bawa. In
interior design: François Catroux,
Henri Samuel, David Hicks,
Billy Baldwin, Christian Liaigre,
Stephen Sills.
Favourite buildings, houses,
infrastructure
Frank Lloyd Wright’s Fallingwater
House; Richard Neutra’s Kaufmann
House in Palm Springs; Oscar
Niemeyer’s Das Canoas House
in Brazil; Philip Johnson’s The
Glass House; Ludwig Mies van der
Rohe’s Barcelona Pavilion; The Jim
Thompson House in Bangkok.
Who/what inspired you to choose
a profession in design?
Again, my father. Seeing his works,
as well as his devotion and passion for
architecture, inspired me to follow in
his footsteps.
Favourite design era
I have always liked the Sixties and
Seventies eras. I particularly like
their modern designs, which are
an extension of the Mid-century
Modern. This period is timeless.
What principles of design do you
adhere to?
Designs must be based on the
climate conditions; for example,
for us living in the Philippines,
we must design for the tropics,
allowing cross-ventilation for
good air circulation, as well as
wide eaves and a good roof as we
contend with typhoons every year.
Designs should be practical
and logical—designed with young
children and senior citizens in mind.
Allow natural light to flow inside, as
this is an energy saver.
Design should be timeless.
Finish this sentence: A home
must have _____?
If possible, lots of outdoor spaces,
gardens, courtyards, etc; nine ways
of furniture blending; important
artworks, paintings, antiques,
and accessories; lots of light and
ventilation resulting in a very light and
airy home.
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42
ED CALMA
Finish this sentence: A home
must have _____?
A new concept of living
Sources of inspiration
The natural and the artificial world.
Please share a few practical
design tips.
Design a well-ventilated house
with lots of daylight.Keep an openplan layout.
Architect
Lor Calma & Partners
Design heroes
My dad, Antonio Citterio, SANAA,
Antón García Abril, Diller & Scofidio.
Favourite buildings,
houses, infrastructure
Casa Hemeroscopium by
Antón García Abril; Grace Farms–
SANAA; High Line–Diller
& Scofidio.
Favourite design era
Deconstruction Age.
Who/what inspired you to choose
a profession in design?
My dad.
What principles of design do you
adhere to?
Keep it simple and true to the
concept. Innovate quietly.
Difficulty can always be solved
creatively and technically.
IMAGE COURTESY OF ED CALMA
“Keep it
simple and
true to the
concept.
Innovate
quietly.
Difficulty
can always
be solved
creatively and
technically”
“The present
is important
because this
is the era I am
working in”
Favourite design era
The present is important because
this is the era I am working in.
JONATHAN MATTI
IMAGE COURTESY OF JONATHAN MATTI
Design Director
Jonathan G Matti
Design Consultants
Sources of inspiration
From everywhere, especially with
the vast resources of ideas and
inspiration offered by the Internet.
Both design and non-design
books are also significant sources
of inspiration. People, places and
events play a vital role, too.
Design heroes
Elsie de Wolfe, credited by The
New Yorker to have invented the
profession of interior design; Billy
Baldwin, a classic and modernist
interior designer; John Fowler and
Nancy Lancaster, for inventing the
decorated non-decorated look;
Peter Pennoyer, for contemporary
classical architecture; Pier Carlo
Bontempi, for his new traditional
Italian architecture; Peter Marino, for
creating the most exciting retail and
hospitality spaces; Philip Johnson,
for giving us The Glass House in New
Canaan, Connecticut; Luis Barragán,
a Mexican modernist architect for
colour and play of light and shadows.
Favourite buildings, houses,
infrastructure
Seagrams Building in New York,
Glass House in Connecticut, Musee
Picasso in Paris, Louvre Pyramid,
the Philippines’ bahay na bato, Hotel
de la Marine in Paris.
Finish this sentence: A home must
have _____?
Warmth and spontaneity.
Please share a few practical
design tips.
Designing spaces starts with good
bones and flow.
Who/what inspired you to choose
a profession in design?
I grew up in a house with a lot
of movement, be it furniture
arrangement, garden landscaping,
decorations and architecture.
This propelled me to take
up architecture.
What principles of design do you
adhere to?
Purpose, functionality, proportion.
43
J ANTONIO MENDOZA
Designer
J Antonio Mendoza
Design Consultants
Sources of inspiration
Now, the answer to this is infinite. But
top of my head…I can be inspired by a
moment, a person, or even a welldesigned paperclip.
Design heroes
Richard Neutra.
Favourite buildings,
houses, infrastructure
Philip Johnson’s Glass House,
Ayala’s Park Central Towers (which
I am a part of), and the Mesquita in
Córdoba, Spain.
Favourite design era
Certainly, this contemporary era,
which I am a part of. I design with
44
Finish this sentence: A home
must have _____?
A soul. A connection to the past in a
present setting that is also a link to
the future.
Please share a few practical
design tips.
When designing, just be yourself.
Do what you want. All the most
excellent designers do this.
Who/what inspired you to choose
a profession in design?
Family, my parents particularly. I
grew up in a beautiful home that was
ageless. My architect father built
the house and, together with my
interior designer mother, made it a
home. My maternal grandparents’
ancestral home was on Calle General
Solano in the San Miguel district
near Malacañan. It was a beautiful
Hispano-Filipino home filled with
antique furniture and centuries-old
ivory Santo. So, my taste is eclectic, a
side of me I have always liked.
What principles of design do you
adhere to?
Design is all about proportion.
It would be best if you were
disciplined in choosing what goes
into your home. I, fortunately, am
blessed with the gift of restraint, a
quality that escapes many.
PHOTOGRAPY MARK NICDAO
“When
designing, just
be yourself.
Do what you
want. All the
most excellent
designers
do this”
passion and fervour so that someday,
I, too, can inspire the architects and
designers of the future.
“Through
light, energy,
technology,
craft, materiality
and a sense of
place, I create
peaceful,
harmonious
environments
that capture
the soul and
radiate spirit”
Architect Syjuco, who designed my
parents’ home in Magallanes, among
a host of residences he did in
Makati during the Fifties and Sixties;
my mentors Lindy Locsin and
Bobby Mañosa.
EMMANUEL “MANNY”
A MIÑANA
Principal Architect
EA Miñana, Architects
IMAGE COURTESY OF MANNY A MIÑANA
Sources of inspiration
Everything and anything! Nature,
art, music, fashion, interiors and
the inspired and creative work
of others!
Design heroes
Lindy Locsin, Frank Lloyd Wright,
Ed Tuttle, among a few….
Favourite buildings, houses,
infrastructure
The Cultural Center of the
Philippines, Fallingwater, Amankila
resort, Fondation Louie Vuitton……
Favourite design era
No other time but Today!
Finish this sentence: A home
must have _____?
Soul and Spirit.
Please share a few practical
design tips.
Orient your home towards cool
sources of light, ie, to the East
and to the South. Keep your
service areas towards the West.
Provide active air flow with crossventilations from the SW (habagat)
and NE (amihan) directions.
Who/what inspired you to choose
a profession in design?
My Tita Nitang Pelaez-Robicheau;
What principles of design do you
adhere to?
I have a deep affection for Filipino
culture. I am interested in abstracting
familiar forms from our country’s
vocabulary, hoping to reinvent our
past with contemporary architectural
translations of simplicity, context,
elegance and comfort.
Through light, energy,
technology, craft, materiality and
a sense of place, I create peaceful,
harmonious environments that
capture the soul and radiate spirit.
In part, soul and spirit are
cultivated by providing elements
of surprise and wonder within a
design narrative that seeks to explore
modulations of scale, light, a closeness
with Nature, materiality and energy.
45
ANTHONY NAZARENO
Principal Architect and Designer
Nazareno Architecture
and Design
Sources of inspiration
Travels. Japan and Italy are always
high on the list.
“While
materiality
plays a large
role in my
design,
restraint
is equally
important.
Striking
a balance
between these
two is key”
46
Favourite buildings,
houses, infrastructure
The German Pavilion for the
1929 World Expo, commonly known
as The Barcelona Pavilion by Mies
van der Rohe.
Finish this sentence: A home
must have _____?
Soul. And art provides that. A
kitchen with a good cook is a
close second.
Please share a few practical
design tips.
Bigger is only sometimes better. Strive
to find the appropriate size, scale and
proportions for anything you design.
Who/what inspired you to choose
a profession in design?
My mum and dad were friends
with local architecture stalwarts
Bobby Mañosa and Jorge Ramos.
I would talk to them and even
visited their homes when I was
a young kid. I could see their
passion for architecture, and I
wanted to be just like them and do
what they do.
What principles of design do you
adhere to?
While materiality plays a large role
in my design, restraint is equally
important. Striking a balance
between these two is key.
IMAGE COURTESY OF ANTHONY NAZARENO
Design heroes
Luis Barragán, a Mexican architect,
and Mies van der Rohe, a German
architect, are pioneers of modern
architecture whose important works
were built in the early to mid-1900s.
Also Piero Lissoni and Antonio
Citterio. Both Italian architects,
interior designers and furniture
designers. Their separate design
practices are the standards I try
to emulate.
CONRAD ONGLAO
IMAGE COURTESY OF CONRAD ONGLAO
Principal Architect
CT Onglao Architects Inc
Ricardo Bofill, and Geoffrey
Bawa…too many to mention.
Sources of inspiration
Travelling, books and
search engines.
Favourite design era
The last 20 years of
architectural evolution
and development.
Design heroes
IM Pei, Frank Gehry, Ed Tuttle,
Ernesto Bedmar, Ricardo
Bofill, and Geoffrey Bawa, to
name a few.
Finish this sentence: A home
must have _____?
Warmth and serenity, a
certain lightness and, of
course, comfort.
Favourite buildings,
houses, infrastructure
Works by Ricardo Legorreta,
Please share a few practical
design tips.
KISS: Keep it simple, st…d!
“I adhere to the
principles of
simplicity,
balance, scale,
timelessness,
proportion”
Who/what inspired you to
choose a profession in design?
By accident.
What principles of design do
you adhere to?
Simplicity, balance, scale,
timelessness, proportion.
47
The Place To Be
Louis Vuitton The Place is the first of its kind in Asia and is a
unique combination of a restaurant, store, exhibit space and café
By Anton San Diego
Louis Vuitton is a luxury brand
known for continuously pushing
the envelope in retail and sensory,
auditory and visual experiences.
This resoluteness was exhibited by
the man behind the brand, Louis
Vuitton, who left his hometown
in Jura at 14 in 1835 to be an
apprentice for a trunk maker in
Paris. Despite humble beginnings,
his determination and hard work
paid off, leading to the creation of
a global luxury brand that is still
thriving (and leading the way) today.
Louis Vuitton (LV) Philippines
recently invited me to visit LV
The Place Bangkok at Gaysorn
Amarin, a new destination with
an exhibition, café, store and
restaurant by the renowned chef
Gaggan Anand. This experiential
space showcases the Louis Vuitton
universe’s immense creativity, reach
and undaunted imagination.
Upon arriving at Gaysorn Amarin,
one must marvel at the building’s
façade and architecture, which has
become a not-to-be-missed photo op
for anyone on social media. LV The
Place Bangkok occupies two floors
of the downtown retail complex,
uniquely integrating retail, dining
and culture.
GAGGAN AND
RETAIL THERAPY
48
Our first stop was the retail space
with exclusive LV products that
could not be found anywhere
else. There was one particular
crochet keep-all bag that caught
my eye. Afterwards, we went
to Gaggan for lunch with this
generation’s superstar Anne
Curtis, Patrick Galang (Mega’s
creative director) and Jeanger
Navarro (LV Philippines PR and
communications manager) and
tried their degustation menu. LV
THE SCENE | HAPPENING
Clockwise, from
top left: Façade
of LV The Place
Bangkok; One of
the dishes served
at Gaggan; Details
inside the Louis
Vuitton store; The
entrance at Gaggan
Opposite, from
top: the Visionary
Journeys exhibition
celebrates Louis
Vuitton’s innovation,
savoir-faire, and
spirit of travel; Anton
San Diego, Jeanger
Navarro, Anne
Curtis, and Patrick
Galang at LV The
Place Bangkok
49
states, “Gaggan has curated a food
journey offered across both lunch
and dinner for the Maison’s first
restaurant in South East Asia,
Gaggan at Louis Vuitton.”
Although I am not usually a fan
of degustations, I found every dish
to be close to perfection. There was
one in which we had to lick the plate
clean, and that was our reaction to
every dish. It was an unforgettable
culinary adventure, and everyone
agreed that Gaggan is the restaurant
everyone must visit.
LV EXHIBIT
50
After lunch, we went to see Louis
Vuitton’s latest exhibition, Visionary
Journeys, which showcases the
Maison’s unique heritage in an
unprecedented way. Shohei
Shigematsu developed the
scenographic experience. The
exhibition is divided into five thematic
rooms reimagining historical and
contemporary pieces, immersing
visitors in the brand’s dedication to
innovation, travel and creation.
From Iconic Bags (Alma, Keepall,
Speedy, Noé and the Petite Malle)
celebrating its past and present
artistic directors—Marc Jacobs, Kim
Jones, Nicolas Ghesquière, Virgil
Abloh and Pharrell Williams— to
renowned artists— such as Stephen
Sprouse, Takashi Murakami or
Yayoi Kusama— the exhibition
aims to celebrate the history and
collective contribution of these
visionary designers. A surprise
awaits visitors in the last themed
room. I won’t spoil what it is, but it’s
a great parting gift.
COFFEE OR TEA
On the ground floor, you’ll find Le
Café Louis Vuitton. Their pastry
selection is very tempting and
includes a variety of desserts such
as tarts, ice cream and chocolates,
each adorned with a Louis Vuitton
icon. Although we were already
full after our meal, we couldn’t
resist getting some LV cookies to
take home as lovely gifts for our
family and friends.
LV The Place Bangkok is a onestop cultural experience. Although
we hope the Philippines will have
something similar soon, it is a mustvisit destination for anyone travelling
to Bangkok.
From top: Le Café
Louis Vuitton; An
enticing display at
the exhibition
An Invitation to
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Subscribe to our “Best of
Tatler” newsletter and receive
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most impactful stories that
celebrate the Best of Asia.
A New Era Begins
With Ayala Malls’ exciting redevelopment underway, anticipation
mounts as we unpack an exclusive preview of what’s to come By Mac Fabella
52
THE SCENE | RETAIL
IMAGES COURTESY OF AYALA MALLS
Artist’s
perspective
of the new
Greenbelt 1
façade, set to
debut in 2028
T
here’s a breath of nostalgia
whenever one walks the halls
of Ayala’s iconic shopping
malls in the country.
Constructed gradually from the
late Seventies and formally opening
in the Eighties, Greenbelt has
long served the community as a
distinguished hub of retail stores,
restaurants, bars and spaces for
leisure. Glorietta (formerly known
as Quad) followed suit in the early
Nineties. Conveniently located
a stone’s throw away from each
other, they’ve both etched their
fundamental marks on the Makati
City blueprint, reflecting their
dynamic energy and people as well
as their fine tastes.
It didn’t take long before the
renowned conglomerate brought
this experience beyond the borders
of its crown jewel. Ayala Center
Cebu opened to the public in 1994;
TriNoma, situated north of the
metropolis, was inaugurated in the
aughts. Since then, all four have
become quintessential shopping
districts and lifestyle centres. They
are places where many of us have
reliably built and cultivated special
memories—a reminiscence, almost,
of simpler times and all the changes
we have witnessed over the years.
With a steady pulse on its
patronage, and as originators
themselves of key trends and
preferences, Ayala Malls has
announced an exhilarating, new
chapter for its flagship properties.
Greenbelt 1 and 2, Glorietta,
TriNoma and Ayala Center
Cebu are slated for simultaneous
redevelopment, which will refresh
their exteriors and interiors as well
as bring in an exciting mix of local
and global retail brands. Artist’s
renders reveal a fresh and modern
aesthetic, uncompromising on
lush greeneries, open spaces and
seamless connectivity. This, after all,
is a signature Ayala Mall feature.
Despite a touch of
sentimentality—parting with the
brutalist facade of Greenbelt 1
once designed by National Artist
for Architecture Leandro Locsin,
among others—the news continues
to spark eager anticipation for the
habitués of each time-honoured
establishment. In seeking to create
retail landmarks that resonate with
present and future generations,
Ayala worked with global design
experts to, according to an official
statement, “rethink the sense of
53
THE SCENE | RETAIL
54
“Rethink
the sense
of place
that
customers
can
encounter
in its malls”
place that customers can encounter
in its malls”. There is a bold
ambition to redefine third spaces,
a term that popularly refers to
locations outside of the home and
workplace where one chooses to
spend time and socialise. What
with the pandemic’s brunt of lost
time and the rise of virtual “places”
such as social media and online
marketplaces, the redevelopment
plans mark a significant move in
the fierce competition for patrons’
time and attention.
Thus, beyond the refreshing
change in aesthetics, there is a
focus on intuitive wayfinding and
circulation with the ultimate goal of
providing a more cohesive, and more
memorable, customer experience.
Patrons can expect the addition of
thoughtfully-curated retail spaces,
enhanced areas for convergence and
sustainable facets in the new design,
allowing the retail giant to serve
them better while achieving a lower
environmental impact.
THE NEW LOOKS
American architecture
firm Gensler is tasked with
reinventing Greenbelt 1 and 2
with a contemporary, inherently
“greener” look, scheduled to debut
in 2028 and 2026 respectively.
