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HPS 1176 LEONARD BERNSTEIN WEST SIDE STORY BASED ON A CONCEPTION OF JEROME ROBBINS ARTHUR LAURENTS LYRICS BY STEPHEN SONDHEIM ENTIRE ORIGINAL PRODUCTION DIRECTED AND CHOREOGRAPHED BY JEROME ROBBINS ORCHESTRATIONS BY LEONARD BERNSTEIN WITH SID RAMIN AND IRWIN KOSTAL LEONARD BERNSTEIN Music Publishing Company LLC BOOSEY HAWKES
Characters Singing Roles Maria.................................................................................... Soprano Tony................................................................................... Tenor Anita........................................................................... .....Mezzo-soprano Riff.................................................................................... Baritone Action................................................................................. Baritone Baby John.......................................................................... Baritone A-rab........................................................................ Tenor or Baritone Snowboy........................................................................ Tenor or Baritone Big Deal................................................................... Tenor or Baritone Rosalia........................................................................ ....................................................................... Soprano Bernardo....................................................................................................................................... Baritone Francises......................................................................... .‘..Soprano Consuelo................................................................... ...Mezzo-soprano A Girl........................................................................ Mezzo-soprano Diesel...................................................................... Tenor or Baritone Chorus: Jets, Sharks, Their Girls Speaking Roles: Krupke Schrank Glad Hand Offstage Voice of Maria's Mother Offstage Voice of Maria's Father Doc
CONTENTS Page Editor’s Note ......................................................ix Original Broadway Production credits and cast list..................Xi Leonard Bernstein recording......................................... instrumentation.....................................................xjv Act I Scene I The neighborhood I. Prologue (Instrumental)............................................................. I 1 Jet Song (Riff and Jets) ...........................................................34 2а. Jet Song Chase (Instrumental) ......................................................60 Scene 2 A back yard 3. Something’s Coming (Tony)......................................................... 63 31 Something’s Coming Chase (Instrumental)........................................... 83 Scene 3 The bridal shop Scene 4 The gym The Dance at the Gym: 4. Blues (Instrumental)................................................................86 4a. Promenade (Instrumental)............................................................97 4b. Mambo (Instrumental)................................................................99 4c Cha-Cha (Instrumental).............................................................121 4d. Meeting Scene (Underscore)....................................................... 126 4e. Jump (Underscore) .................................................................131 5. Marla (Tony)..................................................................... 135 Scene 5 A back alley 6. Balcony Scene (Maria and Tony) .............. 147 7. America (Anita, Rosalia and Gris) .................................................168 7a. America to Drugstore (Instrumental) . ...........................................206 Scene 6 The drugstore 8. Cool (Riff and Jets).............................................................................. 212 8i Cool Chase (Instrumental) ..........................................................................240 8b. Under Dialogue and Change of Scene (Underscore).....................................................242 Scene 7 The bridal shop 9. Under Dialogue (Underscore) ........................................................................250 9a. One Hand, One Heart (Marriage Scene: Tony and Maria) ...............................................257 Scene 8 The neighborhood 10. Tonight (Maria, Tony, Anita, Riff, Bernardo, Sharks and Jets) ......... 265 Scene 9 Under the highway 11. The Rumble (Instrumental)...........................................................................294
Act II Scene I Maria’s bedroom 12. I Feel Pretty (Maria, Francisco, Rosalia, Consuelo) 13. Under Dialogue (Instrumental Underscore) 13a Ballet Sequence (Tony and Maria) 13b . Transition to Scherzo (Instrumental) 13c . Scherzo (Instrumental)................. 13d . Somewhere (A Giri) ....................... 13e . Procession and Nightmare (Entire Company) Scene 2 Another alley 14. Gee, Officer Krupke (Jets) .... 14a. Change of Scene (Instrumental) Scene 3 Maria’s bedroom 15. A Boy Like That and I Have a Love (Moria and Anita) 15а. Change of Scene (Instrumental) Scene 4 The drugstore 16. Taunting Scene (Instrumental) Scene 5 The cellar Scene 6 The neighborhood 17. Finale (Mario and Tony).....................
Original Broadway Production Credits and Cast List Robert E. Griffith and Harold S. Prince, by arrangement with Roger L. Stevens, first presented West Side Story on September 26, 1957, at the Winter Garden, New York City, with the following credits and cast: WEST SIDE STORY Based on a conception of Jerome Robbins Book by Arthur Laurents Music by Leonard Bernstein Lyrics by Stephen Sondheim Entire Production Directed and Choreographed by Jerome Robbins Orchestration by Leonard Bernstein with Sid Ramin and Irwin Kostal Musical Direction by Max Goberman Scenic Production by Oliver Smith Costumes Designed by Irene Sharaff Lighting by Jean Rosenthal Co-Choreographer: Peter Gennaro Production Associate: Sylvia Drulie THE JETS Riff (The Leader) . . . Mickey Calin Tony (His Friend) . Larry Kent Action......................................Eddie Roll A-rab ........ Tony Mordente Baby John.............. David Winters Snowboy.................. Grover Dale Big Deal............... Martin Charnin Diesel.....................Hank Brunjes Gee-Tar...................Tommy Abbott THE SHARKS Bernardo (The Leader) Maria (His Sister) Anita (His Girl) . Chino (His Friend) . Pepe .... Indio .... Luis............... Anxious Nibbles .... Juano .... Toro .... Moose .... Ken Le Roy Carol Lawrence Chita Rivera . Jamie Sanchez George Marcy Noel Schwartz . Al De Sio Gene Gavin Ronnie Lee Jay Norman . Erne Castaldo Jack Murray Mouthpiece Frank Green Tiger Lowell Harris THEIR GIRLS Graziella . * . . . . . . Wilma Curley Velma............................Carole D'Andrea Minnie............................... Nanette Rosen Clarice..........................Marilyn D'Honau Pauline..................................Julie Oser Anybodys................................ Lee Becker THEIR GIRLS Rosalia..................................Marilyn Cooper Consuelo..................................... Reri Grist Teresita .............................. Carmen Guiterrez Francisca...............................Elizabeth Taylor Estella........................................Lynn Ross Margarita.....................................Dane Plane Doc Krupke THE ADULTS Art Smith William Bramiey Schrank . Glad Hand Arch Johnson John Harkins Tony awards: Choreographer Jerome Robbins Scenic Designer: Oliver Smith The original Broadway cast recording was first released on CBS OL 5320 (LP), re-released on Columbia CK32603 (CD).
I instrumentation Reed 1: Reed II: Piccolo, Flute, Alto Saxophone, Clarinet in Bb, Bass Clarinet Clarinet in Eb, Clarinet in Bb. Bass Clarinet Reed III: Piccolo, Flute, Oboe, English Horn, Tenor Saxophone, Baritone Saxophone, Clarinet in Bb, Bass Clarinet Reed IV: Piccolo, Flute, Soprano Saxophone, Bass Saxophone, Clarinet in Bb, Bass Clarinet Reed V: Bassoon 2 Homs in F 3 Trumpets in Bb (2nd doubling Trumpet in D) 2 Trombones Timpani Percussion (four players)* Plano / Celesta Electric Guitar / Spanish Guitar / Mandolin Violin I - VII Cello I - IV Contrabass "Traps, Vibraphone. 4 Pitched Drums, Guiro, Xylophone. 3 Bongos, 3 Cowbells, Congi, Timbales, Snare Drum. Police Whistle, Gourd, 1 Suspended Cymbals, Castanets, Maracas, Finger Cymbals, Tambourines, Small Maracas, Glockenspiel. Woodblock, Claves. Triangle, Temple Blocks, Chimes, Tam-tam, Ratchet Slide Whistle Duration Act 1: 90 minutes Act II: 45 minutes For first class, stock and amateur productions worldwide, performance materials are available in full or reduced orchestrations from Music Theatre International. For concert suites and performances of individual numbers worldwide, performance materials are available from Boosey £ Hawkes. Also available from Boosey & Hawkes: Two Concert Suites of selections from West Side Story, for voices and orchestra; the Symphonic Dances from West Side Story;
To Felicia, with love WEST SIDE STORY No.l ACT I Lyrics by STEPHEN SONDHEIM Prologue Instrumental Music by LEONARD BERNSTEIN |~CURTAtNl © Copyright 1956, 1957, 195H, 1959 by Amberson Holdings U.C. Stephen Sondheim, Arthur Laurents and Estate of Jerome Hobbins. Copyright Renewed. Full Score © Copyright 1994 by Amberson Holdings LLC, Stephen Sondheim, Arthur Laurents and Estate of Jerome Robbins. Leonard Bernstein Music Publishing Сотрану LLC. Publisher. Booscy & Hawkes, inc . Sole Agent. All Rights Reserved. International Copyright Secured Printed in U.S.A, M-O5U93 342-6
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- de: bar 128 (p.48); original Broadway Production. If cut is made, dialogue is as follows: A-RAB: “Great Daddy-O!” RIFF: “So everybody dress up sweet and sharp. Meet Tony and me at ten."
