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Текст
THE WEAKER SIDE
Achieving Technical Balance
By Oom Famularo and Stephane Chamberland
Music Engraving, Layout* and Book Design
by Stephane Chamberland, Joe Bergamim, and Emmanuel Mono
Edited by
Joe Bergamim and Mike Catalano
Layout and editing assistant. Chns Clemente
Cover design by Michele Heusel
Cover photo by Pascal Harvey
Special thanks to Greg Zeller, Впал VerStraten, Neil Garthly, John Favicchia. Jesse Robbins. Ryan Carver. Karl
Siomm, Dan Britt. Joe Franciscone. Paul Hose. Patrick Jean.
Additional editing by Dave Black and Steve Houghton (Alfred Publishing Company)
The authors also wish to thank everyone at Sabian Cymbals, Vic Firth Sticks, Mapex Drums, Tama Drums Evans
Drumsheads, Latin Percussion, Shure Microphones, and XL Specialty Percussion,
WIZDOM MEDIA PUBLICATIONS
48 Troy Hills Rd. Whippany, NJ 07981
Copyright © 2007 by Wizdom Media LLC
Exclusively distributed by
Allred Publishing LLC
No part of this book may be photocopied or reproduced m any way
without tne written consent of the publisher Unauthorized uses are
an infringement of the US Copynght Act and are punishable by law
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Table of Contents
Key....................
About the Authors......
\ Introduction...л........
“Why The Weaker Side?”
..и
.in
.VI
vii
Systems for Practicing The Weaker Side
...viii
Section 1: Straight Triplets.......
Section 2: Straight Sixteenths.....
Section 3: Broken Triplets.........
Section 4: Broken Sixteenths.......
...
....11
....20
./....33
Section 5: Flam Triplets.......................................................40
Section 6: Flam Sixteenths................................................... 4Б
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Key
4*
Strong Side
W-Weaker Side
Note: In order to keep the pages uncluttered, the letters S and w appear only in the first measure of each sec-
tion. The notes on the top line are always played by the weaker side, while notes on the bottom are played by
the stronger side. All notes should be played on one sound source.
X _
Open Handed Playing by Claus Hessler and Dom Famularo
Pedal Control by Dom Famularo and Joe Bergamim
8th Note Rock and Beyond by Glenn Ceglia
- •** b.
Other forthcoming books from Wizdom Media Publications that work in 'Conjunction with this book jpclude:
. .. . _ ч..................................... v. ч
Please check our website, wizdom-media.com, for information about current and future releases.
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The Weaker Side
About the Authors
Dom Famularo
Dom Famularo maintains a reputation of being the world’s leading motivational drumset artist / educator. Through his-
tory-making tours of China and the Far East, and with standing ovations to capacity audiences at virtually every major
drumming event in Europe and the Americas, this vibrant performer from Long Island, New York is renowned for deliv-
ering entertaining and awe-inspiring performances unlike any other. Tutored by legendary greats Joe Morello, Jim
Chapin, Al Miller, and Ronnie Benedict, Dom combines the masterful techniques of the past with the parameter-pushing
concepts of the present for a highly creative and uniquely personal style of drumming. The first Western drummer to
perform climes in China, Dom is accustomed to making headlines. He was a special guest performer al the first ever
Buddy Rich Tribute Concert, an event which he helped organize. He was a highlight as host and performer at the Pacific
Rim Drum Invitational (the first drum event to be simulcast live on the Internet), and he’s a primary attraction at star-
studded drumming events such as the Koblenz International Drummer Meeting in Germany, the Florida Drum Expo, the
Paris Music Show. Australia's Ultimate Drummers Weekend, the Heartbeat World Rhythm spectacle for Canadian TV.
Montreal Drumfest and the Drumeo Festival.
Dom doesn’t rely on major band affiliations as a claim to fame, but performances with the Buddy Rich Big Band, B.B.