Distinguished by a wooden facade
and foliage flecked throughout
it, Greenbelt 1 will run on 100 per
cent renewable energy. It will
also house a direct cooling system
as an alternative to individual
air conditioning units, skylights
to harness natural sunlight and
illuminate the expansive interiors,
as well as a rainwater collection
system for garden irrigation. These
energy-efficient features will
also extend to Greenbelt 2, which
adopts a more familiar update to its
relaxing, palm-fringed allure.
Ayala has then enlisted the
transformation of Glorietta and
Ayala Center Cebu to Australian
design firm Buchan. The two malls,
which both opened in the Nineties
Clockwise, from left: Artist’s perspective
of the Ayala Center Cebu Activity Center;
Greenbelt 2’s palm-fringed façade;
Glorietta 4 at night
and notably play host to their own
soaring atriums, will feature bright
interior enhancements with new
architectural treatments, parks
and landscaping. Ayala’s first mall
outside Metro Manila and Luzon
is also set to incorporate Cebuano
craft and culture into its redesign,
while offering a stronger merchant
mix with flagship stores and more
“first-in-Cebu” concepts. It is
targeted to reopen in 2026, while
Glorietta, by the tail end of that year.
Finally, Hong Kong’s CAN
Design Ltd takes charge of
TriNoma’s revamp. The entrances
will be upgraded for a “grand sense
of arrival” and, like Ayala Center
Cebu, its main activity centre will
have a giant LED wall spanning
four floors in height. TriNoma will
also be home to an expanded and
elevated dining portfolio, multipurpose event spaces and multilevel gardens, as well as a three-level
expansion on its North Avenue side
slated for 2026.
With a nod to cherished
memories of the past and to the
electrifying promise of what’s to
come, Ayala Malls enters a truly
invigorating era as a trusted retail
leader at the forefront of sparking
unique and memorable lifestyle
experiences. Its future is bright, and
one thing’s for sure: all will certainly
be worth the wait.
55
THE SCENE | ASIA’S MOST INFLUENTIAL
Wealth
Builders
56
Franco Varona, the managing
partner of Foxmont Capital
Partners, has been a critical
player in the growing startup
ecosystem in the Philippines since
its inception in 2018. Along with
co-founder Jesse Maxwell and a
team of skilled investors, Foxmont
has invested in 40 promising
Filipino-focused or Filipino-led
tech companies. According to
Varona, they are proud to be the
first institutional investor for many
entrepreneurs in the country and
to help seed the Filipino startup
ecosystem. As the country’s digital
economy continues to grow due to
flourishing entrepreneurship, he
believes that Foxmont will remain a
significant player.
Varona is among the country’s
pioneering venture capitalists. He
is a seasoned operator who has
co-founded, led and consulted
businesses across various
industries in the Philippines,
including media, retail, logistics
and transportation.
Asked what fuels his creativity,
Varona answered that it is meeting
equally passionate entrepreneurs
daily, hearing their bold plans and
ambitions for their new businesses.
Some of the most recent
investments Foxmont has made
that Varona is
deeply proud of
are those tied to
environmental,
social, and
governance
(ESG)
considerations.
Among these
are Plastics
Credits Exchange, SolX, Ruralnet
and Nibertex.
“We are entering into one of
the most significant times for the
country’s startup landscape, with
the convergence of demographics,
digitisation, and increased
investor attention all happening
simultaneously,” Varona says.
What he looks for in a
company before investing in if the
entrepreneur has a strong team
behind him, a strong business plan
and a viable path to profitability.
The entrepreneur believes that
the country is now receiving a
“demographic dividend”, as its labour
participation is projected to overtake
the global rate by 2030. “This
means more people contributing to
the workforce, and therefore, the
expectation is the creation of a more
robust economy,” Varona says.
But amid the expected rise,
Varona is also conscious of its
challenges. “Same as with any
burgeoning economy, challenges
are on how to manage the growth,
which inevitably will outpace
the [current] regulations,” he
says. “Luckily, we have recently
witnessed a much more engaged
government, one that understands
the importance of the startup
ecosystem.” Another challenge
Varona sees is the lack of funding
for startups in the country, which
Foxmont helps to address.
Varona advised those who dare
to follow in his footsteps to keep
trying and pushing through with
sheer force of will. “Be the big
fish in the small pond. Bring new
ideas to the table. People will
listen,” he says.
“What keeps me going is
knowing that the best parts of the
Philippines are yet to come and that
Foxmont will be there every step of
the way,” Varona concluded.
WORDS FRANZ SORILLA IV PHOTOGRAPHY ARTU NEPOMUCENO
Foxmont Capital Partners’ Franco Varona
is optimistic about the Philippines’
expanding startup landscape, which
continues to be the most exciting in the
Southeast Asian region
MINETTE NAVARRETE
CO-FOUNDER AND PRESIDENT, KICKSTART VENTURES
The woman behind
the corporate venture
arm of significant
telecommunication service
provider Globe Telecom
started her career working
for several multinational
companies. Now, Minette
Navarrete reaps the valuable
lessons from her decades of
experience and continuously
seeks ways to push the
telco’s boundaries through
Kickstart Ventures. Since
the pandemic, the venture
capital firm has supported
notable Philippine
startups such as the social
entertainment app Kumu,
agri e-commerce platform
SariSuki, fast-growing
coffee brand Pickup
Coffee, parenting platform
Edamama and more.
In 2023, Navarrete
shared her expertise at the
Queen Elizabeth Centre
II in London during the
globally celebrated London
Tech Week. At the event, the
UK’s Trade Commissioner
for Asia-Pacific, Natalie
Black, announced
Kickstart Ventures’ first
UK investment in biotech
startup Roslin Technologies
via the Ayala Corporation’s
ACTIVE Fund.
ANA ABOITIZ DELGADO
EXECUTIVE VICE PRESIDENT / CHIEF CUSTOMER EXPERIENCE
AND DIGITAL CHANNEL OFFICER, UNIONBANK OF THE PHILIPPINES
Daughter of the late
ambassador Roberto
Eduardo “Bobby”
Aboitiz and his wife
Marian, Ana AboitizDelgado helms
UnionBank’s stride
toward digitalisation.
Under her leadership,
the esteemed bank’s
digital customer base
has grown through its
online mobile app. She
was also instrumental
in the bank’s acquisition
of the Citibank NA
Philippine branch.
Aboitiz-Delgado
earned her master’s
degree in business
administration from the
Stern School of Business
at New York University.
At UnionBank, her
contributions were
focused on digitalisation,
which helped the company
survive the pandemic, as
migration to online was
needed. Now, she serves as
chief customer experience
officer, digital channels
officer and chairperson
of CitySavings.
57
THE SCENE | GEN.T
Minnie Pangilinan
This co-inventor of Brakong, an innovative breast prosthesis, says designers must
have a sense of duty to serve the people, especially the marginalised By Franz Sorilla IV
58
What keeps me going in this field is the chance to
use design and technology to tackle issues that need
collective action, like climate change and healthcare,
and not perpetuate existing exploitative systems.
Working with doctors and mentors has shown me the
power of collaboration in crafting sustainable solutions.
From what I’ve seen, my fellow designers from school
and colleagues are doing amazing work in both the
public and private sectors, which is really inspiring.
The UP College of Fine Arts FABLAB has been my home
in college. I would encourage citizens, especially students,
to check out the makerspaces in their areas. These are
spaces for creativity and collaboration. I believe that
having access to these democratised resources is helpful
in coming up with local solutions.
We are now in a polycrisis, a world full of ‘wicked’,
interconnected challenges. I think the design sector
should focus on creating environments of collaboration,
bringing in and listening to the voices of the marginalised.
While I am still unsure of the timing of my current
projects, it is ultimately my goal to share the learnings,
technology and methodologies I’ve been immersing
myself in here in Spain/Europe. I hope to open my own
studio when I get back to the Philippines, focusing on
education and circular design in rural areas.
I also consciously emphasise not to perpetuate a
Western/colonial mentality just because I am in
Spain. Rather, I aim to challenge such notions, to
find ways of decolonisation and democratisation.
I’m excited to finish my master’s programme and see
where my projects take me in Barcelona. While Brakong’s
progress might be a bit slower right now, I’m optimistic
about the collaborations we have in the pipeline and
where they might lead us.
Gen.T is Tatler’s platform for young
leaders shaping Asia’s future.
tatlerasia.com/gen-t
PHOTOGRAPHY WESLEY VILLARICA
The Design Center of the Philippines (DCP) challenged
the country’s finest designers to come up with an
ingenious way to utilise bakong, a locally-grown aquatic
plant with antimicrobial purposes. Two emerging
creatives from Surgical Innovations and Biotechnology
Laboratory (SIBOL) answered the challenge with
a sustainable solution: Brakong, a breast prosthesis
for breast cancer survivors; made of bakong, the
environmentally friendly bio-based product is, at the same
time, comfortable to wear. Brakong came at an opportune
time. The International Agency for Research on Cancer
recorded in 2020 that breast cancer is one of the two most
common cancer types affecting women globally, with the
Philippines having the highest incidence in Asia.
Emmanuelle “Minnie” Alcazaren
Pangilinan is a maker, designer, animator and artist
who graduated from the University of the Philippines with
degrees in Computer Science (2014) and Industrial Design
(2020). She is currently in Spain, finishing her master’s
degree in design for emergent futures at the Elisava
Barcelona School of Design and Engineering (ELISAVA)
and the Institute for Advanced Architecture of Catalonia
(IAAC). Together with SIBOL colleagues—materials
engineer Jason Pechardo and medical field mentors Dr
Nats Orillaza and Dr Ancoy Lopez—Pangilinan partnered
with the iCanServe Foundation, Inc and came up with a
prototype that would earn her team the top prize in DCP’s
Bakong Circular Design Challenge and the prestigious
James Dyson Award, a year later.
Her years at UP instilled in her the importance of using
design and technology to serve the interests of marginalised
communities. She continues to explore circularity, climate
and care to push the limits of design and come up with
“alternative presents” for the “emergent futures”.
Artist and designer
Minnie Pangilinan
uses design and
technology to tackle
issues that need
collective action
59
Kiefer Ravena and
Dr Anna Karmela So
Opposite,
clockwise: Dr So
takes a meditation
break; Ravena doing
kettle bell swings;
Dr So on duty
Wealth & Wellbeing
Discover how Kiefer Ravena and Dr Anna So view Cocolife’s role in
safeguarding their health and wealth, securing their futures with confidence
60
Navigating the nuances of
health, well-being and daily
engagements is a refined art
for the discerning few. The
quest for a safety net that
offers not only protection
but also harmony with
individuals’ dynamic lives
becomes paramount.
Emerging as a beacon in
the insurance landscape,
Cocolife presents a solution
that is both innovative
and deeply attuned to the
diverse lifestyles, values and
aspirations of people from
all walks of life.
At the heart of Cocolife’s
mission is a commitment
to fostering well-being and
securing the future. Cocolife
Aruga stands out with
unique features, offering
advanced health coverage
beyond typical critical illness
plans—a distinction from
other insurance options.
This product transcends
the conventional insurance
model, serving not merely
as a safeguard in moments
of uncertainty but as an
enabler for a life of elegance
and assurance. With benefits
for major and minor health
conditions, it’s indispensable
for those navigating today’s
fast-paced world.
Kiefer Ravena, a
renowned basketball
professional, embodies
the link between peak
physical condition and
sharp mental focus. He
recognises the importance
of preparing for the future
through proactive self-care.
“I prioritise my health and
wellness by working out
every day,” Ravena shares, a
testament to the belief that
future readiness is rooted
in our present choices.
“Working out every day
is how I stay ahead... With
Cocolife, I play harder
“In my world,
health isn’t a given;
it’s something we
work for every day”
IMAGES COURTESY OF COCOLIFE
— DR ANNA KARMELA SO
knowing I have a backup,”
he adds, underscoring
the plan’s significance for
professionals like him.
Dr Anna Karmela So,
vice president and head
of the medical services
department at Cocolife
Healthcare, offers a unique
perspective. “It’s not
about balancing a career
with health and wellness
per se but making time
to ensure that we are
physically and mentally
centred,” she observes.
For Dr So, Cocolife
represents a partnership
that extends beyond
traditional insurance,
offering a holistic health
support system that closely
aligns with healthcare
professionals’ unique
demands and challenges.
“In my world, health
isn’t a given; it’s something
we work for every day,”
Dr So remarks. “Think of
it like car insurance. You
hope you never need it, but
you’re glad it’s there when
you do.” This sentiment,
coupled with her gratitude
for the support she received
from Cocolife during a
health scare, underscores
the plan’s value.
The experiences
of Ravena and Dr So
with Cocolife highlight
its adaptability and
comprehensive nature.
Whether offering
protection for an athlete’s
career or bolstering a
medical professional’s
ability to care for others,
Cocolife exemplifies the
essence of foresight
and planning.
Looking ahead, we
envision a future where
security and well-being are
not just abstract concepts
but tangible realities.
Cocolife is a pivotal step
towards this future,
blending adaptability,
extensive protection,
and a forward-thinking
approach into one seamless
offering. This vision is why
Cocolife is more than just
an insurance—it’s a lifestyle
commitment to
thriving in a world that’s
constantly evolving.
61
The best of Philippine dining
on one platform
EXPLORE NOW
THE SCENE | IN THE NEWS
Exquisite Delights
Discover culinary delights, luxurious cafés and exclusive
collections within the metro By Dwyane Yra Dinglasan
RIMOWA
Inspired by the brand’s archives,
Rimowa unveils the Hammerschlag
collection in collaboration with
musician Nils Frahm. The launch
emphasises the connection
between music and design. Crafted
in Germany, the limited-edition
pieces feature vintage elements and
premium materials. Released this
March, they are available in select
stores and online. www.rimowa.com
CHOPARD
Partnering with Raffles Hotel
Makati, the café aims to inspire
joy and heartfelt conversations
among guests. Adorned with pink
roses and personalised details,
it embodies Chopard’s spirit of
joie de vivre. The launch event
featured an exclusive afternoon
high tea with sweet treats and pinkthemed cocktails accompanied
by live music. Guests also had
the opportunity to explore their
exquisite timepiece collection at
select stores. www.chopard.com
ASTORIA
Enticing patrons with their
quality and authentic Japanese
cuisine, Minami Saki by Astoria
in Ortigas is well-known for its
extensive menu. From delightful
appetisers, such as hiyayakko
and koebi karaage to hearty
mains like their signature aburi
sushi, teppanyaki and yakimono
dishes, this restaurant invites
you to explore their wide array of
delightful Japanese staples in a
serene and cosy ambience dishes.
www.astoriaplaza.com
63
From left: Ferragamo
spring-summer 2024;
Patek Philippe
5089G-129 Morning
on the Beach
IMAGE DENIS HAYOUN (AUDEMARS PIGUET); FERRAGAMO
Tiffany & Co’s
most iconic
collections,
drapes and
golds to add to
the wardrobe,
get hypnotised
by the latest
tourbillons, and
everything you
need to add to
your cart now
Everything you
need to look your
best this month
By Cherry Mui
STYLE | OBJECTS OF DESIRE
GOLDEN HOUR
Metallics were the main event on
many runways this season, with
gold taking pride of place at Ralph
Lauren, Tom Ford and Miu Miu.
The epitome of glamour and
opulence, gold is the ultimate musthave of the season, not only when
it comes to show-stopping evening
gowns and sleek, modern formal
jackets but also chic footwear and
statement bags. Clockwise,
from top left: Balenciaga bag;
Jil Sander dress; Demarson
earrings; Rabanne bag; Alaïa
shoes; Proenza Schouler pants
Opposite page: Schiaparelli outfit
67
68
THE GREAT
DRAPE
Graceful folds and pleats
have long adorned the
runway and red carpets,
bestowing an air of
effortless elegance on
every ensemble. The art
of manipulating fabric to
create fluid, sculptural
silhouettes makes the
drape dress a perfect
option for the summer.
Loewe outfits Opposite,
clockwise from top left:
Prada shoe; Givenchy
dress; Victoria Beckham
dress; Burberry bag;
Coperni boot
69
TWEED FOR ALL
This season, classic tweed
is having its moment.
Designers have embraced
its versatility, as seen in the
tailored shapes showcased
at Dsquared2. Balmain,
meanwhile, has ventured
into the artistic realm by
creating glittery pieces,
and Chanel has reaffirmed
the iconic status of its
tweed bag, cementing its
place as a classic wardrobe
staple. But tweed will never
just be a trend; its current
“fashionable” status is just
another reminder of its
timeless nature. Clockwise,
from top left: Amiri shirt;
Dsquared2 outfit; Saint
Laurent bag; Sacai shorts
Opposite, clockwise
from left: Elie Saab outfit;
Balmain dress; Magda
Butrym bag; Chanel bangle;
Roger Vivier heel
70
IMAGE FILIPPO FIOR (ELIE SAAB)
71
BETTER
BEJEWELLED
72
IMAGE COSIMO SERENI
Making waves this season
among the fashion set
is the bijoux bag, with
these mini editions having
a major moment on the
runways of all the top
maisons, from Gucci to
McQueen. Crafted from
the finest leathers and
adorned with exquisite
embellishments, these
miniatures are works of art
and serve as the perfect
accessory, no matter the
occasion. Gucci outfit
Opposite, clockwise
from top left: Balmain
bag; Alexander
McQueen bag; Christian
Louboutin clutch; Dolce
& Gabbana bag
73
SLOUCHY
SILHOUETTES
74
IMAGE FRANCESCO DI MAIO (DOLCE & GABBANA)
Boots for summer? That might
actually be groundbreaking,
especially as we’re talking about
the versatile, effortless, slouchy
variety that are perfect for a music
festival or a countryside escape,
as well as a regular night out.