43 JETS Oh, when the RIFF arco
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S3 П В» Cl. Ben. СЫ Guit. J-J sempre sim. come the Jets Like Sex. к Три, 4* J 11" ,__Tb Bass Clar net ••••••••••1*™™“. .’.'"7 7 д "J— y-уууу! — “ yy^-y-gyy...——• УТ“У : — у— -—“’ erase. J 4v- A F- —. - -А, yy л >——— -;?-у » t ; .-— -"У_'"''""""7 д.^.Лп.......... — eras*.. я» Д-g*”"— „_ —7Г zyT‘~:'“'' > g 7" -—чин....... — :у.Д „rFf -ууууууу • -—У Д1 ~”У ;; Д у- ; ,.fi in - —==; > » w- — ; ’—'jig — - -Ту— " цу..--~ » > —•"— *р —п < ' — > ЯР —-t y-~'' _ g*. □Ezfc£zzizz3ftz — у- у. „ ^егеж, J* » •y—yyyjj»,,.. •zzyy-т'? f ууу : —М\:---ууууу_| уууу cresc. у *4> ЯР ** crese. cu w L J T»'3 | ftt I . j rr 1 -* iflfy- Ч 'Ц- > ЯР ——.* ,.^т— *JE--yyyy ' g-..’ .’ zz У... у y—iyyy .' ~ 6 --T^— -Д 3rzT.'T" r. i* ~ ; у—-* ZZZZZZ^ —уууууу --—--W ::: —у —====/ =-я cup mute » । X* ;'J ; .... =" . .g -у -УУ. •' , " УУУУ:..:: -: - 7 'У""""~ -"...уу-уууу «'—’“ ,, brashes ev - ’ту Puer * to шс - an - за Ions - y_ chick - enL Here (pizz.) X-2L3- _ ...A.. ** cresc. л А 4.5 ЯР рйг.) A Se *прле sim. ' 777?77'^ •ТУХ— — <-• УУ-^~"72 - ^....j^.,,-,-,j,y - cnesc. л А 6.7* Ж pixz.) t прге йп. Wk"f:LW.^l У —t'yy ; .zz" —А?..,—£-М А«Н —-— - 1 ИЙД | , - 1 T r?n5sc. № А л (pizz.) ™ 9- £* Л“Г » bi * «' npre sim. ... e_ ь» — — cre&z Л Л Jp ——1Г (рши >.. 1..... . ЬД ; *Л£ •npre sim. g. Ц. ^. . » <у— >. : ; у* g— ’—ч .Хуу : zzzz^z::^ ------ —LgZz- Г Гzyyyyff.... ..---:ff
54 1' II Be. Cl. I\ Sop. Sax. I Al. Sax. Ill Ten. Sax. cresc. poco a poco
55 J=J. И Вв. Cl. ^ ... j; —• „„721.. ГЛ —,", *•—? 4-—-i. MHiiir—;д|_ Й"' 'i —дрг^-- * W * ж "T^ ’ ‘ f" IM * $ • 5 В Ж Л Sop. Sax. - - -- п > -л* iTl ------— ""gT—ff 1 ——' —У*— И f ITT .'.—^y-r «М* 1 Al Sax. jryt"-Y ••-.'.'ы... | -xc: 'p > -------- —Vr'.. . „<£—f —"g-7'f "“— -'й-г t) "—r""777, ••f M Ten Sax. "4I. f _ у--»*-......-...... — И -------,,/"m77''''''7.. -w V Ban. — IZZXXZZZZZS- —— 7777'77 —— ’""7 "Г—7 7777 a2 cuivri+f— F Hns. «J w^---- * — .. —777777”". _ .—77;;<*l ,. -—-— 1 2 Hi — -—. — g1""""""""11^ ""~ sk—— У U ... . 4Г—--—• —tjg-r "¥“"77777 7 7 B-Tpts. —— jnf 3 —ii т - ff : /ry—~ib- > , J 1 -b » ,,
56
II Bs. Cl. Ц] 57 /Aa Ib Bl Clarinet fe-'g"1 t l :::"""Z. 't'z? м zw — ""TTTT ' 1% Sop. Sax. ЛаЙ и» 1 Sv- > r==— l?1 - w ; w J — cresc. poco a poco I AJ. Sax. zfZZZZZZZ,,Z,,,r 4tn— И .-———w—.'— - - -у=1П — Г - - <zf^~f^zzzz.... —^===f > v*p cresc. poco a poco ttl Ten- Sax. д:1»« • • - """""' '" "' F -.^JEZZ 'ffi —....а.-- . :-f- r i . .~:= —W1 zДГ-Я» >^z Z"'Z > > A J>A i cresc. poco a poco ..... F ._....j..... V Ban. ч. ~ Г 1 Z'7 J """"" * ’--f—-g-zizzp: M 'Z lZ.zz F" F". —====/ > 7==s=— *>p cmc. poco a poco 1 2 Hu IT"""V....’.Z' «1^—-—rir~ ? —ZZ. -ZZZZZ, » — B. Tpts. * 3 jryg , -ут—— a--» ..A... у-—-Д ~ZZ''z.z ; ....—— "^•‘zz.zz:::: — —-w CU —-=- —/ P mute > # te e « > 1 ~ - "*"-ZZ т r^F » : ZZZ:ZZZZZZ2EZZZZZZ^ • •••‘ .-——-- ~ ’’"ZZZZZZ, Tbns. —=/ » 2 rzzzzzz_ , ’""" zz..,,,,. ZZ_ >—— ZZZZZ :::: ~~""" ' _ ! ——-w;;---- _ _"'« ,,^..........,rr,, L .... 1,1 - bid - den* And we ain’t kid - din’! Here come the Jets, YeehiAnd we’re gon - na beat Ev - ’ry J.-J 1.2 * Л - 3.4 * cresc. poco a poco —¥>; 7 j£«ZZZZ Д’* — , ----""" ZZnZZZE3Z-l ;—f -yAt"*' ... ~7 ** fitf) A 5.6.7 ж cresc. poco a poco jf fc ZBte-ZZZZZZZZ-ZWZZTu - - — pill iirwwr-t"*' * - A > л sim. cresc. poco a poco s ' * Z-ZZZ.ZZ»»-. ^r........... Z—— j—™~P~.-.......j» --- —p---—“jp - » ‘ A V sl 1 Я* A * 4 ... * f ьД * А 8ПП. cresc. poco a poco 2L. f----A i: — _ — - ...Lm, ' г zzf zCzzz. g eresc. poco a poco
SB
Lov-inl Street!Yeah!
60 No.2а Jet Song Chase Change of Scene Instrumental
61 I Pice. II Ek Cl. HI Bl CL Bl Ipta Tbns. Gourd SD/ F Uns Elec. Guit frog .-.J... ..... ,..| „, • - у —т , y~ ’"f -iv f"> / 4'P^ at frog —♦ ж— [-J* t-J* r-> tW* / 1Ы» 1 * ti«5" ir at. frog xxtzzJzSzzzz: i* Z л-—У- Z=ZZ3KZZZZZq ; . yyr ""•"""" 4™—ЯГТ? ~..^ i-Л g-j—Г- / pizz. ff *. e —- f ~' 'rf T“" . Jk °- ^ZZZ.. f ——- ♦f- »“>—— «aEZZZEZpZZZfc yy""""-y-r b -—,3L. -p--
63 No.3 Something’s Coming Tony Fast J = 176 Violins 5 6 7 Violoncellos pizz. pizz. Contrabass
12 п в» ci, 1 в. Cl. Ill В» Cl. IVBs.Cl. I 2 Bs Tpts, 3 Traps cresc.
65 / > / /
66
67 I Bl CL IV Bs. Cl. II Bl Cl. H 1,1 " ♦ cresc. ;“ / F 1 ЖГ'Х' ""H" * Г Ж1 j..^ jg k : : : : : Iflbl <| ff 1 =t TT'hW'''*—f 1 d 4 ГТ-Т ? J "Я J: 7 ft ’ J Hl> яЛ Я——л Mtflr r ^^^^PiiiiiiiiiiiiiiiiSiiiiiiiiiiiiii iimiiiiijiiiijp p... .»» W, r- К _JL_ L_ 1_2Z cresc. — > / ...Л W JUUL _ _ .. cresc, . > / ‘ — ЯР fllX : , , cresc. j |=~~ "tf " —1 = cresc. , |>A4 ^11 > г x 2 "J! ‘ - Elec. Guit. Piano Fmarc. Tbny Un-der I got a feel - ing there’s a tnir-a-cle due,
В? Tpts. dim. dim. np dim. inp dim. dim.
69
70 FHns | 1 Bl> Tpts. а2 3 Tbns. g -- — - -- - — 4—^ / X. : U^itJ & ~ —SS. - 7TZZZZZZZZZZZ —— 3tSfc2E=ssSs: z^"~-;''''''''<!t"*"Tf • «р' 11 """“ / > 'ДТД' .----—, !!!!!!!!WA"A".-r— zzzzzzzzzzxz: .--^-^:|„„„„,=-"Т д •р- 7 > > ~
71
72 8' fe II BI Cl. --------- yr — — — TTZT™^ 7 7,7777" у — —r— ,, - - —'“““.I HK; Г — fi-? I Bl Cl. Ill Bl Cl. \resc. ..тт: •——~ «—I —, ..— — I . ---д ^^^-777Z7 J F n crw. ...'.'.z 1 <* g^!3t=====^ - у : — — —J- ,,,,,, ^m......_ ,. к ?,;™ zSzzzgzzzzzzxp IV Bs. Cl. V Bsn. FHns g F crejc. F - — :: fcizzzzzzzzz -^•- 7Г"+~""' ' / ' - J. crese. > > < ^==3-=== - --.-» ^m.......... * .л............ ^•r---- Tr"^7"‘ ‘ “ “Irrrrr : J ZZZZZZZZSCZZ p СГЖ. .w., j—— — 1 2 Bl Tpta. 3 — „.s...jzz: ... 7^7 ,ш ~~E;js——— I " w zzzz? ——— t::: ^»—-«..... """‘T |гтт...«^«..-......^...^ Tbns. 1 я? ’ "*>. ‘——’ZZ— ; -JZZZZZZZZZX 7 ;..:z7^zz: ........ ^м^.-..._.