King, Lionel Hampton, Chuck Leavell (Rolling Stones), T Lavitz (The Dixie Dregs), and the Louie Bellson Big Band reveal
the pedigree of his playing. He has shared the stage with Dave Weckl, Steve Gadd, Vinme Colaiuta, Simon Phillips, Billy
Cobham, Bernard Purdie, Rod Morgenstein, Chester Thompon, Terry Bozzio, Will Calhoun. Deen Castronovo, Russ
McKinnon, Chad Smith, Mark Schulman, Denny Carmassi. Liberty DeVitto and Jim Chapin in worldwide drumming events.
Dom fondly remembers performances with both Jeff Porcaro and Larne Londin, both of whom he is proud to have had
a chance to meet and perform with. Dom also performs with his own band in the New York area.
In addition to large drumming expos and clinic tours, Dom is an active educator at colleges, drum schools and camps.
He has performed at the Percussive Arts Society Convention (PASIC), Percussion Institute of Technology (PIT) in Los
Angeles. Berklee College of Music in Boston, The Collective in New York, KOSA Camp in Vermont, North Texas State
University, and Extreme Drummers Camp at the Modern Music School in Germany. In addition, he is an in-demand con-
sultant to major music corporations, and serves as Education Director for Sabian Ltd., Vater drumsticks, Mapex drums,
Remo drumheads and Modern Drummer magazine.
Dom was voted Best Clinician by the readers of Modern Drummer magazine in 2005 and 2006, and by the readers of
DRUM’ in 2006. He is also the author of /t’s Yout Move and The Cycle of Self-Empowerment, co-author (with Claus
Hessler j of Open-Handed Playing, and co-owner (with Joe Bergamim) of Wizdom Media, an independent music publish
mg company.
Visit Dorn’s websites at www.dom1amularo.com,www.facebook.com/domfamularo and
www.instagram.com/global2dom.
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About the Authors
Joe Bergamini
Joe Bergamim maintains a diverse career as a drumming performer and educator. Known for his progressive rock drum-
ming in the bands Happy the Man and 4Front, Joe currently tours internationally as the drummer for The Doo Wop
Project. In 2018, Joe wrote and performed the drum book for the Broadway production of Gettin' the Band Back
Together. He has also performed at School of Rock: The Musical, Beautiful (The Carole King Musical); Hamilton;
Natasha. Pierre and the Great Comet of 1812; Movin’ Out; Jersey Boys. Rock of Ages: In the Heights; Spider-Man: Turn
Off the Dark: Jesus Christ Superstar *2012 revival); Bring It On; Million Dollar Quartet; Pippin <2013 revival) and The
Lion King. Joe has also appeared on the first national tours of Movin' Out, Jersey Boys and Beautiful, and with the Philly
Pops and the Detroit, Jacksonville, Seattle, Indianapolis, San Diego and Vancouver Symphony Orchestras.
As an educator, Joe has given hundreds of drum clinics in schools, retail stores, and conventions including the Percussive
Arts Society International Convention (PASIC), the Ultimate Drummers weekend (Melbourne, Australia), the Cape Breton
Drum Festival (Nova Scotia, Canada), KOSA (Vermont, USA), the Sonny Emory Drum Camp (Atlanta. USA), and two clin-
ic tours for Tama Drums. Among the many pros who have emerged from Joe’s private teaching studio is world-renowned
jazz drummer Mark Gutliana.
An active publisher and industry consultant, Joe is Education Consultant for Sabian since 2015, designing and directing
the Sabian Education Network for drum teachers. As the Senior Drum Editor for Hudson Music since 2009, Joe has worked
in the acquisitions, project management and editing of educational drum products from many of the world's greatest
drummers, including Steve Smith, Mark Guiliana, David Garibaldi, and many others. A career highlight for Joe was his
collaboration with Neil Peart on his Taking Center Stage: A Lifetime of Live Performance DVD and companion book.
As an author, Joe has won four Modern Drummer Readers Poll awards for his drum books, including best drum book of
2013 for Neil Peart: Taking Center Stage. He is also the author or co author of nine other books and has edited dozens
more. Joe was formerly Percussion Editor for Carl Fischer Publications, has worked on various promotional and RbD proj-
ects for Tama drums, and is co-owner (with Dom Famularo) of Wizdom Media, an independent music publisher distrib-
uted worldwide by Alfred Music.