For example, a pair of ultra-wide
ankle- or knee-high booties, as
seen at Loewe and Dion Lee,
designed with creative elastic,
fabrics and metal accents, adds
a playful touch to a more serious
ensemble. Clockwise, from left:
Paris Texas boot; Coperni boot;
Maison Margiela boot; Manolo
Blahnik boot; Dolce & Gabbana
boot Opposite page: Khaite outfit
75
9 TO 5
Spring’s biggest menswear
move is bringing back shorts
for the boys. Ami Paris and
Fendi got the look on lock:
green, thick cotton and cut
above the knee. Embrace this
modern take on a workwear
aesthetic, and style them shorn
with long socks and work boots
for the perfect blend of style
and functionality. Clockwise,
from top left: Acne Studios
outfit; Burberry shirt; Brunello
Cucinelli loafers; Givenchy bag
Opposite, clockwise from top
left: Paul Smith outfits; Celine
headphones; Valentino outfit;
Sacai shoes
76
IMAGE M. SUGITA (SACAI)
77
COLD SHOULDERS
It’s giving elegant, sexy appeal with
an edge—designers have pushed the
boundaries of skin-tight, off-shoulder
creations to incorporate sculptural
and asymmetrical cuts that artfully
accentuate the neckline. From chic oneshouldered dresses to blazers featuring
shoulder cutouts, these garments
effortlessly become statement pieces,
exuding a sense of confidence.
Dior outfit Opposite, clockwise
from top left: Rick Owens dress;
Versace dress; Brinker Eliza earrings;
Jimmy Choo heel; Fendi top;
Amanu Inc belt
78
79
80
PLAY WITH
PROPORTIONS
The fashion world is currently
captivated by plays on
proportions, exaggerating
silhouettes with oversized
garments. Whether it’s a large
jacket paired with shorts
or a crop top paired with a
low-cut skirt, brands such as
Marni, Loewe and Schiaparelli
are encouraging intrigue
and artistic expression by
pushing the boundaries of
proportionality. Roksanda
outfit Opposite, clockwise
from top left: Harbison
jacket; Alaïa belt; Victoria
Beckham trousers;
Simone Rocha shoes;
Niccolo Pasqualetti skirt;
Cult Gaia bangle
STYLE | FASHION PICKS
GREEN CITIZENS
Emporio Armani’s capsule collection
for spring-summer 2024 emphasises
sustainability as well as a stylish
urban life. Made exclusively from
organic or recycled materials, the
collection features floral and animal
motifs alongside natural tones with
pops of blue and guava. For women,
oversized bomber jackets, cargo
trousers and pieces like crop tops and
jumpsuits create a roomy silhouette.
The men’s selection includes relaxed
field jackets, Bermuda shorts and
washed denim pieces.
ARTISANAL FUTURISM
82
Still dreaming about Maison Margiela’s spring-summer 2024 artisanal
show? Experience a touch of its magic in the form of sunglasses: the latest
chapter in the ongoing eyewear collaboration between Maison Margiela
and Gentle Monster. Designed by the former’s creative director John
Galliano, the experimental collection consists of ten sunglasses styles,
as well as seven spectacles. The avant-garde, mask-like MM101 and
MM102 styles are proposed with rubber-wrapped or rimless frames, and
bolted temples adorned with the house’s signature four white stitches.
Additionally, there are acetate frames in various colours and a selection of
leather-framed editions in black, ivory, khaki and blue tones.
ROYAL REDUX
Meet the latest Versace It bag: Medusa ’95. Spotted on
powerful women from Anne Hathaway to Selena Gomez,
the bag takes inspiration from one of Princess Diana’s
beloved Versace handbags. Crafted from a special
calf leather with a powder-like finish that is soft
to the touch, the minimalist style is available in
two silhouettes—horizontal tote and handbag—
each updated with a new version of Versace’s
signature metal Medusa medallion.
TYLER-APPROVED
IMAGE MATTEO GIACHETTI (EMPORIO ARMANI)
ENCHANTÉ
We’ve had decades of exposure to
Hedi Slimane’s French allure, most
recently heading the creative and
artistic direction of Celine for six
years; now, he is ready to instil that
into the world of beauty. The French
Maison will, this year, debut the
first cosmetics line in the House’s
history, as an expansion of the haute
parfumerie collection re-introduced
in 2019; products were teased during
the film that unveiled Celine’s winter
2024 collection. A satin Rouge
Triomphe lipstick, described as
“very classic and essential satinfinish Parisian ... dressed in a faceted
gold sheath and embossed with
the maison’s couture monogram”,
will launch this September, with a
complete 15-shade lipstick collection
following in January 2025. Every
season, the LVMH-owned Maison
will grow the selection, which
is expected to include lip balms,
mascaras, eyeliners, eye pencils, nail
polish and blush.
Pharrell Williams and Tyler, the Creator have dropped
another collaboration, this time in the fashion sphere—
and the waitlist is long. Introduced in a whimsical
campaign in late March (would you slide down a
grass hill in a mega LV trunk?), the spring 24 capsule
collection equally combines humour, style, Tyler’s
preppy eccentricity and Pharrell’s design aesthetic
for the French House. “My main focus was
making things I would wear all the time,”
says Tyler, who also hand-drew a stylised
version of the LV Craggy Monogram
and applied it throughout the
exclusive collection. For Williams,
“It’s a natural extension of our
LVERS [LV fans] philosophy,
building on our network
of incredible artists and
creatives.” Expect
charming items and
collectibles including
monogrammed
blazers and shorts,
apparel accessories,
pet carriers and
headscarves that
exude a delightful
vintage charm.
A Second
Chance
With unwavering
dedication and
commitment to
excellence,
The Bag Hub
stands as a
beacon of longlasting luxury in a
transient world
of fashion
I
84
n the bustling metropolis of Manila, the fashion
scene is alive and well. Among these is this unique
store that blends luxury with accessibility and
style with sustainability. The Bag Hub, founded
by Maia Urrutia in 2009, has become a pioneer in
the luxury resale market in the Philippines. Starting
from a humble beginning, it has grown into a venture
that offers high-end designer pieces while promoting
environmental responsibility.
Urrutia's journey with The Bag Hub is a testament to
the transformative power of passion and perseverance.
It started with her serendipitous discovery of luxury
treasures in thrift stores during her formative years as a
new employee who wanted to dress well for the office.
“It all began with me hunting for luxury pieces
in ukay-ukays [thrift stores] when I was fresh out of
college,” she recalls. “I figured I could resell those great
finds and earn cash from my hobby. I still relate to
women who aspire to get the best value for their hardearned money.”
Driven by a vision to democratise luxury fashion,
Urrutia embarked on a mission to make designer labels
IMAGES COURTESY OF THE BAG HUB
By Syrah Vivien Inocencio
STYLE | RETAIL
From left: Maia
Urrutia and Lingling King; A wall of
carefully selected and
authenticated shoes
and bags Opposite
page: Handpicked
items showcased at
the boutique in The
Grove By Rockwell
accessible. She first catered to her clientele by making
personal pitches in cafes, offices and doctors’ clinics.
Later, she debuted an online shop, followed by the first
physical store opening in Quezon City in 2014. As the
brand evolved, The Bag Hub found its permanent home
at The Grove by Rockwell.
Beyond authenticity, The Bag Hub is at the
vanguard of sustainability and circular fashion.
Recognising the environmental toll of fast fashion
and overconsumption, Urrutia pivoted the business
model towards consignments and pre-loved luxury
items. This strategic shift aligns with global efforts to
reduce waste and presents an opportunity for clients to
embrace conscious consumerism. By extending the life
cycle of luxury goods, The Bag Hub champions a more
sustainable approach to fashion, where style coalesces
with responsibility.
Collaboration lies at the heart of The Bag Hub's
success, with Urrutia’s sister-in-law, Ling-ling King,
playing an instrumental role in shaping the brand's
identity. “Ling-ling has been part of The Bag Hub
since the beginning; she was my first consignor and
supplier and now, a partner,” she says. With a keen eye
for style and a devotion to ethical fashion, King has
been instrumental in helping Urrutia curate a diverse
collection that reflects their shared vision of luxury
with a conscience. King's daring and adventurous spirit
complement Urrutia's meticulous approach, resulting
in a dynamic partnership that continually pushes the
boundaries of creativity and innovation.
“She inspires me to step out of my comfort zone
regarding product curation and company direction,”
Urrutia shares.
Central to The Bag Hub's ethos is a steadfast
dedication to authenticity and integrity. In an
industry plagued by counterfeit products and dubious
practices, Urrutia set out to establish a hub of trust and
transparency. Each item that graces The Bag Hub's
shelves undergoes meticulous scrutiny, ensuring
that customers receive nothing short of excellence.
Authentication became paramount, with Maia and her
team undergoing rigorous training to detect the subtle
nuances of genuine designer goods. This unwavering
dedication to quality has earned The Bag Hub the trust
and loyalty of fashion enthusiasts nationwide.
“Luxury pieces aren't just about wearing expensive
brands; they're about durability and long-lasting quality,
timelessness and the heritage that comes with each brand
and designer piece,” says Urrutia.
The Bag Hub is growing, and its founder, Urrutia,
hopes that luxury is no longer defined by high prices
but by values such as genuineness, sustainability,
and accessibility. Despite changes in the luxury
resale industry, The Bag Hub remains consistent and
encourages everyone to experience the timeless charm of
reimagined luxury.
85
The Insider Guide to luxury living
EXPLORE NOW
Enduring
Style
Explore self-expression and elegance
embodied by Ferragamo and
Natalia Vodianova
Since 1927, Ferragamo has been captivating audiences
with its timeless designs and unwavering commitment
to fine craftsmanship. As the colourful spring-summer
season of 2024 approaches, the brand presents
a captivating campaign that celebrates the spirit
of femininity and a unique cross-cultural fusion.
The creations showcase Italian influence, from the
meticulous craftsmanship to the use of high-quality
materials from Italy’s best artisans. This Italian
influence blends seamlessly with the lively and colourful
Caribbean culture, featuring bright colours, tropical
patterns, and relaxed styles for a fun and carefree feel.
The face of this captivating project is supermodel
Natalia Vodianova, whose graceful presence perfectly
embodies the spirit of Ferragamo. Renowned
photographer Vanina Sorrenti masterfully captures
Vodianova in moments of quiet introspection,
showcasing the innate beauty and strength of the
Ferragamo woman. Ferregamo’s creative director,
Maximilian Davis, also shares this narrative. “My
heritage, background and upbringing have always
revolved around the influence and presence of women
in my life,” explains Davis. “Vanina’s work is about seeing
women in their natural surroundings, where they feel
most at ease.”
The collection emphasises the symbiotic fusion of
inspiration from Italy and the Caribbean. The visuals
take us to spaces with mid-century furniture and parquet
carpeting, all painted in vivid, soothing colours. It’s a
homage to carefree style, with cotton and linens cut into
exact silhouettes and modern touches like sculptural
wooden accessories.
Central to the collection are the exquisite accessories,
which seamlessly blend elements of Caribbean vibrancy
with Italian sophistication. The azure blue accents
found in the Hug bag and Fiamma mule evoke the
spirit of the Caribbean seas, while the cage heel pays
homage to Ferragamo’s rich heritage. Every piece is
meticulously crafted to give the wearer a profound sense
of confidence and ease, two qualities that are essential to
the Ferragamo identity.
This spring-summer 2024 collection, celebrates
Ferragamo’s heritage, craftsmanship and the timeless
strength of femininity. It’s a celebration of self-expression
and the beauty of cross-cultural exploration, as shown by
Ferragamo and Natalia Vodianova.
From top:
Supermodel Natalia
Vodianova; Azure
blue Hug bag
M I D N I G H T
T R A I N
T O
M A N I L A
We embark on a surreal journey across the bustling
capital in search of emerging Filipino designers to know
and the hottest accessories of the season
Photography by James Robinson. Styling by Lyn Alumno
88
STYLE | FASHION SHOOT
Joey Samson
gown Opposite
page: Joey
Samson gown
and Charles &
Keith heels
90
Toqa dresses and
Maison Margiela
x Gentle Monster
sunglasses Opposite
page: Marc Jacobs
top and Ha.Mu skirt
Ericka Celiz dress,
Balenciaga heels
and Maison
Margiela x Gentle
Monster sunglasses
92
Maison Margiela
x Gentle Monster
sunglasses Opposite
page: Cyrix Muyco
dress and Maison
Margiela x Gentle
Monster sunglasses
94
GROOMING ZID JIAN PAUL MANICURE ELINAILS MODELS CASSANDRA L, JACH M, ANGEL B AT PMAP MODELS STYLING ASSISTANTS DAYLE GALVAN, MJ ALMERO GROOMING ASSISTANT GODWIN DELA SERNA PRODUCTION GABRIELLE PEARSON AT MAJELLA
Carl Jan Cruz bikini
top, dress (worn as
skirt), Calvin Klein
jacket and Maison
Margiela x Gentle
Monster sunglasses
Opposite page: Joey
Jamson bodysuit,
corset, skirt and
Jimmy Choo x Jean
Paul Gaultier heels
97
STYLE | BEAUTY PICKS
Ageing
Gracefully
These beauty must-haves can help slow
down the ticking of the clock with potent
ingredients for a more youthful glow
OUT OF THE DARK
Designed with
chronobiology in mind,
Sisley’s Supremÿa At Night
works in the dark during
the most ideal moment for
skin regeneration. Skin’s
regeneration mechanisms
are optimal in younger
skin and deteriorate with
age, causing visible signs of
ageing like wrinkles, a loss
of firmness and radiance.
The Supreme Anti-Aging
Skin Care unlocks skin’s
revitalisation power so
it can recover from daily
damage and prepare to
fight the aggressions of the
following day.
EYE WONDER
98
Supported by groundbreaking
research, La Prairie’s Skin Caviar
Eye Lift is infused with Caviar
Infinite and Caviar MicroNutrients that help resculpt
the eye contours. This smooth,
firming and lifting eye serum is
a revolutionary product in the
realm of structural skin science,
with focus on the eyes. Its potent
formulation is improved with the
Exclusive Cellular Complex™,
La Prairie’s rejuvenating science
signature. Each pump releases
the two formulas freshly fused,
transforming into an eyelift serum
that melts into skin.
HEAD TO TOE
A holistic and complete approach to beauty,
L:A Bruket unveils a clinically proven bioactive
formula for whole-body hydration: 290 Firming
Body Serum, 100% natural. Pairing Swedish nature
and biotechnology, the Firming Body Serum
uses 100% COSMOS-certified, vegan ingredients
leaving skin radiant in a single step. Its formula
is clinically proven to significantly improve skin
firmness and elasticity.
CALLING THE SHOTS
A potent treatment to capture the signs of time, the
new Dior Capture Totale Hyalushot is packed with a
concentrate of powerful active ingredients that target
each wrinkle. For an immediate filling action, the
formula of the Hyalushot combines two hyaluronic acids
of high and low molecular weight. In order to strengthen
the skin barrier and retain water, the former has been
developed in a crosslinked form while the latter has
been selected for its ability to penetrate deeper into
the epidermis where it promotes its regeneration by
accelerating the proliferation and migration
of keratinocytes.
A PURIFYING PATH
The Purifying Beauty Complex, a multi-component
infusion found in all Cle de Peau’s Synactif products,
improves the skin’s lymphatic capacity to both purify
and repair itself. Together with Tokyo Medical
and Dental University, Cle de Peau discovered
that the component extracted from mulberry
white bark has the effect of preventing the loss of
lymphatic capillaries and inhibiting the activation
of TGF-B, which induces the transformation
of lymphatic endothelial cells. Meanwhile, the
components derived from Lamium Album Leaf and
Cinnamomum Cassia Bark help to repair damaged
lymphatic capillaries.
99
100
Architect Frank Gehry
designs Louis Vuitton’s
Tambour Moon Flying
Tourbillon with a
Poinçon de Genèvebearing sapphire
that forms the case,
lugs, crown, dial and
caseback. This 48.3mm
watch reflects Gehry’s
signature style, seen in
the rippling glass. The
see-through Tambour
offers a glimpse into
the LFT MM05.01
movement by La
Fabrique du Temps.
Every detail, from the
chamfered gears to the
two-toned, openworked
calibre, exudes luxury.
The rhodium-plated
flying tourbillon
also demands—and
deserves—attention,
contrasting with the
white taurillon
leather strap with a
rose gold buckle.
PHOTOGRAPHY GUTTER CREDIT
Louis Vuitton
Tambour Moon Flying
Tourbillon Poinçon
de Genève sapphire
Frank Gehry
STYLE | WATCH TREND
Hypnotised by tourbillons?
Clockwise, from above:
Bianchet Flying Tourbillon
Grande Date B1.618;
H Moser & Cie Endeavour
Tourbillon Concept
Vantablack; A Lange
& Söhne Tourbograph
Perpetual “Pour le Mérite”
in platinum
101
STYLE | WATCHES PICKS
RARE HANDCRAFTS
Patek Philippe unveils yet another unique limited-edition
collection, Rare Handcrafts, an 82-piece timepiece that
combines technical mastery and innovation by this season’s
engravers and enamellers. This latest release comprises 27
dome clocks, three table clocks, nine pocket watches and 43
wristwatches. The collection highlights the watchmaker’s
vast body of know-how, spanning both ancestral skills
(Grand Feu cloisonné enamel, miniature painting on
enamel, grisaille enamel, flinqué enamel, paillonné enamel,
champlevé enamel, hand-engraving, hand-executed
guilloché work, and gem setting) and relatively novel
techniques in horology, such as micro wood marquetry and
Longwy enamel on faience.