Jfia > Я 73 и в*, a. •— ; .'7777* zp==zzzzzz ZfE'/'z/ .;/77 777.77777: тттг*' 777777 ° 3BL4fe.77777: '. ''' —t— 777^::.'-7 I BU CL — ~“J‘ •1 j" — —- ^ZZZ2_ :.: , '=£==== dim. &Г - dim. in в*, a. "^— —z-"- -— "41 У""Х t, —-jzzrz ~~~T'"""" 7"-"..' Z - - — dim. IVBs.CI. ?^*=**=s==^ dim. V Bsn, ffi- ^^ zz ‘,'~~^*""’**77777777. 'W"777777Z‘~‘ —- —- TT =Tl"T"::::::::::::::::::::::::::::::.''' ‘ ft f dim. F Hns. | flS-—aLZ^TgJz x-i z^zzzzzzzzzzzzzzz jm. .r. — ~~~~^Z3rzg ;z: и :4"'''"''mmmm* K | -11 Э Cl ** .... — " -‘ ”7"~~ dim. . _. .. - .. 2| Я»|-«-♦& zzzzzzzz^zzzzzzzzz ”y”““T7/7i: 77 77...: f”"*'ш"^777777 B> Tjjts. r > > > з| — .,X..„„„ r'*"'iT,'xz ...?77Z z'zk. .. i. . —y---— 'У .... ./tV’zzrrZ i ... ,t S53e3E^^^=Z2ZZ“EZZZZZZZ : - у > > > > > > Tbns. 1 *~y'"""Ь > — zJL::,,,,,,, „ 1/ z-z ...ж/""'" Ы 2 т f - yg777'"¥'ZZ. , — =3=Z=Z Traps | SD / ZZfezZ^^^Tj-—. * ! r-j 1 BD C S 7 1 1 f 1 ~ J 7 dim. dim
74 HI Bl Cl. IVBs. Ci V Ban Tbns. II Bl Cl, .y__J— 1 =1 z_: “ip Tn Flute —- # 1 ~ t - . r=. ~ — _____ ?. r-““ -—-—-— tJ 4» lb Flute OTP ДЛЯ T—Г A „• : zz - 1 и U и и и и и и и и и и и и и и и и и и и . и и . . и ftj #. — lb Flute !? — — bp tnp p — Z3ZZZ7ZZZZZZZ-. .—4—................... znxzzzzzzzzzzzzzz FHns. Traps Elec. Quit
75 IV Я. I Fl, III Fl. V Bsn I 1 J9 cresc. / dim. =—p lb Bl sja Clarinet te L e Ьд. jp cresc. f dim. ^TbBi^ Clarinet «я-"" Z5 zzizzzzzzzzzzzzz .--U.-.— ~ je cresc. / ,j= £ dim. — '"."" . 7 dim. cresc. B? Tpts, Tbns, Elec. Quit cresc dim. jp cresc. dim. dim Vlns. Fiano Tbny ”te с 1- Й и 5 „„л— h< < dim. 5 i p * >иииииисиии|ииииииииЯ|ии,иииии,^ cresc. MF z. Lj—z_^—j '•^7 ' ffcsy---j----j-----^ ,| | f I ,-f ~ZZZ Come i Or whis - tling down _ _ the ТПК ‘ TH. 1 1 1 — : : - . ‘ - cresc. / dim. -—— immi te f ka cresc. .c-————— / dim. —— n ’ t. ..□ — ' ,f. . .'.'.. . :zizz...m z cresc. f dim. ~~*^**jk zfczxzzzxzz cresc, UTHfi. f don, — e-"" IMF g| — zzzzzzzzzzzzzz 1 TTT ''' . ...z-~~ IQ -- cresc. f dim. .... У''''"- bra : — *r Ш? л "*"и cresc. 7 dim. J cresc. у dim. 1 л !"" "^p"""^ cresc. т == dim. —t" ~ r~ ~ '
ш ЯГ
78
79 III Bk Cl. IV Bs. Cl. V Bsn. Jfiib > -Г-" * X Ijuwyirs. —r~""""""‘ dfektf J — - it Jr - -—— * dim. dim. >*®s^ - ; J —i dim. ' nL . - — » '"N" dim. — JI ------ xaz^zzzz::::::::::: Л a2 f dim. g-y.-’. ’:.: —— 1'. IIIP dim.. . ... ;- у zxxzz^zznzinz / > > > <X-„ f > > > > » > 1У w — f F Hns. 1 Tons. Elec. Guit
81 169 II Bl Cl. ,...;.......7;.7;.4?,,^' 2' r*H * «p marc. > > 1 Bi Cl. —— IU Bl Cl. •ip marc. * > Z" > IV Bs. Cl, 6# tL * » #gt> marc. > > ,,,,u ""-“ V Bsn. ядэ marc’ T • 5 - - 1 ===—-- > '.." 1 2 ДД1 * :=.? — '» '1 ' * 3.. ..Д-./Т Bl Tpte. 3 > p > > W ~^.;....;..=...............^; Z3XZZ3EZX^3ZZZZ 1 Tbns. 2 '«T --^ :~—~ » p > > ..^ ^ZZZZZZZZZZ ~~2'2 -ту^—7'— tt **"***"" —4—-'- ." „ Tf^ZL:—--
APPLAUSE SEGUE
83 No.3a Fast, = 176 Something’s Coming Chase Change of Scene Instrumental Й (Repeal, if necessary, and fade В» 'Ihimpets Trombones 4fg^ZZrK~>~~ Iff •- „ p p — _ — L L g-jj -"- — " ZZ1 7ZZIZX. —--Th , "i" 1 '' 'T""ZK-'"S —-^ » i - ii£ ’ ZJ— -1 ~ 1 - —r- —7Z — —F""~—F” 1 p—p - .^4 7 d 7 'W d F ' ? * * "г * , * . ’ T л „cup mute * T f A M » cup mute ==:» 4'—-- ——— —ft. —— Im1 я —r-— zz —_—— Z-'“ZZ' "Пу—Л —— «L. —-—-•— -—zz: ,,, zzz. --zz: F r cup mute """"""". Ш,Д~ „—™ 1 1 1_A 3^—4 1'" / —7ZZ 1 —ж--- ——Д-21—— """Zi w— — —1 ——- - -= к .. xzz zzzzzzzz^^^^Ezzz Reed II Bl Clarinet Reed I Bi Clarinet Reed III Bl. Clarinet Reed IV Bass Clarinet 2 Electric Guitar Иапо BD Fast. = 176 brushes HH S Violins i Violoncellos Contrabass •"-j.. ~2 -W ДкЛ — ’"Mt .. ~TH fir**"; --—^- ,fe. ••fr’F — FzW- r" *""1" - —xJfc-..qX xz— F r pizx. ..4"т"‘“""т|.. - уг"*^... . t F"*™- FZ J * "7* j~ ~—% — — - pizz. 1 t—“g rj~~~Z Г Z b:-; “"'?ZZ ..v. —a"2 .-g"-“-_ > — F pizz. — — —у 4 — ^., ;Z t—- j ; —Jz '' — fczF ...X; "Z "у" — F * pizz. q“= 4 ”s ' _,„„»EZ" 2-—.^,. T"" ..^Ezzrz: fcz .. ’—TZ „’.pr*" . Jg-zz— Р
84 II Bl. Cl. when lights come up on next scene.) i m ci. IV Bs. ci Ш-Tpte. Tbns. Elec. Gull. Piano Vine. 5 Ch. hi в*. ci. & # 1— A- ;> -#ш—Ж. .1I......J —»— ft a # — —— :zl. J 3 rklz: - »< —1 J * -ЛД— Я wyw"А — zzzzzxi«zzz^teii= zzX^wzzdScrzz: —1 wzzHjCzz —r- ц : > • s • • SfS**» • 5t ? r 3 • * 1 ? — Ш-F-' та,7,у,7,:цж ft ft J 2, cup mutes „„J ’ftrnh»-- • • • у "у™ 1ГГ1а' -" M "ff“ ~TО Т2Г"".П. J. ' 3^». 0 ji_| ' V jti i —и ;iTZZrzzz: W-! -4^4,,,,,; ::z:z 7......:; ’ ; • ” » Traps | Vcs. ib*rz j л m~~' - - J -Ж-'А-Л "Ий ^'ИЯ, I',,. 1.„„д."""“ — J , w fiM _ ^^^^-. к — M v, -ft 'J *1 -f J. -4=^- - 1 y -z| 1 J- "> ^w=— rfi- _— 1 4^ ""•Р,- » z:"'Z t 4f-
Il Bl. Cl. I Bl. Cl. Ш Bi Cl. «—E-r-taai ! — •‘~‘~‘*"И||||||*~^ •Я-! —-- / 8м if ft vte > > > > > >- dim. Adi. Alto Sax. a —•-•— -^r-- Mb *> ff □CZJZZEZ f 8miff irte ,, > .................. Jfe,,. > > » »- dim. —A- ИВ* К -tr-t--" "F""# — -.Ж,,*-— “ /W dim, . „ To Bass Sax. 1 '"‘I —— — .w--""-~ zzzzzzzrzr 4fr--} i- । i„~ j “* dim.' Piano Bi Tpte. Дь~в“< — -- у » w >---- - ~-fa If KZ X^M й -W—j* > — VyJ tf1 » Д 4— -7777 w. —-- a—»—.— / -———- —r—— XJU-— ——--=^= 1 / ==^ > * 4 ———— ^5=»»* ' 4-77""" t? n ? 1—--I " ='—— 7 Г1 T 1*117 Д-ЖП 7*~ ТТлт -Г~— / cup mute / ^„,„,,,,,,,,,,"Z....— у- ..-..^дг g 1 -fc L ;W №"t -»-1Г'"7'1а. a •*— -4?- »..ГТ" r-A- pT-~-7_W7: * J> ’ * ♦ • » r 4- yifjy^zz: -—--ш- ""W"" g """"'?—;:;r / dim. Аз4Уд:1.‘гт: -—~ ' - ~”7":::::::: - 'У J ... ...K‘F~ —i_„z^zazz: —|777;il, i ""Г. 7 / dim. jrF fm - 7.gx^^^^^...±~-"^zdz3a....‘‘z - - w-’--—; ’ "*~~= о f'--'W vTa~ —T- у"" | - =«= т dim. "9 □ 1 - - ту ~g - i '.." l.~r— Хх..из4* — JEZZ#—ZZ*2222«*— 1 “""ST p"—— —4— I j / dim. —-— '» п f' Ч/z: .y-7i -"— j „ - . F. .„4,,,,,,,,7-|77ZZyzr -1 7 Г 77y» dim.