Joe proudly endorses Tama drums, Sabian cymbals, Vic Firth sticks, Evans drumheads, and Latin Percussion.
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iv
The Weaker Side
About the Authors
Stephane Chamberland
Stephane is an internationally recognized drummer, clinician, educator, and author. He is currently freelancing with
numerous bands, touring and recording. Steph has also presented hundreds of drum climes and master classes in the
United States, Canada, Taiwan, Europe, Brazil, and China. He has performed at the Canadian Cape Breton Drum Festival,
the Taipei International Percussion Summei Camp (Taipei National University of the Arts), the Da Dong Tian Xia Music
Concert (Shanghai Grand Theatre», the Batuka International Drum Festival in Brazil,the Shanghai International
Percussion Camp, the Benny Lim SG Drum Academy in Singapore, the Quebec Capitale DrumFest, the Chris Lesso Drum
School Ш Toronto, at the Drumming Lab in Paris, at Drumeo in Vancouver and at KoSA 24 Drum &. Percussion Camp 2019.
Just to name a few.
Stephane maintains a busy private teaching schedule, coaching students from many countries online and at his studios,
located in Quebec City (Canada! and New York City (USA). Students from all around the world come for intense, unique
and personalized programs. Stephane has studied drumset with many renowned teachers from around the globe includ-
ing Dom Famularo, Jim Chapin, Paul Brochu, Rick Gratton, Robby Ameen, Jeff Salem, Paul DeLong, Joe Bergamini, John
Favicchia, Aldo Mazza, Memo Acevedo, Eduardo Guedes, Richard Irwin, Claus Hessler, and Frank Belluci. He attended
the Manhattan School of Music to study with John Riley and Bobby Sanabna, and also studied at the Conservatory of
Music in Quebec City.
Steph’s interests tn writing and education have led him to become very active in the music publishing world. He is the
co author of the books The Weaker Side, Drumset Duets, and Pedal Control (Wizdom Media/Alfred Publishing). Stephane
also edited the latest editions of the worldwide number one drum books, Stick Control and Accents and Rebounds by
George Lawrence Stone. He remains a contributing writer for Modern Drummer, Canadian Musician and Percussive
Notes. Steph endorses Yamaha Drums, Sabian Cymbals, Remo Drumheads Vic Firth Sticks and Prologix Percussion.
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Introduction
In my global travels to over 50 countries, I have met thousands of drummers. The most common challenge they
have all asked about is developing balance between their hands and feet.
The Weaker Side is the first step to achieving balance between all limbs. Imagine how much more control you
would have in your playing if your hands and feet were equal m execution!
This book is about programming muscle strength into your weaker side. The ultimate objective is to be able to
perform any idea you hear tn your head. The better your skill, the easier it is for you to consistently express
your ideas.
Art is all about expression!
Technique is the ability and vocabulary to unleash what you feel!
Controlling the sticks and pedals requires muscular strength. It your technique is unbalanced, it is like walking
with one foot on the curb and the other in the street. It feels uncomfortable. The exercises m this book are set
up to concentrate on your weaker muscles. The Weaker Side is about putting a focus on the lesser-used side of
your body.
Knowing the techniques in my book It's Your Move is very important to assist in achieving relaxed and consistent
results. Fluid movement creates a fluid sound, relaxed movement creates a relaxed sound, consistent move-
ment creates a consistent sound, and tense movement creates a tense sound. This book is about achieving a
fluid, relaxed, consistent and balanced sound!
Enjoy developing your weaker side and the resulting freedom of expression.
Dom Famularo
Drumming's Global Ambassador
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•< The Weaker Side
ъ %
"Why The Weaker Side?"
4
In any art form or sport, it's important to think about technique. Technique is a tool that will help you express
what you feel, and good technique will stop you from hurting yourself. We know a certain technique is better
than another by the results we get from using it. Ail great drummers have one thing in comnjon in their tech-
nique: they can pUy well with both hands ano feet.