Patek Philippe 5089G-129 Morning on the Beach
YOURS TRULY
Everyone’s favourite fun watchmaker has paired up with
Chinese artist Fen Bing on the Swatch x You Lunar Zodiac
collection, intertwining Feng’s eye-catching designs with
your personal narrative. Select your zodiac, backdrop hues,
intricate index design and a bespoke message for a unique
horological creation. Crafted using Swatch’s innovative
“configurator”, or personalisation system, this series marries
tradition and modernity, ensuring your wristwatch is not
just a timekeeper but a reflection of your individuality.
Swatch x You Lunar Zodiac collection
102
TIME SPENT
Hublot’s Spirit of Big Bang
Depeche Mode, limited to
only 100 pieces, captures
the essence of memento
mori, with its all-black,
skull-and-hourglass
dial, urging wearers to
cherish every tick.
The piece features
a 42mm sandblasted black ceramic
case, a HUB1710_SD
movement providing a
power reserve of 50 hours,
and eco-friendly Velcro
and rubber straps that
advocate for environmental
consciousness while benefiting
conservation efforts. The piece
is accompanied by a 1980s
British band Depeche Mode
vinyl record.
Hublot Spirit of Big Bang Depeche Mode
BLUE, BLACK AND
BRILLIANT
IMAGE LAURENT XAVIER MOULIN (MB&F)
HAPPY TIMES
Chopard unveiled the Happy Sport Rose de Caroline
earlier this year in conjunction with International Day of
Happiness, which takes place on March 20. This timepiece,
inspired by a world blooming with roses, is a masterclass in
gem setting: pink sapphires and rubies encircle the dance of
Chopard’s signature diamonds atop ethical 18-carat rose gold.
Underneath, a precision self-winding movement animates
a guilloché-patterned mother-of-pearl dial. The brand
donates a proportion of the proceeds from sales to children’s
welfare—a move that befits the watch’s joyous spirit.
Gucci has reimagined its
G-Timeless collection for
this year. Each 40mm
watch features a Swiss
automatic movement,
visible through the
caseback, and comes
in either blue or
black with gold
accents. There’s
also a 29mm
model that comes
with either a pink
mother-of-pearl dial
with diamond-studded
indices or a silver
mother-of-pearl dial.
Gucci G-Timeless collection
Chopard Happy Sport Rose de Caroline
103
POWDER (BLUE)
PERFECT
The Code 11.59 by Audemars
Piguet exudes elegance
with its 18-carat pink gold,
38mm case and light blue,
luminescent dial. This selfwinding timepiece features
a double-curved sapphire
crystal that is glare-proof
for optimal visibility. Other
features include a date
display and water resistance
down to 30m. Paired with
a pearlescent, light blue
alligator strap and an
additional textured rubber
strap, the watch is powered
by the calibre 5900.
Audemars Piguet Code 11.59 by
Audemars Piguet in light blue
BLACK IS BEST
Baume & Mercier Hampton Polyptyque Edition celebrates
renowned French painter, engraver and sculptor Pierre
Soulages and the tenth anniversary of Musée Soulages,
a museum dedicated to his works. Inspired by Soulages’
Outrenoirs series, particularly his painting Polyptyque I
(1986), the watch’s dial mirrors the painting’s textured black
strokes, with 18-carat rose gold-tipped hands adding a
delicate contrast to the all-black timepiece. The automatic
ETA 2892 movement features a black oscillating weight
decorated with a Côtes de Genève finish and boasts a
42-hour power reserve. The watch is limited to 328 pieces.
Baume & Mercier Hampton Polyptyque Edition
GREEN ELEGANCE
The Louis Vuitton Tambour Fiery Heart Automata is a true
head-turner. Wear it on a casual lunch out or to a formal
dinner party, this timeless and stylish piece will not let you
down. The brand has mastered the ultimate artisanal craft
grand feu enamel, a type of dial finishing where powdered
silica and other compounds are heated on a metal base
and employs it in this timepiece. For this new model, the
manufacturer uses a bold colour green and a combination
of champlevé and cloisonné enamel to create the various
miniature elements on this romantic dial.
Louis Vuitton Tambour Fiery Heart Automata
104
SHINING
EXAMPLE
The Crystalline
Luster watch
dazzles with
more than
3,000 pink and
violet Swarovski
crystals under a
domed sapphire
glass. This 33mm
timepiece combines
a stainless-steel case
with rose gold-tone
accents and a pink
Italian calf leather strap.
Stack it up with a tennis
bracelet and cocktail
rings to juxtapose a
monochrome outfit with
some serious bling.
Swarovski Crystalline Luster
WHITE SWAN
The RM 30-01
Automatic stands out
with its declutchable
rotor and technical
brilliance; this time,
Richard Mille has
encased the model in
ATZ white ceramic
and titanium. The
watch features a unique
tonneau shape—a
signature of the
brand—and is run by the
RMAR2 calibre, with a
function selector, power
reserve indicator and
the promise of optimised
torque via its variablegeometry rotor. By
simply pressing a pusher
at two o’clock, wearers
can switch between
winding, date adjustment
and hand setting, with
a clear mode indicator
on the dial for ease of
use. The dial itself is an
artful display of titanium
and sapphire, offering a
window into the watch’s
intricate mechanics.
Richard Mille RM 30-01
Automatic in white ceramic
IMAGE DAVID MARCHON (HERMÈS)
GALLOP AWAY
Hermès’s Arceau Mon Premier Galop
is a canvas to showcase the artistry
of the Mon Premier Galop shawl,
created by Helsinki-based Chinese
artist Tong Ren. His work has been
translated into a jigsaw of enamel, silk
and leather; the dial, a vibrant enamel
sky, is the backdrop to a galloping horse
composed of silk threads and leather
tesserae, or tiles, each trimmed to a mere
0.5mm. A hand-painted gold butterfly
accompanies the equine figure, adding
depth and movement to this tableau. At
the heart of the watch beats the Hermès
H1912 movement, with a sapphire
caseback that offers a glimpse into its
intricate craftsmanship. The Arceau
case, with its stirrup-shaped lugs, is a
nod to the brand’s equestrian heritage,
while a Zephyr blue Swift calfskin strap
complements the dial.
Hermès Arceau Mon Premier Galop
105
Celebrating the Best of Asia
Asia’s Leading Luxury Platform - Online & In Print
WWW.TATLERASIA.COM
STYLE | BRAND STORY
Test Of Time
PHOTOGRAPHY GUTTER CREDIT
WORDS DWYANE YRA DINGLASAN IMAGES COURTESY OF ROLEX
Rolex watches represent a dedication to
excellence and sophistication, with precision
engineering and lasting durability
A Rolex watch is not just a
timepiece; it’s an exclusive symbol
of a lifestyle dedicated to savouring
life’s luxuries and embracing
every moment. Rolex, a beacon of
exceptional talent, precision and
effortless elegance, stands out in
the world of watchmaking.
Since 1905, Rolex has led the way
in horological innovation. Today,
it still displays its unmatched skill
and grace, amassing numerous
patents and accolades.
Every piece is created with
precision in mind. Exquisitely
designed movements are perfectly
calibrated, exceeding industry
norms and establishing new
milestones for chronometric
performance. These remarkable
timepieces can run independently
for extended periods, expressing
the individual’s spirit of
independence and self-reliance.
More than just aesthetic
components, they are declarations
of strength and luxury.
Rolex watches are not only
companions for the modern
explorer; they are steadfast allies,
designed to withstand the harshest
conditions. With unparalleled
waterproofness, these timepieces
empower you to venture into
the wilderness, whether it’s the
depths of the ocean or the peaks
of mountains. Built to endure a
lifetime, they radiate strength and
durability, from their high-quality
case construction to their ability to
withstand the rigours of daily use
and exploration.
Rolex views simplicity as the
pinnacle of sophistication in a
world full of complication. The
design, subtle dials and easy-touse features guarantee unforced
elegance in every situation.
Every machine exemplifies
craftsmanship, reflecting
contemporary invention and
centuries-old customs. Every detail
is carefully performed, from the
advanced technology to the skilled
hands of professional watchmakers.
Each Rolex timepiece is
a testament to a rich legacy
passed down from generation to
generation. It’s not just a watch
but an heirloom that embodies
exceptional craftsmanship and
enduring durability. With each
meticulously crafted timepiece,
Rolex invites wearers to embark
on a journey of timeless style,
setting the standard for fine
watchmaking with its unwavering
pursuit of perfection.
Clockwise, From top:
One of Rolex’s first
Oyster watches from
1926; A Rolex watch
dial; Testing of the
winding system
107
Van Cleef & Arpels
Frivole collection
108
In honour of summer,
Van Cleef & Arpels
has unveiled the
latest additions to its
Frivole collection for
2024. Craftsmanship
takes centre stage as
artisans apply a handpolished mirror finish
to piece, a technique
synonymous with Van
Cleef & Arpels since
the 1920s. This year’s
line-up features five
pieces: among them,
a ring made of eight
flowers melds rose
and white gold set
with diamonds; and
a Between the Finger
ring plays with motif
asymmetry. But Tatler’s
favourite is a white
gold bracelet adorned
with a septet of flowers
and encrusted with
more than 300 white
diamonds. Stunning.
STYLE | JEWELLERY TREND
INFINITE POSSIBILITIES
The incomparable Cartier celebrates the centenary
anniversary of the Trinity, a true symbol of unity and
diversity. Its interlocking rings, advancing with grace through
an infinite landscape, move independently but harmoniously
as one as they stand the test of time. The Maison brings
together five of their visionary ambassadors Paul Mescal,
JISOO, Yara Shahidi, Jackson Wang and Labrinth, to help
carry on the message of community. These individuals
embody the varied facets of love and the many manifestations
of connection inhabited by the spirit of Cartier.
Cartier Trinity rings and bracelets
SPARKLING SNAKE
Worn by Ellie Goulding
at the 2024 Brit Awards in
March, the Messika Snake
Dance ring is crafted
from 18-carat white gold,
set with 14 pear-shaped
white diamonds in varying
sizes. With its seductive,
serpentine design, the high
jewellery piece captures
the essence of talismans;
if it doesn’t actually
bring good fortune to
its wearer, there’s no
doubt it will bring some
envious looks.
Messika Snake Dance high
jewellery ring
TRUE POTENTIAL
Jewelmer’s #PowerfulinPearls
movement celebrates the
unwavering spirit of the
woman. In partnership with
renowned Filipino designer
Rajo Laurel, customers were
offered a rare opportunity
to receive a cocktail dress
designed of his own creation
— the perfect complement to
your brilliant string of South
Sea pearls. The campaign has
also tagged delegates from
Miss Universe Philippines
to aid in ushering in a new
era for divine womanhood.
These empowered women
share stories of compassion
and resilience, helping to
aid others in reaching their
truest potential.
Jewelmer Magnificence Dangling
Earrings and Les Classiques
Strand Necklace
109
SPARKLING
WILDERNESS
At the 96th Academy
Awards, last year’s Best
Actress winner Michelle
Yeoh radiated elegance
with Cindy Chao’s
Diamond Foliage earrings
from the White Label
Art Jewel collection.
These bespoke pieces, a
tapestry of 27.30 carats,
wove together sparkling
diamonds, radiant yellow
diamonds, and a sunset
palette of pink and orange
sapphires. Set in 18-carat
white, yellow and rose
gold, the earrings
framed Yeoh’s face with
opulent shimmer.
Cindy Chao Diamond Foliage
earrings from the White Label Art
Jewel collection
WINNING JEWEL
Emma Stone accepted
her Best Actress accolade
at the Oscars this year
wearing a Louis Vuitton
High Jewellery necklace.
Crafted from white
gold, it featured a yellow
sapphire totalling over 30
carats and white diamonds,
interspersed with the
maison’s signature V motif.
Louis Vuitton High Jewellery necklace
TAKE ME TO THE
CANDY SHOP
Harry Winston’s latest
Winston Candy series
is a refined selection of
cocktail rings that feature
rare-coloured gemstones
such as mandarin garnets
and tourmalines at their
core, surrounded by
complementary diamonds
and other gems. Drawing
inspiration from archival
designs of the 1950s and
1960s, these rings reflect
the house’s historical
emphasis on unique
colour combinations and
110
stone shapes—playful,
statement-making jewels
that add a pop of colour to
any ensemble.
Harry Winston Winston Candy
cocktail rings
IMAGES FREDERIC J BROWN/GETTY IMAGES (YEOH);
KEVIN MAZUR/GETTY IMAGES (ZENDAYA)
ORIGIN STORIES
Untold stories are revealed
and the illustrious heritage
of Tiffany & Co takes flight
in the With Love, Since 1837
campaign. The campaign
takes inspiration from
Gene Moore, the legendary
designer behind Tiffany &
Co’s windows, whose tale is
modernised and revealed
through a series of theatrical
vignettes. The definitive T
bracelet takes centre stage, its
unbroken circle with strong
“T” motif is representative
of personal power and
unwavering strength. The
House shares its illustrious
heritage through the act of
storytelling, reaffirming its
unwavering commitment to
love and craftsmanship.
Tiffany & Co Tiffany T T1 wide diamond
hinged bangle in 18c rose gold
WELL-CUSHIONED ALLURE
Hollywood glitz met Italian luxury as Zendaya,
Bulgari’s radiant brand ambassador, was adorned with the
finest pieces from the Maison’s High Jewellery collection
at the 96th Academy Awards in March. Her rose gold
earrings, graced with two striking triangular morganites
of over 42 carats, were our favourites; they featured twin
marquise diamonds totalling 2 carats, cushion-cut pink
tourmalines, mandarin garnets and a finishing touch of
sparkling pavé diamonds.
Bulgari High Jewellery collection earrings in rose gold
111
STYLE | FEATURE
Archival Images of
Gene Moore’s Figures
on Display Opposite,
clockwise, from top
left: Tiffany Sixteen
Stones ring; Tiffany
Knot bracelet; Tiffany
Lock bracelet; Tiffany
Setting ring
Legacy Reimagined
Delight in Tiffany & Co’s newest campaign, With Love, Since 1837, inspired
by its legendary window designer, Gene Moore By Dara Clariza Evangelista
112
Online shopping, though
becoming increasingly the
norm, doesn’t quite capture
that intimate sense of wonder
and personal connection felt
when shopping in a store.
Tiffany & Co is well aware
of this inadequacy of the
medium and proceeds to
capture the shopping magic
with its latest campaign,
With Love, Since 1837.
The campaign allows the
exploration of the brand’s
exquisite collections, no
matter where the viewer is.
By leveraging cutting-edge
visual techniques while
staying true to its heritage,
Tiffany & Co offers a digital
window shopping experience
that rivals the enchantment
of its physical stores.
Inspired by Gene Moore,
a legendary figure known
for his transformative
window designs at Tiffany
& Co, the campaign unveils
the hidden stories behind
the brand’s most iconic
collections: Lock, T, Knot,
HardWear, Sixteen Stone
and the Tiffany Setting.
Captured by the acclaimed
photographer and director
Dan Tobin Smith, With
Love, Since 1837 breathes
new life into Moore’s legacy
by reimagining Moore’s
approach to the digital age.
It’s a modern celebration of
Tiffany’s rich history of love,
craftsmanship and heritage,
told through captivating
imagery and storytelling.
This initiative revisits the
artistry and innovation of
Moore’s window displays. It’s
a testament to Tiffany & Co’s
commitment to marrying
its storied past with the
possibilities of the future.
The campaign itself is a
visual feast, drawing on the
simplicity of everyday objects
and materials to create scenes
IMAGES COURTESY OF TIFFANY & CO
of dramatic beauty. Under
Tobin Smith’s guidance,
with his focus on scale and
perspective, these ordinary
elements are transformed
into a mesmerising display.
Working alongside the
talented set designer
Rachel Thomas, the team
constructed a spellbinding
set in London. From
miniature to oversized, the
set pieces blend seamlessly,
shifting perspectives and
tricking the eye without
the need for digital effects.
The real magic happens
on camera, with animated
projections and real smoke
adding layers of depth
and intrigue.
At its core, the campaign
showcases that love is the
foundation of everything
Tiffany & Co stands for.
This campaign links each
collection with the jeweller’s
longstanding heritage of
exquisite craftsmanship. It
proves that, even in a digital
world, the excitement of
discovery and the luxury
of shopping can be just as
enchanting online as they are
in person.
Tiffany & Co’s latest
endeavour not only
pays homage to the art
of presentation but also
ensures the timeless beauty
of their collections shines
through. By blending
the timeless elegance of
their collections with the
innovative spirit of With
Love, Since 1837, Tiffany
& Co crafts a shopping
journey that transcends
the ordinary, making every
click a discovery and every
view a moment of wonder.
Tiffany & Co stands as a
beacon of luxury, inviting
us all to explore, dream,
and be enchanted in this
digital age.
113
Eight fashion
designers share
their sources
of inspiration,
Gary V celebrates
40 years in the
industry
and a tour of
the historic
Laperal Mansion
PHOTOGRAPHY BJ PASCUAL (INSET); PATRICK DIOKNO (SPREAD)
Georgina WilsonBurnand wears
Alaïa outfit and
Gianvito Rossi shoes
Opposite page:
A portrait of Juan
Sebastián El Cano
hang by the wall of
Laperal Mansion
FEATURES | DESIGN
The exteriors of the
Laperal Mansion exude
the opulence of the
19th century
Unfolding like a page in Philippine history, the historic Laperal Mansion
serves as a symbol of Filipino hospitality, artistry and craftsmanship
By Maritess Garcia Reyes. Photography by Patrick Diokno and Kevin Prudon
I
118
t is impossible to miss the neoclassical architectural
marvel on Arlegui Street, an impeccably white
building set amidst a sprawling 4,925sqm property
in the quaint district of San Miguel, Manila. Dubbed
the Laperal Mansion, the historic 19th-century structure
situated a few metres away from the Philippines’ seat of
power–the Malacañan Palace–is one of the most exquisite
among the old colonial-style residences in San Miguel and
considered the most beautiful house in the area. Recently,
it has been restored to its full glory to serve as a residence
to visiting foreign dignitaries.