The Dance at the Gym Blues Instrumental 86 No.4 Cue: MARIA: Because tonight is the real beginning of my life as a young lady of America! Molto moderate •• = 58 Reed II Clarinet Reed 111 B^ Clarinet Reed I Alto Saxophone Reed IV Bass Saxophone Reed V Bassoon F Hems B^ Thimpets Trombones > - "L. - -s «qp ereae. ptx.o л poco .. . — - - - — s s = - = —... — = P cresc. poco a paca
II Ш CL III Bl. Cl. Piano (sempre string.) [7] Rocky J- = 108 lb E1’ Clarinet I Al. Sax. 87 IV Bs. Sax, F Hns. » Три. Tbns. Susp. Cym. Vibr. Traps Elec. Guit. Vina. Vcs. 3 motto motto. V Bssn . (sempre string.) BD/ Tb Piano [7] Rocky J. = 108 5 snares on
88
89
90 cresc.
91 /
93 1 И. Il El Cl. HI Bl Cl. П Bs Sax, V Ban. 1 В» Tpte. 2 I Tbns. 2 Timp. Traps Etec. Guit. Piano Vine. 1 2 34 31| 1b Alto Saxophone
94 2nd time рр (Bernardo enters with Maria, Anita and Chino. As the Jets see them they drop out of the dance * ne by one and withdraw to one side of the hall. The Sharks draw to their side. 1 2 tint. 3 5 6, V<s. 1st time: fdim. sempre 2nd time: jap let time: fdim. sempre 2nd lime pp 1 st time: fdim. sempre 2nd time: ff> I 1st time: dim. sempre 2nd time: др Cb. 1st time.- fdim. sempre 2nd time:я» a «**< -.г г,-£Г л I- tl,*, ttuimrd mt*h other.
95 Bar. Sax. V Ban. : д1—-;z;;: / ... - ;;гД7^ '"' Г * ••••••• • ' Z" ———ZZZ -r—^:..... — wjj dim. gem эге flkr~ZZ. жf« .«^^ , ...:.Ь: -Нг'-Г- . :... ~~~ Вэ кл" t fZ*'——~ atb': • -sr- z j-v b-zzri r— ^J^,..::::::^---|t;-Z-Z-. ~ ~ X,r P
No. 4а Promenade 97 Cue: GLAD HAND: АЦ right: here we go! (Repeat ad lib, and c ut off with. whistle. Segue: Mambo) Tfempo di Paso Doble IV Piccolo I Flute II Ek Clarinet III Bk Clarinet V Bassoon jT fpesante a2 > F Horns I B!> Trumpets 1 2 1 1ГЖ* TJ Irf ........ —r ... >—_ —- "ir—L ,, 1 a | j^marc. IJ open LUmJ > > > jf pesante > > > I жж1'..'.К jzz,.,,,,, z±:. zzz •47 I "^П' Г— — t g!!!—"» Г „ /"»: — —F-F^ 1 •* / mare. 1 i a2 1; Л a₽e'L> < _k*.. t JBT b> > >1 » > * jfpesa ПЙ a- TZ: - - - - c::::z~ ~~ | k** f marc. 11 (open)i^ bp jfc L> > >t » > _ » » >• I / marc. | openb^ Jff > > | jf pesante 1 ‘Д/ь Д ,T "' ' —j c > > ,Z"~“ I-;;; '::: y—""~ 3 Trombones f pesante Suspended Cymbal Xylophone IYaps Piano Violins Violoncellos Contrabass marc. CYM f pesanie f marc f pesante JT JT f pesante f pesante —'— — '7' у;...:...:./ " —r1" - В 1 i! f pesante < > 4 —~~ 'b— — ...““! W— —„ ^ .... Z7“...,„ Tempo di Paso Doble f mare. f marc.
98
99 Mambo No.4b
100 @3 II El Cl. I Al. Sax. Ill 'fen. Sax. IVBs.Sax. V Ban. F Hns. I 1 2 Bl Tpts. 3 1 Tbns. 2 Timp. Bongos Timb. Cowbells Xylo. Traps Piano Mam-bo! Go!
101
102 ~""l
^>1' s ^2] > > II EV Cl. —bf— - """"•"^^^ A й > - I Al. Sax. -"""""""""""""г"""""""""""""— W--- ..—• Ill Ten. Sax. > 1ЬШ Г — —— Я"! » МИЧ1 1'Ж Jr r ,<y ff V Bsn, , , , , ,|~,„..^^^^^|.,,,,,,,,«W,,,,,,,,,,, —„„„Z/ - - - - Jr crese. Traps Tpts. Cowbells Piano F Hns. 2 ——“““^ jQFcuivre Tn niH— __ > J >—’~' > *!• •ra > > > > Цу —°— / open ==**—(2b f —==.— If) L__» » |EL_^J...............^^~ ., , -^^^^,^.w......... „„„„, •^F »r г -'p— — ' _ fe* fz 4v -7»/ »*> > =7?. fffj: 3^ >>- if# ••••••••••••—....... —• fc Bgt > — fegg—ь qs fc g}..4..M_zz / t J 1 • ——jtr"" T'J f >"" j—~~ ----- «*: J'cresc. Terese. jTcresc. •>.......r.......» T /77.7.--W — tt" . . —X.J ...... .'Ж...'.".". , А П ” > 43^ M v >л 11 ж „п Serfs S^K_- ->» 2 ГГьшвЖЕП ZZZZ7Z=Z3^==Z== "I J » ДИ11ЯД- 'V 4r arco 1Г A w, „ ЖГ^~~^......^...............-—----^ £ Д A £ 5 a .bw,,,, F .. . .........1* Ц» A * ...............г- ’"""; ... If
ш
105 I Bl Cl. IV В» ci. F Hns. lb Bt Clarinet IV Pice. Ill Ob. II El Cl. 1 Al. Sax. HI >n. Sax. V Bsn. jfy " % | —- zz:- ---72 • • 'zzzzzz: - 7777ZZ*m"ZZZZZ —— ZZ7ZZZ7Z: 77 77Z7T. .77 "... — > > > > ~ zz —. ZZZ'" »-|ЦГ—Ж|— g zz у A > > > > > 4>’ r ~zz.z... ~ ;z::zz z?z ~zrzzzzz ...... - --- -UZ" r :.? "t •"trfcz -g--г Щ Ж 4> > #> > > > r—" fik : - — 7—-"""7 Z- ..:. Z’7ZZZZ77Z7 - " "'"g""". r. В T. '^^r— > й> * > » / мд ~~ ::::zz 7--7ZZZZ—-. —J — tzzzzzzz::...:... - ZZZ3fcZ3Zz3 g ..|.j....~Jfr~»~ -3—1 - 1 —4— TbBlClari let > zzz_ -z — zzz...... ~~ ZZZZZZZZZZZZZ zxzzzzx z... ’-’""777'7Z ... д ^.7^z,,,,,ZZZZ. ZT"~~Z— * a lb Oboe Imz .... fl---"?— <_,„.;' —— ZTTZ^,ZZL.L. —-—— —-"- 7 z -JT'"1" Jr.. -a- a Ж ‘~".'J—‘“R - J ""T~- яж',:ж‘2:.м. —Й— -- *M,:...z..^ — t t - -'-I 74^’ ^д J -~ ...J -LZ “ 5 > «£f W ** ^”>”p > » * > *—* nJ > > JW > * » W f B? Tpts. 2 Tbns. 2 Timp Bongos Timb. Traps Piano BDflF » SHARKS unis. > el f । > t Г1 :i » 1 p* "Л V f »v >V '|1IV > > > ... > » f .,,.r a > > > _ > [ > g / g 1\ 2r % > > > > Sd Л g a> ™ ff n 2₽enaJ « > !