% %. % %
A challenge I see with my students is that one hand or one foot is weaker jhan the other. The moit pommon
Question my students аяИк how to improve the weaker side. We are m the evolution of drumming. Wwh this
book, the drummer will focus on the ultimate goal of being able to play everything with both hands and feet
equally. This is what I call freedom! It affects the way you play, the way you sound and also the way you set up
your drums.
The evolution of drumming and music creates new challenges. We cannot resolve a challenge without changing
the thought process that created the challenge. This book will help ypu think differently and typus on the most «k
important thing: the weak pan of your technique. It is very helpful for qs to know our strengths opd weakness-
4>z es. When we acknowledge weakness, it leads tb-^ction. But remember, there is no shortcut! Its alfcapout doing
% a little bit everyday. We must plant the seed, water it every day, and be patient as it grows. But this process 45 ,
Will lead to constant and never-ending improvement. Consistency will guarantee your success m technique,
drumming, and in life!
Have fun and good luck with this material.
-Stephane Chamberland
You start here.
When-ypu work on
exercises with even
< sticking.
With focus on the
weak
ide. both limbs
can imptove equally.
vii
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Systems for Practicing The Weaker Side
This book is designed as a long calisthemc workout to develop your weaker side. We suggest that each exercise
be played for one minute. There are 30 exercises per page, so each one-page practice session will take 30 min-
utes to complete. Work on each page for one week, then move on to the next page. There are 52 pages of exer-
cises. thus this book will provide a one-year focus on your weaker side.
Routine # 1: Play with hands only (no feet). Play each exercise for one minute, and move directly to the next
exercise without stopping. Choose a tempo which allows you to play each exercise for one minute comfortably.
At slower tempos use full strokes and at medium tempos use half strokes. Relax and use the "free stroke’’ (see
Its Your Move) to let the rebound assist in stretching and strengthening your muscles.
Routine # 2: Play each exercise with the feet only. Keep the heels down to isolate the ankle muscles. The tempo
should allow you to feel a slight burning in your muscles (indicating development and strengthening), but no
tension or pain. Do not pull your feet up; think down and play down. Relax!
Routine # 3 (optional): Play the exercises using your hands and feet together. This will lock in your feeling with
all four limbs.
IT IS VERY IMPORTANT to pay close attention to your technique while practicing this book. Overexertion and/or
practicing with tension is counterproductive and damaging. If you notice any pain while practicing. STOP PLAY-
ING. Playing these exercises for 30 minutes nonstop is an intense drum workout, and some players may opt to
work up to it gradually. This is especially true if you have not spent a great deal of previous time working on
your form. Some shorter versions of the above-recommended routine would be:
Play each exercise 30 seconds for a total of 15 minutes each page/routine.
Play each exercise 15 seconds for a total of 71Л minutes each page/routine.
Please be aware that the potential for a repetitive strain injury increases if your technique, relaxation, posture,
and other factors are not carefully attended to. Always seek out the guidance of a professional private instruc-
tor.
The Weaker Side is intended as a follow-up book to Stick Control by George L. Stone. It will achieve its great-
est results if you have completed Stick Control first.
Use a metronome as a gauge for improvement. Increase the tempo only if there is no tension in your hands/feet.
You should also vary the metronome marking from week to week.
Use a clock with a second hand to make sure that each exercise is played for the recommended amount of time.
Practice slowly at first to gam an understanding of each pattern.
The Weaker Side will help you in balancing the feeling and control with your hands and feet. This balance will
improve your everyday playing on the drumset.
In order to stretch and strengthen the muscles, the book was written with no accents to encourage playing from
your wnsts. However, if you practice the exercises using finger movement (or any other technique) the book
will also help your weaker side. Future books in this senes will employ accents and the Moeller movement using
pull-outs and control strokes once your technique is balanced.
The authors also recommend these hand-development books:
Stick Control by George L. Stone
Accents and Rebounds by George L. Stone
Master Studies 1 & 2 by Joe Morello
It s Your Move by Dom Famularo and Joe Bergamini
Accent on Accents by Elliot Fine
World of Flams by Dan Tomlinson
Enjoy the workout and have fun!
viii
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The Weaker Side
Section 1: Straight Triplets
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