Originally owned by the wealthy Escaler y Sioco
family from Pampanga, the mansion features
elaborate details of a tasteful fusion of traditional
European architecture and elements that are
distinctly Filipino. As intricate and ornate as the
wrought ironworks that strike a contrast against
its white facade is its rich and colourful–albeit
controversial—history.
In San Miguel district, once known as home to Manila’s
affluent, the mansion instantly stood out; it won the House
Beautiful Contest in 1929 shortly after it was built. In the
same year, Doña Sabina Sioco viuda de Escaler gifted the
mansion to her daughter Josefina Escaler y Sioco and sonin-law Rafael Fernandez as a wedding gift.
A few years later, Fernandez mortgaged the property
for PhP80,000 to the Laperals, the landed family who
also owned the famous Laperal White House in Baguio
City. The succeeding years were difficult for Fernandez
as he faced legal cases related to his businesses; he would
eventually face insolvency and imprisonment. Long
story short, his loan with the couple Roberto Laperal
and Victorina Guison Laperal went unpaid. A petition
was filed by the Laperals and the liquidator in order for
The Laperal
Mansion...is
one of the most
exquisite among
the old colonialstyle residences
in San Miguel
From left:
The Magellan living
room features
portraits of the four
great navigators
commissioned by
Doña Trinidad Ayala
de Zobel; The portraits
were later transferred
to the Malacañan
Palace in the Thirties
by Manuel L Quezon
the latter to be allowed to dispose of the mortgaged
property at a private sale for a price not less than
PhP80,000 plus interest and attorney’s fees. In
addition was the stipulation that if there’s no buyer
within six months, the sheriff would be ordered to
sell the property at a public auction. The petition was
granted by the insolvency court and on November 7,
1932, the sheriff auctioned off the property with the
Laperals being the highest bidders. While the bid
amount was PhP92,000, since the Laperals were the
mortgagees, they only paid PhP473 in total as sheriff ’s
fees. The property then became the Laperal-Guison
residence from 1932 to 1944.
Then the Japanese occupation, one of the darkest
moments for the Laperals, came. In 1944, the mansion
was forcibly sold to the war-time government and
became the official residence of Field Marshal Terauchi
119
Clockwise, from top:
The spacious foyer
leads to the Magellan
living room to the right
and some of the suites
to the left; The large
stateroom named after
Magellan is an ode to
the Philippines’ history
under the Spanish
rule; Dialogo III Con El
Tultoretto by Fernando
Zobel de Ayala; A
spacious sitting area
awaits guests from all
over the world
121
Hisaichi, a commander of the Japanese Southern Army
during the Second World War. Under the government’s
ownership, the contested property became home to many
officials and offices including the American Consulate
in 1945. It also became the first headquarters of the
Department of Foreign Affairs following the liberation of
the Philippines from the Americans, the National Library,
and the Office of the President until 1965 when it was
ordered to be returned to the Laperal family. During the
term of President Ferdinand Marcos, Sr, the house was
taken possession of the Philippine government in 1975.
From a one-tower mansion, it was expanded and
refurbished through the initiative of former First Lady
Imelda Romualdez Marcos, turning it into a state guest
house known as the Arlegui Guest House (named after
the street where it is located). The Arlegui Guest House
subsequently became the official residence of former
Presidents Corazon Aquino and Fidel V Ramos during
their respective terms. In 1998, it functioned as housing for
the personnel of the Office of the President and an Office of
the Press Secretary during the administration of President
Joseph Estrada. Ten years later, it was renamed Laperal
Mansion by then President Gloria Macapagal-Arroyo.
In 2007, the Supreme Court, through a decision,
ordered the return of the mansion to the Laperals but
the government eventually purchased it again from
the Laperals in December 2022. This time, the current
First Lady of the Philippines, Liza Araneta-Marcos
pushed for its restoration, transforming it into the
refreshed Presidential Guest House that it is today.
“We renovated the mansion because we wanted to
offer you a safe, comfortable and meaningful place for
The wooden dining table
and the crystal chandelier
draw attention in the
McArthur dining room
your leaders when they visit the Philippines,” AranetaMarcos addressed the diplomatic corps during an
intimate preview of the mansion.
This initiative aims to take on a new approach to
hosting visiting dignitaries from all over the world
instead of accommodating them in five-star hotels. The
new Laperal Mansion exudes warm Filipino hospitality
while putting the spotlight on Philippine history and
culture through the meticulously designed 14 bedrooms
and five staterooms all named after the country’s past
presidents and significant personalities, and all designed
by talented Filipino designers.
“The marching orders from the First Lady were to
maintain the original character of the house, and as
much as possible, if we deemed fit, to use the furniture,
accessories and artworks in storage,” says interior
designer Jonathan Matti who was among the creative
forces behind the revamp. Heeding these directions,
Matti retained the grand columns and intricate wrought
ironwork and incorporated expansive verandas, large
windows and a swimming pool to evoke the tropical
essence the Philippines is known for. Joining Matti is a
pool of local creatives and design firms who were given
the opportunity to lend their expertise in each room
assigned by lottery. Drawing inspiration from history, they
seamlessly integrated local fabrics, materials and bespoke
furniture into the stately spaces.
Leading the team who designed the common areas such
as the living and dining rooms, and two multipurpose halls,
as well as a suite named after President Joseph Estrada,
Matti shares the experience was such “a joy, especially
seeing them come into fruition”. He continues, “[We] had
to do research, renovate, refresh and update the house.”
From the high-ceilinged entrance, one steps into an
elegant foyer where a grand piano by the staircase easily
catches the eye, as if inviting guests to tickle the ivories. To
the right of the foyer is the Magellan living room, its walls
decked with old portraits of the four great navigators: Juan
Sebastián El Cano, Ferdinand Magellan, Christopher
Colombus and Hernándo Cortés.
Adjacent to the living room is the McArthur dining
room, also designed by Matti. Here, a glistening crystal
chandelier warmly reflects on the polished hardwood
floors, and a painting that depicts General Douglas
McArthur’s return to Leyte in 1944 hangs by the wall.
Next to the living and dining rooms is the Laurel Hall.
Bathed in natural light, it features a harmonious mix
of textures and patterns with wrought-iron table bases
surrounded by wicker dining chairs upholstered with fabric
made from sugarcane. The geometric flooring, various
lamps and accessories make the area even more interesting.
To the other end of the ground floor past some of the
bedrooms is the light and airy Aguinaldo Hall also arranged
by Matti and his team. Teeming with carefully curated
European furniture pieces and with walls decked with
memorabilia, the hall radiates a bright aura that symbolises
optimism for the country’s future.
On the second floor is the Great Room dedicated
to the Philippine National Hero Dr Jose Rizal. The
opulent space has a plush seating area highlighting
accent chairs from different eras; a stunning crystal
chandelier hangs from the ceiling. Accentuating the
cosy neutral palette of the room are portraits of Rizal
that remind every guest of the great impact he made
in our history. Adjacent to the Rizal Great Room are
the suites of Presidents Rodrigo Roa Duterte by Chat
Fores; Fidel V Ramos by George Yulo; and Corazon
Aquino by Al Modesto Valenciano of Balay ni Atong
Arts, Crafts and Antiques.
123
124
Clockwise, from
top: The suites of
Presidents Manuel
L Quezon; Corazon
Aquino; Diosdado
Macapagal;
Ramon Magsaysay
125
126
Across the Rizal Great Room is President Ferdinand
Marcos, Sr’s suite, the design of which reflects his various
interests. Inside is a private library lined with leather-bound
books that echoes what a voracious reader the former
commander-in-chief was.
A few steps from Marcos, Sr’s suite is Manuel L
Quezon’s, designed by Tania Fricke Lichauco. Following
the theme Pearl of the Orient Seas, the designer used a
calming palette of beiges and taupes paired with accent
colours like gold, deep greens and blues. Entering the room
is like getting inside a giant jewellery box made of bamboo
fibre, different kinds of silk and mother-of-pearl. Lichauco
also dressed up the veranda with a beautiful mural. Beside
the Quezon room is the suite of President Sergio Osmeña
designed by his fellow Cebuano, Kenneth Cobonpue; the
room is still in the works.
Next is President Benigno Simeon “Noynoy”
Aquino III’s suite by sisters Ivy and Cynthia Almario
that highlights a unique eight-piece bespoke artwork
the designing duo describes as the piece de resistance
of their interior design concept. The artwork marries
the eight notable achievements of his administration
with Aquino’s love for target shooting. Arranged in
the form of a dart board, the eight achievements were
then printed on paper and brought to the shooting
range he frequented. “To make it a memorable art
installation, his shooting buddies were invited to fire
live rounds of ammunition at the bullseye,” says the
Almario sisters. The dart boards were then framed
and mounted.
Towards the end of the hallway is the suite of President
Manuel Roxas by Cecil Ravelas of RED Interior Design,
which houses a collection of prints representing Roxas’
fight for independence from the American government.
Back to the ground floor is another row of uniquely
designed rooms starting with the suite of President
Diosdado Macapagal designed by friends Lizzie Zobel,
Junie Rodriguez and Mia Borromeo, also known as The
Collective. Inspired by Macapagal’s humble roots in Lubao,
Pampanga and his support of the rice sector, the suite is clad
with a palay-themed handmade wallpaper by Tadeco. “We
also used a palay-motif for the Pinilian Inabel curtain trim,”
From left: The suite of
President Ferdinand
Marcos is complete with
a handsome home office;
Marcos’ suite is a fusion of
contemporary pieces and
those from a bygone era
The new Laperal
Mansion exudes
warm Filipino
hospitality
while putting
the spotlight on
Philippine history
and culture
127
128
Clockwise: The sunkissed state room
named after President
Emilio Aguinaldo
is a sanctuary of
luminosity and grace;
A blissful spa by
Conrad Onglao echoes
his signature black
and white aesthetic;
The Aguinaldo Hall
by Jonathan Matti
pays homage to the
Philippines’ first
president; Natural
light flows in at the
second-floor foyer
129
130
A lush garden envelopes the
Laperal Mansion
says Rodriguez. A watercolour artwork by Capampangan
artist Ireneo Miranda also takes centre stage.
Ram Lopez-Vito Bucoy lends a fresh punch into the
President Elpidio Quirino suite by highlighting the
distinctly Filipino saranggola-shaped headboard, as
well as the chinoiserie wall in the bathroom–an element
that represents Quirino as the first Filipino Chinese
president of the Philippines. “I was thinking what kind
of headboard would symbolise the Philippines and the
saranggola [kite] for me is very Filipino,” says Bucoy.
Besides being a prolific lawyer, President Carlos P
Garcia is known as the Prince of Visayan Poets. With this
in mind, the interior designer Anton R Mendoza made the
book-themed wallpaper one of the highlights of the suite,
together with the Salakot by artist Ian Giron, which hangs
beside the window. The traditional hat used by Filipino
farmers represents the International Rice Research
Institute established by Garcia in 1960.
Also on the ground floor is the President Gloria
Macapagal-Arroyo suite by the designing trio Tessa
Alindogan, Anton Barretto and Arthur Tselishchev.
Drawing inspiration from the colours of the oceans
surrounding the Philippine archipelago, the dominantly
blue room echoes the former president’s love for diving and
the environment, as well as her championing local tourism.
“We used the blue colour not only because it is dramatic but
it is also her favourite,” says Tselishchev. A four-poster bed
created by the talented furniture craftsmen in Pampanga
is backdropped by a wallpaper that depicts plants typically
found around the Philippines.
The interior designer Tito Villanueva anchored his
design for the suite of President Ramon Magsaysay on
rural life–a life the late president has lived himself. “My
father was the youngest of a group of friends [barkada]
which included the former President. They shared the
same passion for fishing, farming and car maintenance and
repairs. The mural I commissioned depicts Philippine rural
life, focusing on the common interests the barkada engaged
in. It gives a glimpse of the President’s life on a more private
and personal level rather than his public life as President of
the Philippines,” Villanueva, whose father was a very close
friend of Magsaysay, explains.
While the Laperal Mansion’s storied past is one of the
most colourful in history, it provided talented designers
with a platform to showcase their creativity and outstanding
craftsmanship. Paired with warm Filipino hospitality, this
endeavour serves as a sustainable means of showcasing the
essence of Filipino identity to the world.
131
Georgina Wilson-Burnand, makes a graceful return after many
years, embodying the best version of herself yet
By Maritess Garcia Reyes. Photography by BJ Pascual. Stylized Studio led by Jolo Bartolo
FEATURES | COVER STORY
Georgina WilsonBurnand wears Mugler
top, Alaïa latex skirt
and Tom Ford shoes
MAKE-UP JELLY EUGENIO HAIR PAUL NEBRES LOGISTICS ISABEL MARTEL FRANCISCO, JAMES MAYO, MICHELLE SORIANO PHOTOGRAPHER’S ASSISTANTS RICHARD DETITA,
DAMIAN ESTRELLES, JUMELLE RAYOS, ABEL SANTOS, SAM ORATE STYLING ASSISTANTS JOHN LACSADO, MICA SAMONTE LOCATION BALAY KOBO
134
have to do 15,000 steps every day, which is
why I am walking right now,” says Georgina
Wilson-Burnand from Shanghai as Tatler
speaks to her over the phone one sunny
day before the Easter break. The cover star
moved to the Chinese city early this year with
her husband, Arthur Burnand, and three
children, Archie, Alfie and Charlotte.
“We moved quite abruptly,” says WilsonBurnand, something that is not unfamiliar
due to the nature of her husband’s job—
Burnand works for international property developer
Swire Properties. But that doesn’t stop her from always
being excited to discover what a new city can add to her
family’s colourful and adventurous life. “Many people
don’t know how beautiful Shanghai is. It’s such a green
city,” she says.
The family lives in the historic former French
Concession, famous for its gorgeous tree-lined
streets, museums, art galleries, hip cafés, breweries
and dining spots. However, there’s plenty for little
ones to do. “I think people also don’t know how childfriendly Shanghai is. It’s so fun for the kids: we go to
the aquarium often, and there’s a dinosaur museum
in the middle of the city,” Wilson-Burnand says.
She is also excited about the city’s vibrant culinary
scene, especially the fusion of western and traditional
Chinese cuisine, all adding to an experience even
more significant than the sum of its parts. “There’s the
best coffee … the best ice cream. So, for me, it feels
like a European city in Asia. Sometimes, because of
the energy, it can also feel like New York.”
Wilson-Burnand was a Manila It girl in the early
2000s and was regarded as her generation’s face
long before social media became popular. She was
a prominent figure in Philippine society, featuring
in advertising campaigns, hosting TV shows such
as the reality series Asia’s Next Top Model, walking
the runway for much-loved Bench fashion shows,
and making headlines with her personal life. She
was among the first influencers when social media
exploded in the country and remains a force to be
reckoned with, having been named a 2016 Tatler
Gen.T and 2021 Asia’s Most Influential honouree and
cofounding Philippine eyewear brand Sunnies Studio,
not to mention her 3.4 million followers on Instagram.
Much has changed in Wilson-Burnand’s personal
life since her It Girl days. She and Burnand married in
April 2016 in England, and she gave birth to Archie in
2017; her then five-month-old joined her on the cover
of Tatler Philippines’ September 2017 issue. Back then,
Wilson-Burnand shared that she thought tying the
knot and having children would end life as she knew it.
Now, seven years and three kids later, she can’t imagine
her life without Arthur, Archie, Alfie and Charlotte by
her side. “I don’t even remember my days when I was
single anymore,” she laughs.
She feels that the most significant change in her life
though is how she divides her time among the many
hats she wears. “Time is the biggest gift and the most
precious asset that I have now; I’m cautious with who
I spend it with and what I do,” she says. “I think being
on time is giving respect, which I took for granted
back in the day. That’s changed now.”
Admittedly, her current life is dictated by Google
Calendar, which has everything she needs to do, from
the most minor engagements to more significant
commitments. “I try to note everything on it so I don’t
Wilson-Burnand
wears Alaïa tights
and bodysuit, and
Gianvito Rossi shoes
Opposite page: She
wears Mugler top,
Alaïa latex skirt and
Tom Ford shoes
Wilson-Burnand wears
Agent Provacateur
bustier, Louboutin
shoes and Wolford
stockings Opposite
page: She wears Alaïa
dress and Manolo
Blahnik shoes
Wilson-Burnand wears
Agent Provacateur
bustier, Christian
Louboutin shoes and
Wolford stockings
Opposite page:
She wears Alaïa tights
and bodysuit,
Gianvito Rossi
shoes and Sunnies
Studios shades
miss [events] and can accomplish everything. For me,
it’s discipline: I want to be the most efficient so I can
spend the most time I can with my kids at home,” she
says, adding that a newfound love for fitness currently
takes up much of her day. “There are just not enough
hours [in the day], every day.” It’s good that with
technology, she can juggle all her responsibilities
efficiently, including her role as a wife and a mother, her
fitness regime and her business. Whether in Shanghai
or anywhere else, she can balance her work as brand
director of Sunnies with the demands of family life.