> > M » * u > > > ''.....777.77м1 77.:.:.: J™ <lu T F * p~ z д rL:.:..p~~~,"1FzzzzX —zz7.::**z-' > > 1* * > > F Я * * 5. Д w ~ ZZZZ3EZZZZ .'..'..'..'. j4*""""l"' ""I" ""T."! "—Г .'' ~. I ’"’ Ту _ .^ -—' 7 Я———— ff y"" ...^ , i > ijz ff > Ir > •’ > * —> 1* > > р-Г?' > * A A^ Ai > 1* > * П > > » > > > J > * т?> FT Fl д-, .....у - . — —7777777".. —77777 ,. —— ""T- :7;t7±7"’”' —-— 1£ i I fc * — Д* — I— • J".....; * « J1XL j. J 4 J. -Лх'-З «О— Г j j ]... » » t i jsr ’ » * *—-+- > > » • > к к > > г N К > £ К N ♦« - -Щ. :,,.. . — -A.I W W -.It w i ......1... jl 1 W t : 7^::^^^^^^ 4 1 t^'T "—7777 ~ .— Ш7 - Зд77777_ t_ ..1-7 w • 777'1""' — T7 J & ' T T д о 1 - g--^ч’.....!' g1"*" . T . T g, f '""" » — J sd V4 \ » A^ \ A^ H A"' — > » Д-77-:-::;""" * — ^7\-— z<7z,^z^zg,,,,z:.:::."Tzz — -T •. 7' 'JZLZZ *» !! -Bl- Z — Mam-bo! mono Vine. Vcs. Cb. ДГ . 7.77777~”'"" ;z ; .-- __777ZZ7 ™ . ; .7. .’TT7ZZ"" 7 . TT "Zr"" У ... г :ZI'.." " "" unix. j div ’У" J 1,2 J g jhlJ)- Ж""7ЖТ pr~ >> «F > f* > * > J > > > > > > " 3r.77:ZZ,,..k....7.7:U 7 --У----34 z^ieEtzfcz^tzszBcz z-’T'""- ..—-. z;
106
107
108
по IV Pict, Piano III Ob. II El Cl. I Bl Cl. V Bsn. Bl Tpts. 2 3 Tbns. ff Bongos | Conga Cowbells Xylo. Traps BDjT Vine. Vra Pitched Dre. F Hns. g cresc да f- fff cresc. cresc. cresc. «Й cresc. cresc -^= Tfem.Blk rim shot 1 — —F 1 1 a u2 Mambo ad lib. TD tfi 8 i. cresc. S £2 £2 — — —^5-
Ill 11501 IV Исе. Ill Ob. H E! CI. I Bl Cl. V Bsn. F Hns. 1 Tims. Bongos[ Cowbells Xylo Traps Pitched Dr& Bl Tpts. 2 3 dim. & 8 > Ж BD (VocoJ Piano VI ns. Vcs. Cb. Ж f dim. dim arco > f arco >
112
113 IV Picc '~~k' *— _J " HI Ob. II Et Cl. з^_ л"'7'”4 >_£•’'*'4 x 4 mTTTT'tTdfe'.'t ' Lzzzz —1 [ —4— -г f ...I— .„4——I j 1 J 4 x 5 4 z-tzzzzXzzzzxzzz3z""""z: , J.p. у...., 1 Bs-Cl. V Bsn. >.— b> .1 Jjzzz -w„, r |F “kmJ Hr > >- > > b»’ > > Il _^^................w...........„„,„ .......... B- Tpts. I 2| Л * 1b D Tbumpet — — ~~>^m^~‘~‘'''''''''''''"""''" ' zz: —w— Solo 1*1 > bl Tbn. 1 = —Jf-—л 1 « T bg Conga i ^....Ji .O5H ad lib. JI Д J Л,,.. J~ Д J Д > j j тч ГЦД J Д J H J Д1 J гч > * ad lib. > »’ > " > ' > > ’ »” »’ > » > > (.«uiro Xylo, Traps J™*? J J > J J" > jhmmj J J J J МММ ^MMk J J J J "'<F -<> 4F > > —g> „„„„.jl.,,,,,,,,,,,,^, » > . — ~ T""""r; i ».... /~"—— — 77ZZ1Z1C :: — ---- - <r > у .J щ - ,, „ Г BD/ Piano Vlns. Vcs.
114 IV Pice. Ill Ob. II El Cl. I Bl Cl. V Bsn Tbns. Timp. F Hnsi 1 Bl Tpts. J a2 * 2 with maracas Timb. Conga Cowbells I Guiro Traps Piano Vlns. Vcs. Cb maracas may be separate player.
115 11741
116
IV Pice. II Eb Cl. I Al. Sax. Ill Tbn Sax. V Bsn. F Hns. j D Tpt, Timp. Bongos I Timb. I Pitched Drs. Traps
118
119
120 1202] fThe lights dim and the crowd disappears as Tony and Maria approach each other) /A -X - lb Flute rail, molto IV Pice. ff ~'—=-2 lb Bl Clarinet ' И El Cl. 7..- X : .I....... —— — “‘ ‘ ‘ ‘ ‘ ‘ ‘ ж == £ |£ д £ £ lb Flute 1 Al. Sax. ,~~’^^"'eillll^: .........*t.. ^||111111^^ Г Г Г --—- f ЙН —^F""" Ill Tfen. Sax. ff ==— — dim. ——- j® zz;,"" JF lb Flute Л * * * — dim, /?2=s^ V Bsn. Г ,:::::Ji:: ,*„,' Г ™#—: ff ' dim. • <ла2са. •!P ~ —.:..=» 1- — F Hns 2 -3 V --4 - g > g,::,» ; /Л a & # ==• atn ZS » tight mate 4МЮ 1 Jnff « 1 " J—“g , BITpts, 2 3 ff Х===ет stra "W ght mutes к лС '—A ff £ * £ £ Л Л • ' . ”P 1 dim. Tbns. > лГ — 2 w ff = =— j dim. [252] rail, molto
121 No. 4с Cha-Cha
KIDS 1--“---- (finger snaps) К N 4 >11 й-М*.f [2110
123
124 Р—= Cb fsub.
125 to Guitar
126 No.4d Cue: TONY; Meeting Scene You’re not thinking I’m someone else? , Meno mosso J = 72 Reed IV Flute Reed I Flute Reed III Bl Clarinet Reed V Bassoon F Homs Reed II Bl Clarinet ——— 7——. - — « JF -4i /?\ л\ ja 1 w- ' ЛЧ = . л\ 1 - - ’ ............... Bl Ihimpets 2 ] Ttombonea g -^..^...^y................................ ...... ....... . . . ..„, I2222222222222222222222222»2222222222222222222-?— z ; t_ 1 •> 0 L3Z-1Z /T\ " tt;.;.;.;.::::; 2222 - ’ Vibraphone Electric Guitar Celesta Violins Violoncellos Contrabass MARIA I know you are not. 1Ж... 1т; V, ‘ 2 ““ Z * —: — — ,.,. ,, ~ - -- - — ,,,,,,,,,,,,,,,,,, /T\ я» /Л Meno mosso J = 72 TONY MARIA Or that we’ve met before? I know we have not. r2331 L_ /Tv —E- -t - —J L JF dolce consort!.- _„ ._ /T\ t г * -*►
127 Vlns, TONY MARIA Yours, too. But of course. They are the same. TONY MARIA It’s so much You’re not I have not yet learned to believe. joking me? to joke that way.
128 12431 (The others begin to reappear and the lights dim up slowly during the ensuing action-) Glock.
Allegretto (sempre accel. e cresc.) A U9 IV Pice. ^1»' & z™—— "”ZZ'-' ””””Z' .... i ~""Z__J ”Z*”ZZ - , ——™™ Z^ ' —1—™sssr— , * £ * £ f 1b p ccolo / pesante IV Fl. ж-1 --’-ч - \.s :/L -f—/ . : •; zHr’”””*™ .... ;ZZl”” » .... — — h . Д i- - i «tie Д- £ Tb В1» Clarinet I Fl дл-#! Г—f 1 г '_j,....~ i— z~ Г ^ -.- ;!... **• "' - 1 ft Л1 II E1* Cl. ~7"""""-—“2_ »—— _ .. — ; h ••zJVT ,. Д I t""y ~H""""" Г 1 i ZZ...l..,,X.~'~fzZ'J"* " Ill B- Cl. „ д 1 I ; к;;Г—LZT' *'*’ peimte f ixsante V Bsn. T" j ,-——»♦-— ..........p— •—"Г:/> ... —F???" F p\:z:..--.^---zzzz:T:zz p • 4 Gpen 1 Дг— A - —"" - - ;»* . Z-.Z----- ...Z--Z"" •"‘ • • •; Z""""'""""' -. .:: *.. .—-—-- • 1 . J: FZ^T' ""F' X ^“ "F'Z F Hns. •J p cresc . open 2 JHL - Ж "y"Z""t ::: ,-—. i mr^ ™ : Z.. — Z <... ,Z: " I "F > ••—г""*1 j '-^1X *** ZZZ;;; Z p cresc. open B- Tpt. 1 Ф ~; g--~zzr --2ZT- ~~ZZ • : "'** z”8"*:I Tbn. 1 ——-‘w: . —— ZZL ZZZZZZZ ;zzZZZZ2: — ""Z’Z "ZZZZ. — •••••••••• ~^^.Z-,,,, -1 zz*zz£zzzSzz3~zzz MTZZ-—- j? cresc. Glock. Allegretto (sempre accel. e cresc.) senza eord. vy^ — ~ "*™ ZX-™,— -Ht-;;; гл '— x^zzqzzzzzzzz: senza sord у petante k .. — .Z —X В,- r~ *zzzz ""X" '' Xzzzx^ 1 Xz • •> ,z r' p / pesante */»p ф- j| -**- —T™" A —"""" ,<—""F z< -д Ж-'У' г f pesante 1 ZZZ L_ 1 — f ~l~— —t 1 —г - I * Л p ’ * ♦ pesante ZZ— —'••• ..-^J,,,— pesante
|258| First tempo (Paso Doble) a2 F Hns. | j, ________ .-zJe =====—= ШГ X~~~~ j--- X petsanie > > >> jT >> > > 1 L“fj - - J- ------F“F~ —ft4 -fVb № iiLfhtzfc -~-r- d xzzlzzfcxzzi Bi Tpts. 2^ 3 fpesante cr open 'SC- > > > > ff / f pesante cresc. > > > > > > > > ' < >> > 1 ~j,jt f""">•‘Р"' ' Z£ZZ3tZZ3tZZEZfc Tbns. fpesanle ff 2 f pesante > > * 9 • * sT ж Г j > * / [258i First tempo (Paso Doble)
131 No.4e Jump 268 /‘sub, psub.
132
133
134 Bl Tpt.l
135 No.5 Cue: DIESEL'. Well see him at Dee’s. TONY: Maria.. Maria Tony Reed IV Flute Slowly and freely w — mmm„_........... , Reed III Oboe - ~ zzz Reed II Bl Clarinet "——" — —^7 1111 - — — ГГГГГ^~^»~-.»-.....................:^. -....,,,,,' Reed I FU Clarmet —~ „, . . -4 Reed V Bassoon ' f =-7 '" r ".I • — ' " ИН jfTr cresc. Suspended Cymbal I • Violins Violoncellos Contrabass * Original Broadway Production: The repeated "Marias" were sung by offstage voices.
136 rail Ill Ob. V Bsn. FHns, poeo a poco senza sord. VW I Z 3 4 cresr. /ли erase. e rail. eresc. Vc IV Fl. Trmy cresc. jsp erase. molto 5ss==r molto. motto. (norm j Ma - Ma - ri - a, Ma - pot‘0 a poco senza sord. erase.
137 i?J Moderate con anima IV Fl Ш Ob. II Bl. Cl, I B* Cl. V Bsn, B- Tpts. Timp. Fngr, Cym. Susp. Cym. Elec. Guit, Tbny 1 2 Vlns. Vcs. Cb. -----j---- 1 2 3 4 sonza nori. pizz. i*f warmly it ar'rriiy ~_ F Hste. J A_ r bo -• •— «j '* warmly , cup mute; ...-— .д. . _ _ P "T* д cup mutes ' — z„w, , _ frR £ —" • x— LJ ' ^ .. ..- > -=——---»- i «< Jj J > $ T | 1 «у warmly — warmly - ri - a! I ve just met a girl named Ma And sud-den-ly that name Will S Moderate con anima senza said. •Г warmly senza sord. senza sord warmly senza sord
138 cresc.
139 J». ——— - — ....... Л.“ T**. ... IV Fl. ....................................................................... юр cresc. — 0 k — Ill Ob. t &-'7' 'f_ — Jt -' -.-X. . _ „ □ ' -4 i юр cresc. — 1 B1- 01. Д->' — —_. . ..—: :— 1 J* / II Bb Cl. V Bsn. , . . -.-———г г f— — / 1 •*-** 3. J? 1 If; — — ~ i " .-gf - jg ~~ - J FHns. 2 - : :...^.: : : 1 < t p >—= 1 2 nWP'.........1.0r'.................................'-”"""'-""""""""'""""W ZZ fr»""""""" """"' '' ' •: '' B-* TptsK — «Р ^^...; , ._. 3 • 111 ' cup mut poco f es # Thus, g ............. :: 1 Timp, ^1» Ik 0.1"! , ..............................,, ,,, , , , r__,—-— jy .. *-*<r Cym. '*£гнр Cym. 0 pp £Wc Gull. w ......... .,...........^_.',„„.„„„„„„„.„„„„„„„„„„„„,„„„„„„„„„„w„ . """H V
140
poco rail. [28] a tempo poco rail. [28]a tempo
143
144 IV Fl. Ill Ob. I Ш Cl. II BS. Cl. V Ban. soft sticks
*Tbny pdolce -----j------, * ________________ _____________________ —...............t 1 ,,.| .. , t ...>.#.. ;..;;. ..;;;..ДГ^ ........................ — pray-ing.-,----- Ma - ri - a?ZZZZ21 I’ll nev - er stop say ing Ma * ri - a.................................................................. Meno mosso p t'ibr.
и« Adagio (in 4) 15П APPLAUSE SEGUE
147 Balcony Scene Maria and Tony
148 1 2 Vcs, 2 3 Vine. 5 —ЗД-—4—- 1 <„, -* ‘ '— - о ’ ° “ , * te Д Д' Ш -4|, 1 / i p 1 ж ' Ш. 1 i III [ "|~™^ L, """""' "A J* . |V ^---------S.,--^.. - — - - Л*" «* sulD <3 A
149 [~30i Andantino, poco a poco accel. (very gradually) (s =80+) IV Fl. II Bi Cl. I B*. CL 1 a Vos. з 4 Cb. &""> .’TZZZ" —Z€!„_-, , — — 2ZZ—-7--^n j , —77- —^77.—.: 7 zz^rz^".:: """"2 — « ЯЕ 777:"""""' "T'7'77777777 —— zz:::::777: 77zzzzz7iiii7i'..'' • - 777777-77'"": p J *?—/ . J ¥ J- - £-4—4-a. ;i 4 jzyrgzz -» Z .g7777ZZ~<''"' ...T... Z_J 4, i. gp gently pulsing мя cresc, . “ “ “ ~ — 77'X" ^-...p......... ||ц_ ,...z|. . 1 I> 1 ‘"Ci ~."""'iz,..,»,..,,, I МАЯ]А ЯР pulsing " non crc.^f. л ,Я>< freely i , , — i i --1 1 a-. ж—...„„„...я n t fc......f. i fv:77i|... j —*г^тг tzni-fl-ii’lT'.Tfpi 77.. : On - ly you, you're the on-ly thing I’ll see for - ev • er. In my eyes, in my words end in ev-’rythingl do, 30| Andantino, poco a poco accel. (verygradually) (J =80+) „ ”*3^"”*** 777—77 77?:::: ... =Z.L. ——♦——-jr- -w ’~^'""z,""“ fc-J 1 - ™- ЯР - - • Z; Z’.iZ- Z7 Г > — —-—-77:7: -777777: ~ я> se iza sord J-Lif ::-"3ZZ ..:. Z77 "*"""~~‘*Z777’—77 777,,... "7ZZZ- z:::: -- ЧД. — Я» :: z™"" ~ "~77777 '’^~Jmmz?*"""""""''' ..^—^ < Mp IT (pizz.) = 7™"""™.'" 7777 ; ---^ i"^^»77-- [ ^zzzz - 'ag"ZZZZl' ~ ZZZZZZZ ’ZZZ.7.::..:: ::..., -zzzzzz (J = 100) [37] IV Fl. II Cl. I B- Cl. V Bsn. fp cresc. Maria Nothing else but you, Ev • er! TONY cresc. And there’s noth-ing forme but Ma • ri - a, Ev-*ry eight that I see is Ma
150 Piano urgently Tb - ny, Tb • ny... |42] Allegretto (J = 108) sempre un poco accel.
Molto allegro (J = 72+) _O_ 1S2 IV н. 11 Bl. Cl. 1 В!. Cl. Ill Bs. Cl. V Bsn. F Hns. J I 1 2 Bt Tpte. 3 Tbns. I Timp. TYaps Susp. Cym. Piano ff J_fi I zz a. * ж * A JOU- »—— . ...... .М....+.........i.......^i™. 1 ... t _ • """""""""""""""""""ZZZZZZ j11 “ “ . - - .~T"7777"~’ : -2 '—' ............................. -jfr* •^r==-——p Jf ...... —— ... z:c ‘ ~ “ - :: — . * ff > А -** /=- F ТГГ O’- .—- F Да ,-,^.,, ........... --У--g> ff --- ~ ——— -— У ff = *^===—p тег ——- p Да j -t у--—f—i Г ."z4zz:xzz4zzt 1 4 — ,— ff marc. =—p F -•44-4;:XxT^^4-— ff marc Ijr. :: . jfmarc. — — •—-— .... ..". — w, , ** jf marc, zr"11"' ff'" # w : i--4 ~ zzzzzzizzzzzzzzzzzzzzzzzz »...:. -....... m.,.......-..^,-...^^^^^^„ . ............... ‘"'''^LiiiiiiiiliiiiiiiiiJ f marc. ~~— «у —1 ' ' —, f marc j< Lh ; '»>— '. zz zzzzzz^^^^^^^—— zzzzzzzzzzzzzzzzzzzzzzzzz iJ J» ff jj»(no pedal) M ''"f""" -Д Г"""" —- w z3^^zzzazzzzzzzzzzxzzzz: =4- -— ..- ^ z^zzzz Maria 1 2 3 Vina. 4 5 6 7 Vos, Cb.