Fortunately, her new neighbourhood is perfect for
practising her new fitness routine. She wakes up at
around 6am or 7am, walks for an hour and a half, or
goes straight to the gym to lift weights. In the evening,
she does another round of walking. “So that’s at least
two hours of walking and living an active lifestyle for
the rest of the day,” she says. As she told me this, she
sent me a photo of the Russian Orthodox Mission
Cathedral she had just passed. “It’s so big and pretty.
I love the architecture,” she says, trying to help me
visualise the charming street she was on.
She started working with a new Hong Kong-based
trainer, James Chester, about six months ago and is
proud of her achievements. While it has resulted in
her losing some of the weight she gained during her
pregnancy, it has given her a new view on wellness.
“I feel like I’ve shown myself more than anyone else
the best I could be. For me, working on your body and
giving yourself that discipline is the best gift you can
give yourself. I am more motivated now to go further,
which is the fun part of fitness. I feel like you’re never
done. There’s always a new goal,” she says. Nowadays,
she works out five to six days a week, dedicating
around three to four days to weightlifting. In Manila,
she does Pilates with trainer Aileen Abuel, and in
Hong Kong, she frequents Family Form, a studio that
focuses on mat-based, infrared-heated, full-body
sculpting workouts. “Don’t be intimidated if you’re
not doing it because everyone can start somewhere.
You can get a good trainer, but there’s so much
material online, too.”
It also helps that she has a sound support system:
her husband and children join her for walks and
even catch up with friends while working out. Such a
network has been vital to her since childhood, leading
to her self-confidence and decisive nature. “I’ve been
blessed to have grown up knowing that I am very
sure of myself and what I’m good at and, conversely,
knowing what I’m not. I think that’s what’s driven me
through life,” she says.
She hopes to be able to pass on this independent
attitude to her children, too. “I grew up in England
and moved to the Philippines when I was ten. One
thing that my mum and dad did was make me fly alone
to the Philippines when I was as young as seven. I
thought that was fun. I know it’s a different world
now, but I’ve been trying to get Archie ready to fly on
his own,” she says, hoping that her children will grow
up unrestrained and assertive in their choices.
“My kids teach me something new every day. I’m just so
amazed to see these beings grow up and become real people
in front of my eyes. The coolest thing for me is that they
have had so much soul, character, and spirit uniquely theirs
since they were born. Now, how do you nurture that? How
do you make them be the best of who they are?”
Wilson-Burnand, whose father is British and
mother is Filipina, is particularly proud of her Asian
139
Wilson-Burnand
wears Alaïa dress,
Fendi shoes, and
Riqueza jewellery
142
heritage. This sentiment extends to Sunnies, the
homegrown brand she co-founded with her friends
in 2013. It started with the local eyewear Sunnies
Studios, which later expanded to include the make-up
line Sunnies Face, Sunnies Cafe, Sunnies Coffee, and,
most recently, Sunnies Flask—all under an umbrella
brand that’s proudly Filipino and values creativity,
inclusivity and sustainability.
“We exist because we want to create beauty in
everyday things. We want to ensure that the objects
you live with and use daily are the most amazing they
can be. When we say beauty, it’s not just that it looks
good but also that it’s functional and priced well. It’s
beautiful for so many reasons,” she says, explaining that
beauty goes beyond physical appearance to encompass
experience: it could be beautiful because of how you
felt when buying the product, because you love the
colour, or because it’s the best lipstick you’ve ever
worn. Something can be beautiful, Wilson-Burnand
says, because “it makes a difference that adds value
to your life, and you can’t believe that it’s reasonably
priced.” Even when she and her friends established
Sunnies Studios, she never saw it as just an eyewear
brand; instead, she believed it was a lifestyle. “I think
we’re now making that more and more real.”
The team at Sunnies take creativity and design
seriously. They know that many Filipino brands
could offer the same line of products, and the market
is competitive, but they believe their approach is
winning. Wilson-Burnand says they constantly ask:
“What do the Filipinos want now? What packaging?
What type of formula? We strive to get the best
technology worldwide to bring it to the Filipinos.
That’s our goal. I feel so proud when we talk about
being a Filipino brand.”
When designing the products, inclusivity and
sustainability are top priorities. “Inclusivity in terms
of pricing is important. For us, it doesn’t matter if your
product is so amazing because if people can’t afford
it, then it’s not really that relevant. We felt inclusivity
was also missing in representing Filipino beauty
brands,” she says. Sunnies has kept its price points
reasonable, and its product designs in terms of colours,
materials, and even packaging are suitable for the
Filipino lifestyle. For example, Sunnies Face has long
been known for bringing the most morena-friendly
make-up colours in the market in formulas that suit the
Philippines’ tropical climate.
As for sustainability, Wilson-Burnand shares
that for many years now, the Sunnies Group has
been supporting 1% For the Planet, an international
organisation whose members contribute a portion of
their revenue to environmental causes. “We also look
at every material we have and how to improve it. How
can we use recycled acetate? How can we minimise our
packaging? How can we use packaging that people can
reuse? I think sustainability is a forever commitment
and quest, so it’s something that we’re constantly
working on,” she says.
Wilson-Burnand, a confessed perfectionist, has no
plans of slowing down anytime soon. She dreams of
expanding Sunnies, a brand she co-founded, across
the region. Currently, the brand has stores in China
and Vietnam, but she wants to open more. Her goal
is for Sunnies to become the top Filipino brand
that comes to mind when people think of eyewear,
make-up or whatever product line comes along
the way. She believes there is still so much more to
achieve, conquer, and explore, and the brand has a lot
of untapped potential.
Wilson-Burnand
wears Alaïa dress
and shoes Opposite
page: She wears Alaïa
dress, Fendi shoes
and Riqueza jewellery
FEATURES | ENTERTAINMENT
As he reaches a
turning point in his
life, Gary Valenciano,
one of the country’s
most renowned
musical artists, relies
on divine guidance
to choose the
right path
By Chit L Lijauco.
Photography by Jayson Isaac,
Samantha Valenciano,
and courtesy of Manila Genesis
Entertainment Management, Inc
Singer-songwriter Gary
Valenciano celebrates
40 years in the industry
ary Valenciano, famously known as Mr Pure
Energy, is about to turn 60. This raises the
question of whether he will retire or not.
Valenciano is one of the few artists who have
reached Superstar status, has conquered
every musical artist’s dream and is still
performing. He is renowned for his highenergy performances, complicated jumps
and gyrations, and a non-stop tempo called “hataw”
in Tagalog slang. However, with him reaching 60, it
remains to be seen whether he will still be able to deliver
the energetic performances he is known for.
This is a valid question, considering that he has been
on insulin for 45 years now because of Type 1 diabetes
plus tuberculosis, pneumonia and knee surgeries. He’s
also had a heart bypass, cancer of the kidney, hepatitis,
dengue and Covid-19. With his full share of hospital stays,
he, too, contemplated the matter. “A few years ago, I started
thinking about slowing down. I was feeling tired. I just
came from a bypass. I wanted to pull back. I wanted my last
concert then to be my last,” Valenciano recalls.
A MATTER OF FAITH
146
When the pandemic hit, however, things began to
change. Gary V, as he is also often called, did an online
concert and two tours in the United States and Canada,
one in 2022 and the other in 2023. “I was like, hey, wait
a minute. How come my energy is back to the way it was
before? I was surprised to feel my body feeling strong
and energised,” Valenciano says.
So, in 2023, when he started looking deeply at his life,
Valenciano went to his safe place and turned to his faith. He
prayed, asking God the big question: How long can this go
on? How long can I do this? Valenciano shares the divine
answer he got, “It was then that something I saw many years
back, in 2008, became very clear to me.”
So touched was he by this connection he felt with the
Lord that he chose to end his April concert, Mr Pure
Energy: One Last Time, with a sharing of this experience. “I
am keeping it a secret until the concert,” Valenciano says in
this interview conducted a month before, but he reveals it to
Tatler after swearing us to secrecy. Since the concert would
have been over when this issue hits the stands, he read his
spiel to us, with permission to share it here.
He starts: “I know that many have questioned why the
title of this concert is Pure Energy: One Last Time. I can’t
blame any of you for thinking, ‘What? He’s retiring?’ After
all, that’s how it sounded from the start.
“And then, I often hear people say, ‘Kayang kaya mo pa
naman, e [You still can do it].’ And [it] would become so
real because the mind would believe what people would say,
but the body would start saying otherwise.
“Once a career has lasted this long, it often brings to
mind the question, ‘How long can this go on for, in this
way?’ The thing is, I got an answer, and it came in a way that
only God can provide.
“What I’m about to share with you is something I
have never felt worthy enough to experience. It was on
November 14 and 15, 2008, that I was celebrating my 25th
anniversary at the Araneta Coliseum.”
He continues reading as we paraphrase for brevity.
Valenciano says that on November 15, 2008, the second of
his two-day concert, he woke up with no voice. He tapped
his wife Angeli and said, “Hon, I have no voice for tonight.
You have to pray for me, please.”
Angeli sat up on the bed and placed one arm around
her husband’s shoulder and her other hand upon his.
“But all I recall from that prayer were her first few words.
Because that’s when it began. Her voice started to fade into
the background, but only to usher in what I believe was a
vision,” Valenciano relates.
In the vision, Valenciano saw himself walking
at night, towards the direction of the horizon, with
varying shades of black dividing the sky. He also knew
he wasn’t walking alone because of a bright light from
the corner of his eye that enveloped him in so much
peace. He knew who that was. After walking with Him
for a bit, Valenciano saw himself stopping. And then,
he heard Him say, “It’s okay to stop, Gary. You can even
look back.” Which he did.
And Valenciano said he saw his concert of the night
before, Nov 14, looming above like a cloud. When he turned
towards the horizon again, he noticed the sky was no longer
black but dark blue. “It was like letting me know a new day
had begun,” he says.
He walked and stopped twice again. At the last stop,
he saw the concert the night before and every other
concert he’d been to since the beginning of his 25-yearold career. And he heard God say, “It was fun, right?” A
teary-eyed Valenciano nodded and whispered, “Yeah.
It was.” Before he can add, “And I’m going to miss this,
Lord,” God read his heart and responded, “There’s more.
But it’s that way, pointing to [another direction towards]
the horizon.”
Valenciano looked toward where God was pointing to
but saw nothing. Then, He said, “It may not be as grand,
Gary, but it would be fulfilling. Maybe even more fulfilling
than in the past. Do you want to go?” No words came out of
Valenciano’s mouth; he simply nodded and started walking
forward with Him once more.
Mr Pure Energy
serenades the crowd
at Gary V: Back at
the Museum
Clockwise: Leia Valenciano and Luch Valenciano with Gary and Angeli;
Gary spent a lot of time with his mother as a child; Gary and Kiana share
a unique bond, both father and daughter are singer-songwriters with a
love for music; Gary’s own strength and stay has always been his faith
in God and his marriage to Angeli, his wife and manager; Christmas
2023 with the Valencianos, Kiana’s fiancé, Sandro Tolentino and Fili
Nepomuceno; Gary’s father, Vicente Valenciano
The plan was to end this spiel and the concert with
Take Me Out of the Dark, a personal favourite which he
wrote. “This song became viral, internationally even, in
2020, during the pandemic,” Valenciano shares. “People
were looking at what artists from all over the world were
putting online. And I was seated right there [pointing to
a spot behind him in this home studio from where he was
talking to us]. It’s only a small room, but it looks bigger
in photos.”
HANGING ON
148
Today, Valenciano veers from the old path of hataw
concerts to gigs in smaller venues with new, more
appropriate moves. He also lowers his range, when
necessary, a technique common to all artists, both local
and foreign.
“There’s a difference between a big venue and an
intimate venue,” Valenciano says. “I could still do
concerts in intimate venues, around 2000 seats, unlike
my 10,000-seater venues. We are going on a tour this
year to do just this.” He is still, however, open to big
venues if it is not a solo concert or if he can share the
stage with other singers.
Valenciano already had a taste of the new path last
year when he did ten sold-out concerts at the Music
Museum, a venue for 718 people. He gave his audience a
great concert, so much so that many went back to watch
it three or four times.
His life has also taken on another path in 2018 that led
him to students on campuses. Called Face to Face with
Gary V, the series of dialogues have numbered 58 already. “I
just felt in my heart that I wanted to reach out to them [the
students], so I opened my doors, and the schools opened
theirs. I speak to 150 to 200 students about my life and
journey. I don’t just speak to them; I speak with them. If I
have the answer [to their questions], great! But if I don’t,
we’re in the same boat, but it was great to hear each other
out,” he says.
According to Valenciano, the response is “really close to
the word ‘unbelievable’”. He adds, “We have a conversation.
I share my flaws as well, including my diabetes, which
always generates a Wow from them. They think that I am
someone who has achieved so much despite what I’ve got.
Yeah! That’s my way of reaching out to them.”
Valenciano realised that face-to-face communication fits
the Lord’s description of “not as grand but more fulfilling”.
Gary V on the poster
of his last concert,
Mr Pure Energy: One
Last Time
FROM THE TOP
Valenciano’s singing career was nourished in school.
In senior high school in La Salle Greenhills, he joined
Kundirana when the popular collegiate singing group
was just a decade old. After just one year, top singer Pilita
Corrales spotted his talent and invited the new graduate to
guest on her show. After that, impresario German “Kuya
Germs” Moreno guested him in GMA.
Performing is probably in his genes. Though he shares
that only some family members are musical, talent abounds.
His mother, the Puerto Rican Grimilda Santiago, was an
excellent actress and was part of the Teatro Fil-Hispanico.
“My luck changed on November 12, 1985,” Valenciano
remembers. The song Di Na Natuto not only put him on the
map but continued to push his career higher. But he recalls,
“And yet, I was not happy, nor even satisfied. I was always
trying to outdo my last performance. I was struggling with
insecurity, always thinking we may have a sell-out crowd
now, but what if it’s not like this next year or next month? Or
what if somebody else comes along?”
Of course, there was someone else. “There was a guy
named Martin Nievera,” Valenciano teasingly refers to one
of his best friends. “I would see him and get wowed by the
way he talked and worked up the audience. I’m not like
that! Galing nya!”
THE SOURCE
Success never entered his head, however. Valenciano
knows exactly why. “The Lord made sure I had something
to keep my feet on the ground. And that was my diabetes.
It is a blessing. If I didn’t have that, who knows how success
would have changed me?” He also credits Kundirana for
this discipline. “Kundirana taught us how to bring joy to
others through music.”
He has been bringing joy with his music for 40 years
and admits in his closing spiel: “Friends, doing things
like this has never been easy. What’s more, now in the
season of my 60th year of life? Nakakapagod din [It’s also
tiring]. I’ve given you my all tonight as I’ve consistently
tried to do so in the past 40 years. I’ve sung, danced,
laughed, cried and hopefully inspired some of you and
celebrated life with you. And this is how I want you to
remember me.”
Valenciano emphasises that although he may be
concluding a season, it’s not the end of the series. He calls
it merely the final page of a chapter, not the final page
of the entire book. With a clear goal in mind, he looks
forward to the future, which he aptly describes as “the
great unknown”, and places his complete trust in God,
whom he refers to as “the source of True Pure Energy”.
151
BEHIND
These bright, young
sartorial talents
are making a mark
on the Philippine
fashion industry one
stitch at a time
By Julianna Cabili
IMAGE GETTY IMAGES
FEATURES | FASHION
153
The cool Chris Nick Delos Reyes,
more commonly acknowledged by
his first two names, considers his
eponymous label as more than just
a brand but a lifestyle. The 30-yearold designer remembers his career
coming together in “one huge wave”.
Only six months after launching
his brand in 2019, he had his work
featured on 11 magazine covers and
in three fashion shows. “It was so
crazy but so full. I realised how much
I loved it. I woke up everyday never
feeling like what I did was work
because I genuinely enjoyed it.”
Driven by a lifelong love affair
with fashion, art and film, and
informed by a discerning eye for
154
beautiful things, Delos Reyes
boasts a portfolio that exudes
a clean-cut and exceedingly
sensual refinement. Pieces are
minimal but elegantly structured,
exclusively all-black, and spliced
with aspects of the tuxedo, his
favourite article of clothing. It
has a kind of flair that recalls the
hedonistic heydays of New York
City nightlife, atmospheric dinner
dates at Uma Nota, and martini
orders at hotel bars. “There’s a
way to have something classic
look not dated,” he says. “I’d like
to believe that the clothes I make
are timeless but at the same time, a
sign of the times.”
IMAGES COURTESY OF CHRIS NICK; STACY RODRIGUEZ
CHRIS NICK
STACY RODRIGUZ
Coming from an artistic family that
exposed her to the many aspects
of design, Eustacia Rodriguez,
better known as Stacy, recalls
organising fashion shows for
her Barbie dolls and learning
how to sew at a young age. She
continued exploring her creativity
with a foray into styling before
launching her first brand, Glasnot.
Rodriguez then took up further
studies in fashion design at New
York’s Parsons School of Design.
Today, she has created three
brands under her name: Moda
Eustacia for custom wedding
packages, gowns and formal wear;
Studio Eustacia for ready-to-wear
pieces and accessories; and EC, a
unisex brand she co-designs with
her partner Carlos Del Prado.
Pieces from her atelier, Moda
Eustacia, are notably bespoke
gowns in vibrant jewel tones,
accented by ruffles and mixed
prints. It is an aesthetic carefully
aligned with an inclination for
non-traditional silhouettes and
unexpected combinations.
Rodriguez believes that it is
her knack for all things unusual
that sets her apart from other
designers. “My style as a fashion
designer is eclectic. I enjoy
working with lots of vibrant colour,
different prints and texture, and
incorporating textiles I source
from around the world.” She draws
much inspiration from her travels.