153 cresc.
is* 1681 ,л , _ _ IV Fl. Jf X , IIBl Cl. 1 Bl Cl. Ill Bs. Cl. V Ban. cresc. / i . r - — cresc. / ** * — grj* C. .' "' ~ ’—— j J _u— cresc. — ' .. / , ' ; ...: ’ / F Hns. J £ (muted) 'mar f ^“"'ч —— — A (straight mutes) 4f 1 2 Bl Tpts. 3 Tbns. | л (straight mute} mf lightly cresc tqf lightly спив. (straight mutes) soft sticks
155 л ife £ £ (blf. f. it. -p. j*r —SZZZt IV Fl. — }— 1 i i - - j >- 1-— — ! W.- , - | — dim. Z... ~zzzx^~ » ”mT7 poco II Bl Cl. -r—, . . ** dim. I i s- 1 — 1 Bl Cl. zzzlzzzzzx^zzzztzzzztzzzzz 1 _____ dim. --TL Ж **—*• ~ ° - ——-.„ „ ,„, „ - ' 111 ' * (ЮСО til Bs. Cl. zzzzzzzzzzzzzzzzzzzzzzzzzzz » '"""""“ $ '""и *•» . _. f dim. ————“ V Bsn. i F ————————zzzzzzzzz —— “'T'"1" :,:.:- —— . f*"4: . НГ1Ц 11111111!. F Hns. g ^^^>.. . dim. ~7\. ^... p 1 2 Ома» ——— B* Tpts. 3 Tbns. 1 & , _ — dim'. ~ ~ ~ - ~~~~ ~ - "v —-r-----1—5^0 P — —^i»co dim. p
156 cresc.
Tb - night, to - night, The world is full of light, With lb - night, to • night, The world is roll of light, With rail. _____ S3 Andante (j - 50-) Jf? ------------—.........................fjfp —; mente
crest?.
160 *F ... gJgg .. ЯтЯЯИ, . ' '!"""г~~~ .?-" ....'• “*“ -- fri, — : — А * < —~~-9- 1|п ь ’>»- jf paw *• Ж » .... ДЦ,, fW—HS „7 - , ““ _ -тт — •""" у __• - - ,.-». unh. .^.... j......,,с...... —™— _| ilft
161 IV н. II Bi Cl ш в» ci. I Bi Cl. F H.is. В» TptK Timp. Traps Cel. Piano Mana Tbny Tbns. ’ day world was just an space. V Ben. : :-:===— ‘ И „„„„„,1-—................. i — ' 1 « ::: 4g Ж,.,,Hpi Г .mmmgmmm...........p. , й u # ntf ———— - m.mmm ... a •/ z о —— :../ — ** F^L д *jg -—mm»»-- ....„ _ _r^‘ —fc# -“' in "V ..z space. чг — — «•p p » g К. H. Lo Piano *40 .... —— .. — the world was just f f f f
162
1 163 II Bl Cl. Ill Bl Cl I Bl Cl. V Bsn. F Hns. J 2 1 2 BV Tpts. 3 1 Tbns. 2 Timp. Traps Piano Maria Tbny sim. I SD. 1ф cresc —Г Г-7 Г Г - Г-7—pzr ;,;,;4.^.4-;-^-4^.^4---^-;4------4 £.4. ...f crese. tup cresc. here you are, And what was just a world is a star Ш 4 VI ns, 5 6 7 Ves. Cb.
164 [117] Molto тетю mosso (sub. in 4) rail, IV Fl. HI Eng. Hn. II Bl Cl. HI Bl Cl. I Bl Cl. II Bs. Cl. V Ben. F Hns. 1 1 Bl Tpts, 2 3 Tbns | Timp. Traps Susp. Cym. Piano Maria Tbny 1 2 3 Vine. * о 6 7 Vcs. 3 4 Cb,
Ш Broadly 165 Eng, Hn II Bs. Cl. Ibny 1 2 3 Tb'-'k'^i,— : """""""""""L""""""""' -тЖ- j-' : J ; 4 (((((^ t » r " - * ЯР aa...!.. ‘‘^..:‘\‘^У‘‘‘T‘‘‘‘‘‘‘‘‘‘‘‘‘‘'~m^^"^' да can t. 1 — night! Th - night, It all be • gan to - 1121j Broadly night, 1 saw you and the world went a - ,,,,,,,,,, , ——————— VI ns. f t) fP ’“’“Ж ~~~ 6 ж —... - 1 2 Vcs. 3 jar — ж cc nsord. —^r-— SSb-gj, -СТ» f-r — ~ ч Ж — - — ..jar • ---. ч k t» —- -- ~n.. - ....v:- al* р dlXcisS. ..... PF (Maria re-enters) MARIA TONY MARIA I cannot stay. Go quickly. I*m not afraid. They axe strict with me. Please. Я>
166 MARIA Buenos noches. Vine. Vcs. П Bs. CL FHn.l | TONY I love you. MAMA (He starts to Tee, yes, hurry. Go.' cUmb MARIA TONY Wait' When, will I —~-J Buenas nockes. к- t, 1 (He starts to back up) espr. mute MARIA TONY Come to the Si.. back door. TONY MARIA TONY MARIA TONY MARIA TONY Ibmorrow. I work at the Come there. At sundown. Yes. Good night. Good night. Tbnv! Shh! bridal shop (He starts off) 1 2 3 Vlns. I 6 1 Vest 2 3 4 11 Bs. Cl. F Hn.l Timp. 1 2 3 Tins, J a XL. morendo morendo^ Z^rtr eon sord.’ lb Bb Clarinet Adagio (sempre in 4) softest sticks MARIA яу Good TONY ж____ night, good night, Sleep well and when you MARIA TONY MARIA TONY Good Tbny' What Anton. Те adoro, Те adoro, does Tbny Anton. Maria stand for? night, good night. 145] Adagio (sempre in 4) Sleep well and when you . morentk/ji' rnorendor^ — я»2 jO — <»_ — — -— m-uf'endo^,
167 IV FI. HI Ob. П Bi Cl. I B«, Cl. V Bsn. F Hns. J 2 1 B> Tpts. 2 3 Timp. Cym. ........................................................г f * —p =z 'lb Hute Ж —== ~ 71—Z'"777777777" /| lb Bass Clarinet P /** f.''A'''''''4 — ж — |кЭч 1 I .1J — p - lb Flute .'Bl... — / =—- — p -4~- gpespr. cresc. (mutes) : ::.... Ж — z//J straight mute straight mutes r — =J pp _ ........ 1 .1 77.1.7; 7/7~ ~7177777777ZZZZZ77Z7Z7ZZ Piano ^4 '7777777777777777?|Г777777777777777 Ф |А ж₽ — —-ZZtf soft stick J 1 . _fi l—t v Ж TTTTT p fc"TTTTTTT TTTTTTTTT............................................—. 1 l ШК? 1 | : — Tb Celesta -<8hz. .J**- . dolcistimo ; A 1 . , f .— - —_ ' /л » ir er —u dream, Dream of me Tb - night — - —_ dolcissinw A L [ i }*i.r~ "T“ /Ts night via sord. dream, Dream of Tb rit. Cb.
168 No.7 America Anita, Rosalia, Girls Cue: ROSALIA: That’s a very pretty name: Etcetera. IV Flute Moderate, 'tempi о di “Seis” (Repeat, ad lib, unde r dialogue until cue.) — ~T —•• _ . - о -— ЯР -— - - — 1 Flute III Flute [I Bass Clarinet V Bassoon * —" ...™—_ «ТГ 7777777777" пн JHT J jy 7ft ** : tEEEEEE—Z==_. =— • —=* '777 : — Trombones 2 feMr ROSALIA: Just for a successful visit. Violins Violoncellos Contrabass
№9 IV Fl. I Fl. Ill Fl. V Bsn. Claves Guiru Sfsan Gull. Cel. cr«c.
170 Я>
171
172 cresc.