“Seeing how other creatives work
also inspires my work. I always
expose myself to all sorts of people
and places because I feel that
keeping your eyes open is the first
step in beautiful design.”
155
156
Inspired by the rich craftsmanship
of Filipino artisans and informed by
childhood nostalgia, Kelvin Morales
recognises the potential of bringing
local fashion to a global scale. His
ambition could very well be looming
on the horizon. After taking up
Fashion Design and Merchandising at
De La Salle-College of Saint Benilde,
Morales sought work experience in
the design world; however, he had
difficulty finding brands that aligned
with his vision at the time. Thus, he
created his eponymous brand.
Morales aptly describes
himself as a storyteller, “I draw
inspiration from narrating and
creating my characters, settings
and vibes for each collection.” His
designs straddle the line between
masculinity and femininity—a yin
and yang equilibrium of strength
and elegance. They often reflect
elements from memories of youth,
intertwining lived experiences
with imagined narratives. He
also emphasises craftsmanship
to promote local Filipino artistry
and finds himself drawn to light,
sheer and luxurious materials like
silk cocoons. “By mastering the
intricacies of different fabrics and
experimenting with innovative
techniques, we create designs that
are not only visually striking but also
showcase a level of craftsmanship
and creativity that distinguishes us in
the fashion industry.”
As he works on preparing his
brand to enter the global market
while continuing to expand his label
and team, Morales aspires to explore
new design territories while being
open to collaborations with fellow
talents. He shares his ambitions,
“My primary goal as a designer
is to promote the contemporary
barong on a global scale. I aim to
showcase the beauty and versatility
of this traditional Filipino garment
by infusing it with modern
design elements and pushing the
boundaries of what it can represent.”
IMAGES COURTESY OF KELVIN MORALES; CHYNNA MAMAWAL
KELVIN MORALES
CHYNNA MAMAWAL
Both a tennis player and a business
degree graduate, Chynna Mamawal
found her path to design in a
circuitous way. She remembers
being drawn to fashion as a child
and always felt the urge to stand out
through her clothes but her physical
excellence also made many think she
would pursue a career in sports. She,
however, ended up in a corporate job
in fashion at SM Retail where she
spearheaded a marketing team.
After two years on the job, she
went on to study at the Institute
of Creative Entrepreneurship.
Recalling the trajectory of her
fashion career, she states, “I
pursued this career because of the
transformative power of fashion.
It’s not just about the aesthetics but
about offering solace and freedom.”
Her work was showcased at
Vancouver Fashion Week last April
2023, where her label received the
Collection of the Season Award.
The art of telling a story is the
essence of Mamawal’s craft. Her
signature style is drawn from a range
of inspirations, from her travels to
the personal stories of her clients.
While her formal gowns are replete
with tulle, beads and feathers, she
describes her menswear as modern
and minimal while integrating
textured fabric for suits. “When
you look at my creations, you can
sense right away the importance of
authenticity, grace, sophistication
and simplicity to achieve true
elegance. [You can see it in] the
subtlety of my designs, the innate
appreciation, attention to quality and
visual harmony.”
157
Born in Iligan City to a Muslim
Maranao family, Abdul Gaffar
grew up watching his mother sew
her own hijab and entertain visits
from a personal seamstress. These
experiences provided a young
Gaffar with his first glimpses of
the fashion industry. Discovering
the works of Michael Cinco and
Alexander McQueen in high school
was the push that prompted him to
pursue a career in fashion design.
At 18, he and his family moved to
Manila so that he could attend
Slim’s Fashion and Arts School.
There, he studied Fashion Design
and Dressmaking and was able
to take up other courses through
scholarship grants.
158
He incorporates motifs drawn
from his background, such as brass
embellishments bearing traditional
Okir patterns, handwoven inaul,
refashioned interpretations of the
malong, and folkloric imagery like the
sarimanok. Gaffar enjoys working
with locally woven fabrics like jusi and
piña and emphasises the importance
of using these materials not just for
nostalgic or historical purposes, but to
help keep the local weaving tradition
alive and flourishing.
For Gaffar, this exploration of his
roots developed a deeper appreciation
of his culture. “It was not until I moved
to Manila that I realised how beautiful
and distinctive my Maranao culture
and way of living were.”
PHOTOGRAPHY MAKIE CRUZ (RENZ REYES); KIM MONTES, COURTESY OF BENCH FASHION WEEK (ABDUL GAFFAR) ADDITIONAL IMAGES COURTESY OF RENZ REYES; ABDUL GAFFAR; BENCH FASHION WEEK
ABDUL GAFFAR
RENZ REYES
Renz Reyes knew that he was
going to work somewhere creative,
wherever the field. He started out
as a graphic designer then went
on to become an embroidery
designer for a luxury fashion and
lifestyle brand. There, he worked
his way up from the lowest design
position to becoming head of the
team. Reyes won the Bench Design
Awards in 2018 and had the chance
to show at Tokyo Fashion Week
that same year.
His pieces are utilitarian
though imbued with an edge of
sophistication. Intricate, they
require complex construction but
appearing seemingly effortless.
Repetitive patterns and displays
of symmetry showcase his
aptitude for embroidery. He says,
“I like to subvert notions of what
embroidery could be. I’m always
thinking about how it could be
different. I love to make casual
fabrics feel tailored and dressy
while making formal fabrics
feel easy and understated. I love
denims and twills but adding my
own personalised touch.”
To Reyes, inspiration comes
from anywhere. “It’s cliche, I
know”, he admits, “but I get
the most inspiration from the
everyday mundane. I take pictures
when I’m outside.” Reyes is
steadfastly focused on the growth
of his brand, bent on gaining
traction and becoming more
visible. “I feel like I have so much
to offer and I’ve barely scratched
the surface.”
159
GABBIE SARENAS
With his every creation, Gabbie
Sarenas pens a love letter to the
Philippines. She began her tutelage
under the fashion designer Hindy
Weber Tantoco after graduating
from SoFa Design Institute. She then
moved to Paris to learn draping at
L’École de la Chambre Syndicale
de la Couture Parisienne. Upon
returning home, she studied at FAB
Creatives under the mentorship
of Jojie Lloren and Pidge Reyes.
She recalls, “After Paris, I started
thinking about my life and my
career. [Before launching my brand]
I did my research for a year, starting
with the question “What is the
essence of Filipino design?”
Her romantic and ethereal pieces
for the contemporary Filipino
woman are often made of light piña
fabrics stamped by her signature
embroidery. Recurring motifs
in her work feature depictions of
native flora and other whimsical
interpretations of cultural nostalgia.
Priding herself on authenticity, she
says that her ideas are powered by
emotions, memory and personal
lessons collected and harnessed
over the years.
Sarenas believes in the power
of education and endlessly draws
inspiration from experiences and
topics that pique her interest. “I
still want to study further, learn
more techniques and widen my
knowledge. I look at all goals one
step at a time.” Her work has been
featured at the ArteFino Fair, on
the Bench Fashion Week Summer
2024 runway, and even as uniforms
for Max’s Restaurant. Despite her
success, Sarenas remains genuinely
humble, “Our brand is blessed to
have many accomplishments and
validations. I am not sure if we have
‘made it’ since our goals get bigger
and bigger. But all the small steps
will get us there.”
PHOTOGRAPHY RENZO NAVARRO; KOJI ARBOLEDA (CARL JAN CRUZ); BIMPOMAN, COURTESY OF BENCH FASHION WEEK (GABBIE SARENAS) ADDITIONAL IMAGES COURTESY OF BENCH FASHION WEEK; GABBIE SARENAS
CARL JAN CRUZ
Carl Jan Cruz graduated from the
London College of Fashion. He
interned at Celine when the House
was under the direction of Phoebe
Philo. At 23, he returned home to
the Philippines and launched his
own label. Now, his collections have
been shown at Paris Fashion Week
and are stocked at fashion retailers
all over the world, from New York to
Tokyo. His success proves just how
capable Filipinos are to take on the
world stage.
His cult brand is a favourite of
local fashion aficionados. A Carl
Jan Cruz denim piece is instantly
recognisable with its unique washes
of colour and exposed stitching.
His label’s penchant for fabric
manipulation is done through
different specific techniques,
which are then transformed into
pieces devotedly embedded into
the Carl Jan Cruz DNA. The ardent
proof of handiwork is apparent,
reflecting a zealous adherence
to and foundation and quality.
He says, “The act of creating
something tangible has always been
in my head.”
Staple aspects include his
piqué collection, born from an
experiment to create a fabric
that reflects the Filipino psyche.
Reflecting on his distinctive oeuvre,
he remarks, “It just so happens that
my identity is pretty layered, so
the aesthetic is a compound of our
collective identity as Filipinos. It’s a
result of all the experience and the
technicalities that I know. That’s
what makes it different.”
161
162
FEATURES | ENTERTAINMENT
ON A
Cape, an NGO that
champions Asian
American and Pacific
Islander artists and
leaders, has been
shaking up Hollywood’s
storytelling for three
decades. But the team
feels there’s still work
to be done on making
representation more
nuanced and global
IMAGE NICK DOLDING/GETTY IMAGES
By Zabrina Lo
Half-Chinese, half-Japanese
American producer and writer Julie
Wong recalls the day her “Chinese
American, risk-averse engineer dad
suggested that I try my hand at TV
writing” after she had been working
in politics in the US for 15 years.
“I was shocked,” she says. “But he
pointed out that I loved TV and I
loved to write, so why not?” A few
weeks later, she signed up for her
first TV writing class at an NGO
called Cape—the Coalition of Asian
Pacifics in Entertainment. It was a
decision that changed her life—in
2018, her talent would lead to her
being hired as a staff writer and
later on co-executive producer of
the hugely popular television series
Grey’s Anatomy—season 20 was
released in March this year.
Wong wasn’t wrong to have
doubts; conversations about racial
diversity and representation in the
film industry weren’t as common
as they are today. “I can’t recall
seeing any AAPI [Asian American
and Pacific Islander] female TV
characters when I was growing up.
Think about the kinds of messages
that sends—you’re not important,
you’re not ‘normal’, you don’t need to
exist,” she says.
Says Michelle K Sugihara, Cape’s
executive director, “Shows like
[1960s series] Star Trek were very
popular, and there used to be a
saying that there were more space
aliens than Asians on [American]
TV.” When the AAPI community
did appear onscreen, they usually
portrayed biased or denigrating
stereotypes: the model minority,
perpetual foreigner, dusky maiden or
noble savage. “It’s not just a silly thing
that you see onscreen. It actually
shapes how people view, think, feel
about our communities and act. It
has a direct consequence to how
we’re treated in the real world.”
Canadian-born Chinese
Malaysian actor Osric Chau, best
known for starring in Supernatural
(2012-19), felt it first-hand. He grew
up consuming American media that
by and large did not include Asians.
“That led to an internal bias against
my own culture and a self-hatred that
took me over a decade to [get over],”
he says.
It was these observations that
inspired Sugihara’s predecessors—
publicist Fritz Friedman, television
producer and creative executive
Wenda Fong and film producer
and executive Chris Lee—to set
163
— MICHELLE K SUGIHARA
164
up the NGO in 1991 to champion
diversity by educating, connecting
and empowering AAPI artists
and leaders in entertainment and
media. “At the time, three senior
Asian executives [in Hollywood]
looked around and said, ‘There
has got to be more of us’,” Sugihara
says. They reached out to and
created a mixer event for about
90 AAPI members working in
the industry. Today, the number
of beneficiaries and mentors has
grown to thousands, with support
from a board of directors who are
industry leaders, including Bing
Chen, the chairman and co-founder
of the NGO Gold House, and
Rina Brannen, the vice-president
of development of television
production company Universal
Content Productions.
In the last 32 years, Cape has
focused its efforts on three key areas.
First, it organises fellowships for
writers and executives, which feature
writing workshops and leadership
development programmes. “We
realised that it’s one thing to have
the talent, but if you don’t have
the executives who are inside the
studios championing, buying and
shepherding, it’s really hard to get
our stories onscreen,” Sugihara says.
Second, it consults with Hollywood
studios and networks on its
members’ projects, “From whether
it be ‘We’re thinking of buying this
IP, what do you think?’, to ‘We’re
staffing our writers’ room, can you
help us with casting and trailer or
script reviews?’. Most recently, we’re
doing media training as well.” Third,
it promotes projects to distributors.
In this way, Cape is changing
representation everywhere
“from the writers’ room [and] the
boardroom to the living room”.
Since Sugihara joined in 2015,
she has been expanding the scope of
Cape’s work. She identified animation
as an increasingly popular genre
due to the rise of video and online
games in recent years, and one that
has a huge influence on pop culture.
So three years ago, she and her team
launched an initiative called Cape
Animation Directors Accelerator,
supported by Sony Pictures
Entertainment. This sees selected
early-career animation directors
attend one-on-one mentorship, panel
talks, workshops and masterclasses
given by high-level executives,
IMAGES HAO FENG (SUGIHARA); COURTESY OF LIONSGATE (KIM AND LIM, LIM)
“It’s one thing to have
the talent, but if you
don’t have the executives
who are inside the studios
championing, buying
and shepherding, it’s
really hard to get our
stories onscreen”
From far left: Michelle K
Sugihara; Daniel Dae Kim and
Adele Lim on the set of Joy
Ride; Osric Chau on the set of
Supernatural; Lim
producers and creatives in the
animation industry to hone their skills.
The work is paying off. “At this
point, we have writers on over
65 shows on every network and
streamers such as Lord of the Rings:
The Rings of Power (2022), [Game
of Thrones prequel] House of the
Dragon (2022) and Grey’s Anatomy—
you name it. They’re all mainstream
shows. A lot of them now have made
it up the ranks and are now circling
back to hire someone who just
graduated from our programme,”
says Sugihara. Graduates from
Cape’s executive fellowship, who
greenlight shows and hire cast
and crew, are also diversifying the
C-suite pool. “We’ve created both
a vertical and horizontal feedback
loop and this ecosystem where
everyone behind and in front of the
camera can thrive,” says Sugihara.
Adele Lim, the Malaysian
screenwriter and film producer
best known for writing Crazy Rich
Asians (2018), has been a mentor at
Cape for more than a decade. She
says the NGO has been “amazing
at giving the new generation of
AAPI storytellers a peek behind the
curtain of Hollywood, which can be
a closed-off bubble for those without
connections or privilege”. For Cape,
she created a “mock writers’ room”
that simulates a TV writing studio
attended by young writers to gain
practical experience and hone their
talent. “The key lesson I’ve learnt
here is that there is a nonstop wave
of passionate, talented storytellers
in our community, which has given
me so much hope,” she says about the
future of the film industry.
Despite seeing a greater degree
of awareness in demystifying Asian
identities onscreen, and the rising
number of AAPI and Asian stories in
recent years—Everything Everywhere
All at Once (2022), Beef (2023), Past
Lives (2023), and South Korean hit
Squid Game (2021), to name the most
high-profile—Lim feels “we still
have a long way to go in terms of
spotlighting AAPI faces as the main
hero of the story”.
Sugihara agrees. “We were just so
happy to be represented onscreen,
but as the conversations have
[become] much more nuanced,
we [need to]talk about issues
like colourism.” She speaks from
experience: her team was once
consulting on an action-adventure
film which had an all-Asian cast.
But when they looked closely, all the
heroes were light-skinned and the
villains dark-skinned. “The studio
might not have even noticed that or
it might have been how the casting
chips fell. But it’s something that we
should have a conversation about:
that we’re not a monolith.”
A fourth-generation Japanese
American born in Honolulu, Hawaii,
Sugihara also wants to see “more
stories that aren’t so culturally
imbued, but that may have some
cultural touches or may just be
stories about people who happen
to be Asian. I’m not an immigrant;
I’m not even a child of immigrants.
I haven’t seen [my kind of
experience] onscreen yet”.
She thinks the next step is to
improve on the range of stories.
“The more authentic stories we
have, the more we can take that
pressure of needing to balance
[the specifics of traditions and
the universal] off,” she says. Cape
started mostly focusing on Asians
in America. “In the more recent
years, we’re starting to look more
globally, as [entertainment]
content itself is just becoming
more global.”
Sugihara is coming up to her
tenth year leading Cape in 2025.
Her own story isn’t unlike a
gripping drama itself. She started
as a lawyer at the Asian Pacific
American Bar Association before
moving to Cape. “Lawsuits are
true stories of human drama. In
both fields [entertainment and
law], it’s peddling and persuasion,
and persuasion is facts plus
emotion. If people can believe the
story and believe it, then you’re
more likely to win”, she says, “so
that has a very strong tie to what
I’m doing here.”
Chau adds, “The Cape team
proves over and over again the
incredible force that can be
generated by a dedicated few.” The
“Cape graduate” is now one of many
who are continuing and expanding
the NGO’s efforts by helping out
at community or industry events
in their own cities. He is optimistic
that the ripple effect will continue
to spread: “When I started in this
industry, the only Asian actors in
Hollywood I could name were all
action stars from Asia. A decade
later there were a couple of us
that all knew each other. Now we
have a handful of bona fide stars
and up-and-comers that I am
constantly discovering and in awe
of. Our growing talent pool on
and offscreen will only continue
to inspire the next generation of
storytellers to allow more of our
stories to be told.”
165
FEATURES | TRAVEL
Design Hotels Managing Director Stijn Oyen on why its
portfolio of properties is truly one of a kind—and what,
ultimately, makes a great hotel By Coco Marett
166
Stijn Oyen took on the role
of Design Hotels’ managing
director in February 2024
Opposite page: Innit Lombok,
a member of Design Hotels
tamba in Tbilisi, Georgia,
is a former publishing
house-turned-hotel
that boasts a stunning
brutalist design, where a
soaring five-storey-high
“jungle atrium” features foliage
that cascades over the old printdrying beam. In Amsterdam,
the Sir Albert Hotel occupies a
19th-century diamond factory;
now a 90-key hotel, it boasts a
different kind of treasure: limitededition works by renowned Dutch
designers such as Piet Hein Eek
and Joy van Erven.
Nous on Greece’s Santorini
island offers an escape from the
Instagramming crowds that flood
the island. Instead, it’s a humble
retreat similar to those of days
gone by where artists, writers and
poets would go to find inspiration
and create. Its owner, Cypriot art
collector Dakis Joannou, says his
“main interest is to share ideas,
engage in dialogue and offer
opportunities for people to see
things from a different angle”.
These hotels are one of one;
the thread that binds them is that
168
they’re all part of Design Hotels—
a portfolio of 300 independent,
design-driven hotels around
the world.
“My mission is to maintain the
innovative edge Design Hotels
is known for—continuing to
push the boundaries of travel,
hospitality and design to keep
our hotels at the forefront of
culture and, in turn, attracting
purpose-led guests that appreciate
experimental hospitality,” says
Stijn Oyen, managing director of
Design Hotels. “Our commitment
to this mission is anchored by our
community of innovative, visionary
owners—or Originals, as we like to
call them.”
These Originals are as diverse
and unique as Design Hotels’
portfolio, from Yoshitaka Nojiri of
Tokyo’s Trunk Hotel—who, having
witnessed the heyday of Shibuya
in his teens, wants “to reignite
the neighbourhood’s creative
embers”—to surfer sisters Claire
and Valia Gontard, who opened
Somewhere on Indonesia’s Lombok
island with sustainability and slow
living in mind.
Says Oyen, “I’m excited to
continue to nurture and build this
unique community of inspirational
hotel owners and inspire change
across the industry by facilitating
new relationships across other
creative verticals, such as design,
art, music and beyond.”
Oyen came on board as Design
Hotels’ managing director in
February 2024, after spending 20
Clockwise, from top left:
Manna in Greece is one
of Design Hotels’ newest
additions; Nobis Hotel
Palma, housed in a former
12th-century medieval
Muslim palace in Spain;
Cap Karoso in Sumba
features Indonesian design
influences; Innit Lombok sits
on a 250-metre stretch of
private beach
years working in the hotel industry
with brands including Relais
& Châteaux, St Regis Hotels &
Resorts, and W Hotels. “It [was] a
bit of a “pinch me” moment to work
for [Design Hotels],” says Oyen.
Recently, the Design Hotels
team met at Manna, a newly
opened property located in
Greece’s Peloponnese mountains—
one that Design Hotels didn’t
hesitate to include in its portfolio.
“It was the perfect setting for
our gathering, where we hiked
through the lush forests of Arcadia
and reconnected with each other
over a fantastic local feast,” Oyen
recalls of the gathering, which
was a far cry from the typical
hotel conference. “Some of my
most memorable, life-changing
experiences have taken place
in a hotel—and often [they’ve
centred around] an interaction
with a person or group of people.
It’s almost intangible, but it’s
those thoughtful moments that
separate good from great, which
can manifest themselves through
the design, interaction or way that
hotel tells its story.”
As more travellers move away
from the cut-and-copy hotel model
in favour of accommodation that
inspires imagination and creates a
sense of place, the Design Hotels
group has never been more
relevant or in demand.
The company also frequently
hosts events where Originals
and other trailblazers in creative
industries can connect. In
April, Design Hotels held a
pop-up at Milan Design Week
to share its upcoming study on
neuroaesthetics—the scientific
study of how contemplating art
affects us at the neurological
169
From top: Design Hotels’
member properties,
like Nobis Hotel Palma,
are individually owned
and often combine
historical elements with
imaginative modern
design; A guest room at
Manna in Greece
level—in collaboration with
German manufacturer FSB and
Dezeen, an influential architecture,
interiors and design publication.
“Neuroaesthetics have been
particularly interesting to explore
in terms of hotel design—and how
colour, lighting, spatial layouts,
textures and materials can transform
how a guest feels when they enter a
space, and how these can be adapted
by designers to achieve the desired
effect,” says Oyen.
Hotel design isn’t only about
how a property looks. It can create
immersion or isolation. It can foster
connection or create distance. A
hotel’s design can make a guest feel
comfortable enough to embrace
a destination—which often leads
to that magical moment when the
destination, in turn, embraces them.
In short, hotel design can absolutely
define a traveller’s experience.
“There’s a new wave of mindful
travellers, who are prioritising
community-driven experiences
170
and purpose-led experiences.
They’re seeking meaningful
interactions, value immersion in
local culture and transformative
experiences rooted in
sustainability,” says Oyen. “This
new style of purposeful, slow,
awe-inspiring travel is deeply
embedded in our portfolio,
championed by our visionary
owners who lead by example.
Every member of Design Hotels
embraces cultural authenticity,
prioritises sustainability and
encourages travellers to embrace
a slower pace, deriving meaning
and transformation from their
experiences, ensuring each
guest enjoys a unique and
enriching stay.”
IN THE NEIGHBOURHOOD
Innit Lombok
These Design Hotels properties in Asia feature stunning
design and create a unique sense of place
CAP KAROSO
Just a cheeky 30-minute
flight from Bali, Sumba is
Indonesia’s (sort of) secret
paradise. The largely
undeveloped island boasts
rugged coastlines, white
sand beaches, wild horses
and, as of last year, Cap
Karoso. Heading the design
was GFAB Architects, who
Cap Karoso
concrete flooring. The
interior design has a strong
mid-century modern
influence, with warm
tonal woods and bold,
sculptural decor featuring
furniture custom built
by local craftsmen. Every
corner of K5 encourages
the enjoyment of the simple
pleasures of all things
analogue—from the record
player and vinyl collection
in every suite to the broody
Ao, K5’s lair-like bar soaked
in red decor and lined floorto-ceiling with the hotel’s
private book collection.
21 CARPENTER
Designed by local
architecture firm Woha,
incorporated plenty of local
influences like Indonesian
art, handmade teaware
and hand-carved wooden
furniture. The resort has
47 rooms and 20 villas, plus
an organic farm that also
serves as a farming school.
Its founders, Fabrice
and Evguenia Ivara, are
determined to make a
difference: consulting
Sumba’s indigenous
community, they’ve
committed to initiatives
including hiring 80 per
cent of the staff locally and
using 50 per cent solar
power for energy.
by architects Andra Martin
and Gregorius Supie Yolodi
allows the hotel’s lush
surroundings to do the
talking. Guests can enjoy
farm-to-table dining, some
of the world’s best surf, and
movies under the stars at
the outdoor cinema.
GENJI KYOTO
This charming 19-room
boutique hotel in Kyoto is
inspired by the Japanese
literary masterpiece The
Tale of Genji. Tributes to
the 1,000-year-old tale can
be found in the Ukifune
Zen garden in the lobby
courtyard, the classical
painting and ceramic
sculpture on its veranda,
INNIT LOMBOK
21 Carpenter
this newly opened
Singapore hotel features
a modern, brutalist
extension to the historic
remittance house (a sort
K5 TOKYO
With just 20 guest rooms,
a booking at K5 in Tokyo is
a coveted one. It’s housed
in a former 1920s bank,
and Stockholm-based
architects Claesson
Koivisto Rune made the
most of the building’s
original charm: from
dramatic, draping textiles
that hang from the tall
ceilings to original raw
of bank where migrants
sent money to family back
home) Chye Hua Seng
Wee Kee, which straddles
Chinatown and lively
Clarke Quay. The guest
rooms feature restored
details from the original
building, including
Chengal wood flooring,
the building’s Shanghai
plaster façade and ribbed
glass. Throughout the
hotel, minimalistic designs
and large windows form
bright, inviting spaces.
Woha’s cofounding director
Richard Hassell created
calligraphy-style artworks
for the hotel, inspired
by the first-generation
Singaporean immigrants
for whom this building
held great significance.
K5 Tokyo
Located on the private
island of Ekas Bay, Innit
Lombok sits on a 250-metre
stretch of private beach,
with seven beach houses,
26 ocean-view villas and
27 hilltop residences. The
earthy, minimalist design
Genji Kyoto
and paintings in each
room by young Kyoto
artists, which feature
motifs from the novel. The
hotel’s design honours
teioku ichinyo, the idea that
garden and architecture
have become one; serene
green spaces are found
throughout the property,
including a roof garden and
bar with panoramic views.
171
FEATURES | TRAVEL NEWS
LIFE’S
A BEACH
I
172
f you grew up in Asian
hubs such as Bangkok,
Singapore and Hong
Kong, the idea of a
weekend dash to Phuket is
nothing new. The island—
also known as the Pearl of
the Andaman—has been a
go-to getaway, serving up
familiar comforts of Thai
sala-inspired architecture,
pad thai by the pool, and long
days spent island hopping.
But Phuket is entering
a new era of elegance.
Moving away from tourist
tropes and traps, the
humble island is reclaiming
its beauty with properties
designed with the local
environment and culture
in mind, while protecting
natural landscapes that
have long been under threat
by mass tourism. Take, for
example, the Rosewood
Phuket—where Tatler
was granted an exclusive
first look at the property’s
newest additions.
“Guests will be impressed
by the grandeur and scale
of the resort but also feel a
very personal connection
to it through the sense of
romance, sense of place and
sense of the unexpected
that intermingle in the
design,” says Stewart
Robertson, director of
Tatler Asia gets an exclusive
first look at Rosewood
Phuket’s new Houses, which
include a colossal 21,000
square foot beachfront
mansion By Coco Marett
Melbourne-based Bar
Studio, which designed the
resort. “Rosewood Phuket
redefines all the expected
elements of a luxury resort
to create something that
feels absolutely right in this
unique setting.”
Bar Studio—which is
behind some of Asia Pacific’s
most coveted hotels,
including Rosewood Hong
Kong, Park Hyatt Niseko
and Capella Sydney—
designed the Phuket
property as an all-villa hotel
that offers three tiers of
accommodation: Pavilions,
Villas and Houses. Each is
a freestanding beach home
surrounded by sprawling
tropical foliage, with
floor-to-ceiling windows
offering a fully immersive
experience of the hillside
forest surroundings and (at
least one) private pool.
The most luxurious tier
is the Houses, conceived
as a kind of self-contained
getaway designed in the
stately, manor-style look that
has become something of a
Rosewood signature. “The
design mediates effortlessly
between indoors and
outdoors, with residentialstyle accommodation
placed into a lush tropical
landscape. All guest rooms
offer a retreat-like, holiday
home feel,” says Min Chun
Tseng, design leader at
Bar Studio, who led the
design of Rosewood Phuket
Houses. “The Houses take
this concept to a new level.
We wanted guests to feel
like they could be escaping
to their own stylish holiday
house, with the emphasis
on comfortable furniture,
natural materials and
contemporary accessories
curated through an
international lens, yet with a
distinctly Thai attitude.”
Rosewood Phuket
recently introduced its two
most extravagant houses
yet: The Coral House and
The Palm House. The Coral
House is a two-storey, 9,000
sq ft private oasis that sits
just steps away from the
beach, with three bedrooms,
a lush terrace, a swimming
pool and spaces designed for
entertaining. Meanwhile,
The Palm House is a
colossal 21,000 sq ft beach
house built for families or
groups of friends travelling
together. It features four
Clockwise, from top left:
The Houses at Rosewood Phuket
bring a stately, manor-style
aesthetic to the tropical island;
Outdoor dining area in The Coral
House, ideal for barbecues at
sunset; Guest rooms are fitted
with elegant nods to Thai culture
bedrooms, two pools (one
for each floor, naturally), a
private gym, multiple living
and communal spaces, and
a full kitchen with a dining
area for up to 12 guests.
“The Houses continue
the light and neutral
palette of timber and
natural materials that is
seen through the resort,”
says Tseng. “The relaxed,
residential interiors and
curation of furniture and
objects with uniquely
Thai accents, such as door
handles, horn drawer
pulls, carved timber
bedheads, mirror frames
and cabinets in each of
the Houses, make them
unique private escapes.”
Some of Tseng’s favourite
features include the bold
splash of colour found in
the Thai-inspired armoire
in The Palm House, and a
contemporary Thai pattern
carved into a bedhead in
The Coral House, which
is complemented by a
hand-knotted silk ombre
rug. “But really, the amazing
landscape is the highlight
throughout all the areas of
the resort, and the design
embraces these lush natural
surroundings,” she says.
“The Coral House is a
private oasis set among the
greenery, while the Palm
House makes the most of
the views of Emerald Bay.
Each House [connects]
guests to nature.”
Bar Studio collaborated
with Bangkok landscape
architects PLA to curate a
journey that spans multiple
ecosystems—from untamed
jungle to meandering
walkways through manicured
tropical gardens to a long
stretch of blond beachfront
that grants guests direct
access to the Andaman Sea.
Andrew Turner,
managing director of
Rosewood Phuket, echoes
Tseng, saying: “Landscape is
really the star of Rosewood
Phuket, and the resort
design was focused on
facilitating the guests’
immersion into it. The
fundamental experience is
that of being at one with this
incredible environment of
tropical jungle, hilltop views
and stunning coastline.”
To ensure the utmost
respect is paid to the
environment that makes
the resort what it is, the
hotel’s environmentally
sensitive, contemporary
architecture uses indigenous
materials throughout,
such as stone and local
or recycled timber, while
incorporating sustainable
practices including rainwater
retention ponds to provide
the entire resort’s water
supply, the largest solar
renewable energy system
for any Phuket hotel, and
“landscaped” rooftops for
energy conservation.
Says Tseng, “Great
hotel design respects and
reflects the local culture.
It pays attention to detail,
innovates, embraces
sustainability, integrates
technology seamlessly and,
above all, leaves a lasting
impression on guests.”
173
Our curation of the
best in homeware
this month
By Mac Fabella
FEATURES | FURNITURE
OUTDOOR CALM
Settle into the sultriest time of the
year with an enhanced al fresco
set-up, made all the more relaxing
with these standout offerings
from some of our favourite
furniture brands. Through
clear references to nature and
an emphasis on comfortable,
breathable elements, these
pieces make basking in the sun a
welcome pastime. From top: Kare
table; Molteni&C coffee table; All
from De Padova; Opposite page:
Kartell lamp
175
FREE FLOW
Break down the barrier between
interior and exterior spaces by opting
for furniture and decor that can
comfortably transition between the
two. Either through weather-resistant
materials, mobility or a truly versatile
look, these pieces help create a
cohesive feel for your entire living
space, allowing you to maximise their
use throughout all seasons of the
year. Anticlockwise, from top left:
Scavolini cart; B&B Italia armchair;
Gandia Blasco dining set; Pianca night
table; Minotti armchair
176
177
LAST WORD
We ask the people we feature a round of quickfire questions to give us more
insight into their personality. This month: Georgina Wilson-Burnand
By Maritess Garcia Reyes. Photography by BJ Pascual
What is your favourite
place in the Philippines?
My favourite destination
at the moment is Siargao. I
am overwhelmed with how
beautiful it is. My brother
also lives there, so it’s
very special to us. I love it.
Oh, and our beach house,
Paradiso, in Batangas.
you can do for yourself.
Plus do a lot of walking.
What’s one thing you
cannot live without?
So much, but maybe it’s
my Lululemon workout
gear and Sunnies lip treat.
Most memorable
childhood memory?
What sticks in my mind
is when I travelled alone
on a flight. It was a great
experience. I remember
being happiest when I
boarded the plane to
visit my family in
the Philippines.
What is your favourite
international travel
destination?
Skiing holidays in Niseko.
It’s my favourite part of the
year when we go to Niseko
for a family holiday.
What’s the number one
destination on your
bucket list?
I want to go to Machu
Picchu, Peru and Mexico.
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What are you currently
reading, watching or
listening to?
I enjoy listening to the
Empire podcast. I make
it a point to listen to it
every time I go for a walk.
The podcast initially
focuses on the British
Empire but then delves
into other empires
throughout history. I
find it riveting and would
highly recommend it.
Additionally, I listen to
another podcast called
All In every week. The
podcast is about four
friends who are also
investors. I particularly
like how relaxed
and casual the
conversation feels.
What’s the best advice
that you got from
your parents?
They always told us that
our siblings were our
best friends. Having my
brother and sister has
been one of the best joys of
my life. Our relationship
is one of my most
treasured things.
What’s your
comfort food?
My comfort food is ribeye
steak, but I think the
most comforting thing is
a perfect cup of coffee in
the morning, which is also
why we started Sunnies
Coffee, by the way.
Can you share a
beauty secret?
Sleep is the best thing for
you. Try and do more of
it. That’s my advice.
Favourite scent?
Tacit by Aesop.
Any fitness tips?
Surround yourself with
friends. It helps me when
all my friends are on
the same path. It helps
whenever you’re all in it
together and enjoy doing it
together. Another thing is
weight training. No matter
who you are or what your
lifestyle is, weight training
is one of the best things
What keeps you going?
I consider myself a
perfectionist, making it
hard to feel satisfied with
my work. I always strive
for more and more, which
can be exciting, but it can
also be tiring. I love feeling
accomplished when I
complete a task, but I also
know when to take a break
and slow down.
What’s your life motto
or mantra?
You do you.
Archibald armchair designed by Jean-Marie Massaud
Made of Stories
by people who design, craft and live.
Handmade with love in Italy to last generations, since 1912.
Scan to activate the
augmented reality
experience.
poltronafrau.com
FURNITALIA
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P. (632) 8819 1887 - F. (632) 8819 1433 - M. (+63) 998 888 0880
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