173 34 iv и. I Fl. HI Ob. U Be. Cl. V Bsn. F Hns 1 1 * Три. 2 1 Tbns. 2 Timp. Patched Drs. Guiro Ярииг. Guit. Cel. Anita Vine. Vcs, Cb. V dryly au b 'y-— cresc. Л £7^— —> ._j.;r4__l—_—»_————_ cresc. Tb Flute f* -d- — =ZZZZIZZZZZ^ZZ3SZIZZZZZZZZZZZZ Ш ""У'!'"""'""""""""!"..! = .- _ —**— 1 Ia4 Й - Ж < “ —" .. 1 - ™I я I *c: dim. - ”— zznz^sbzTA^ f $ > r “f 1 W1 f 44 atf dryly *f » 3 1** dim. „. V » 1 t L, straight mute |пк— .... ............................ straight mute «С J ^.1 . dim. dim. ' ' - ,w - -; ; i—-L (straight mute) — —----- - - 1 7 . Л. 1
174
•f Timp, Traps Guiro Guit. rail. Ijjl Tempo di Huapango (fast) 1 2 3 4 Vine. dim. f mareato
Anita Л ——.g— 7 к i j, - -^— . • 1 • 1 * - GIRLS* I like to be in A • mer - i - ca! ['’.И 4 | J 0. K. by me in A - mer i - ca! Ev -’ry - thing free mA- — 1 1—Ьд— Я=--Д < У 1- Ж—^=1 I like to be in A • mer - i - ca! | = 0. K. by me in A - mer ~ 4—-- i - ca! Ev-Vy-thing free in A -
177
178
IV n. I Fl. HI Fl. II Bi Cl. V Bun. F Hns. | ► TpU. 2 a Ttms. Tri. Maracas Traps Span. Gait. Au - to - mo-bile in A •
180 mer - i ca, Chro-ntoum steel in A - mer - i - ca, Wi - re-spoke wheel in A - mer - i - ca, Ve-ry big deal in A - Girls mer - i - ca, Chro-tni-um steel to A • mer - i - ca, Wi - re-spokewheel in A - mer - i - ca, Ve-ry big dealin A
181 IV Fl. I И. Ill Fl. II Bs. Cl. V Bsn. FHns. j 1 Tbns. 2 Timp. Maracas Traps Span. Guit. Piano Anita
/sub. psub. f
183 Im-mi-grantgoesto A - mer-i - ca, Ma-ny hel-los in A
184
fHns. ’ £ TpL 1 1 Tbns. 2 Timp Guiro Traps IV Pice. I Fl. Ill Fl. II Bs. Cl. V Bsn. Optional
187
Anita 81 Girls motto ^molto motto -*= motto
189
Piano И there’s a cur-rent to turn on! ROSALIA
192 IV Я. I Fl. Ill И. 11 Bi Cl. V Bsn. FHiu. | 1 Bi Tpts. 2 Tbns. 2 TH. Thmb, Maracas Traps Span Guit.
193 IV Fl. I И. Ill FL 11 Bs. Cl. V Bsn. F Hns. * 1 Tbns. 2 Tamb. Maracas Traps <l«n. Guit. Piano Anita Girls 1 2 3 VW < Э 6 7 Vos. Cb.
194 (Pice.) To Piccolo IV Я V Bsn. B. Tpt, 1 Timp. Tamb Maracas Traps Span. Guit. Piano Anita Giris F Hns. I arco Tbns. with sticks fmarc. dim -/V dim. 6 dtm. Vcs. Cb. dim. 2 (1 Vlns, * dim. > t Ib Piccolo Pl Piccolo II Bs.Cl. n — arco L * gte. _ (Ясс.) (Picc.) straight mute _a. (C) f marc у Г - .'I f marc n aim. j <» <=4^. i <t j Д— _5_ 4Г # -< V J—3---» dim. straight mute B= : —i i J— 2л « f't- / ж icftm. dim. (whistling) (whistling)
197
11 El- Cl V Bsn. IV Pice. III Pice. Д. F F r r r * > Т~ moZ/o—— ^арваввм. . L 'Г ' г ^Ti.- > -r 7 1 : Г г Г-Ш- Х-- F J-.= —Mft“ ж *• 5». -•?, h' > •-#-•--♦ 1 ff 1 .. ..... te. ^t-X,r * ± X > " Г-J mol to F Fins. J, Tbns. aszr: •— -- ./4— ~~#~ж~Р~“С——— --- f „.' :;; >. 771777:7777; itj. i$ м лпап r^lO open ' * -> > "• >,;' *> 5 > > z: _£^_ Ж | * > » open mgZig_^ » > > , - - • — open m>lt^^ > .. .4 4..Г_3_ jT > f > 3h . « L. J, 5 fB-rVg—ЛЛг Г # • Z. д "gZSs- open > rIf 1 > | JL > > moZfo^y.1.' open liSlS* > > > ~
199
201
I n HI Pice. II BO. V Ben. TH. Sm Maracas Glock. Traps
203 IV Pise. I Rec, III Pice. II El Cl, V Bsn. 1 F Hns. I В» Tpts. 2 3 1 Tbns. 2 nwlto Ьфйп.Сий. Piano
204 IV Pice. I Pice. Ill Pice. II EL Cl. V Bsn. F Kns. ’ 1 B-Tpts 2 3 Tbns. ' 2
IV Pice. I Pice. Ill Pirc. II CL V Bsn. FHns. 1 1 B- Tpts. 2 3 1 Tbns. 2 ADDT Anct? ex?/"’ITT?
206 No.7a. America to Drugstore Change of Scene Instrumental Ifempo di Huapango (fast) IV Piccolo I Hute 111 Hute II Et Clarinet V Bassoon F Homs J 1 2 B* Trumpets 3 Trombones | Xylophone Traps Spanish Guitar Piano 1 2 3 4 Violins 5 6 7 Violoncellos Contrabass (Fade when lights come up)
207
208 IV Fl. I Fl. II Bl Cl. Ill Bl Cl. V Bsn. FHns. | B- Tpts. * Tbns. 1
Piano
210 23 чр чр ЧР
211
212 No.8 Cool Riff and Jets Violins Violoncellos Contrabass
213 IV Fl. II Bs. Cl. Bar. Sax. tlj Tb Soprano Saxophone P B' Tpt. 1 Xylo. Vibr. Traps Elec. Guit. Piano RIFF (almost whispered) cra-zy Get cool, boy! BABY JOHN: I wanna go! RIFF: Go cool! VIns. 7 Vc». Cb.
214
215
216 II Bs. Cl. IV Sop. Sax. III Bar. Sax. V Bsn. cup mutes Bl Tpts. Tbns. J Bongos I Vita. Traps 3| •P Elec. Guit Piano Riff Vcs.
217
218 [43]
219 И»
I Fl. IV Fl. 1 F Uns. B!> Tpt. 1 Tbn. 1 Bongos Vibr. TVaps Elec. Guit. M mol to tight cj[i mute Vcs. y -—-у----»---—— । г motto =^-~- :..' у f ======^.— : — **.'. . W zzzzzzzzzzzzg^ zzz
70 221 To Bass Saxophone IV FI. I Fl. F Uns. B- Tpts. II Bb Cl. 1 Tbns. 2 Vibr. Traps » 'y.. . fl --; ; ZZZZ , f p » > t-i » ..* p , ;. — — ;2.2— > F U«eJ **P «= open > p {jflr open > . g»;:........ ... j............. at & F—— Z" '"'"" . . .“»“““ ........... =_—=^__J=-——— (straight mute) . —"- —— — - _, . — — — »• — " ' ' ' . tight straight mute > jP — r — "*— —> ——. 'IO—. , , , ....... io Ж CH?8C tight straight mute tiu jqp cresc. —<» —= 1 motto J к .1 pp ГР ' 7 * ......и : : : : ' “ ““““ ""~ “ p J П 1 n < римм , J J x w- -J X > >Ъ-| «р—= Elec. Guit. Piano Vine. Vcs. Cb. unis. flbtFFFF:::;;-; ———: : — pi^z. ' "i •y —= senaa sori. » -“ b iv L. Д J|'''''.' •|v< li ‘ 7 ——— ——————- w " -TTTTT' ^т^т’Т'Г'777:^ ;--
222 75 Vlns. (fa.. л'' r-~ " V Vcs. ~ -Z zz^zzzzzzzzzzzz^zzzzzzzzzzzzz: —— - ;;;;;;;;;;; сь. *У~ ~~^ : „„„„„„„„„„„„„ ,,,,,,,,,,,,,,,,,lg-,.„T,,,,,
223
224
Ill B'. Cl. П Bs. Sax. V Bsn. F Hns. B- Tpte. Tbns. Bongos Etec. Guit. fcresc. sempre Xylo. 'ibr. (HH continue ad lib.) Traps Piano Vtas. Vcs. Cb. J cresc. sempre TD Ш) » 11 Bl. Cl. cresc. sempre cresc. sempre cresc. sempre
227
Solo jazz break (ad life.)
Jets Go!
231 Solo Timp. Pitched Drs. Xylo. Traps Elec Gutt. Piano (shout adlib.) -V-J*-------Ib Jets fi
235
238 F Hns В* Tpts, Ttas.
f marcatv *Jets snap fingers through bar 171 APPLAUSE SEGUE
240 No. 8а Cool Chase Continuation of Scene Instrumental (They resume dancing) Reed IV Reed 1 1 F Horns 2 1 IM Trumpets 2 3 ! ft mute t , „ tf.1* , „. IT 1 jp cresc. LlUk motto : 2 open . ’ > open —---------- "KT™ - - ....... - 4 Ifc'" #<7 —- \ - —- Trombone 1 tv — r
Bongos Vibr. Traps
242 No. 8b Under Dialogue and
243 Traps ife 7 1- ju--« —-Л* ,ГТЪ^ lfc^f.77" t * * ---»-V.F.Y ‘ F | F Y * » I •.—V—F ч F Y.*-« i--«^-4.=F *f » 7
245
246
247
248 Elec. Quit,
249
250 No.9 Cue: TONY You go home and dress up. Andante con grazia * = 100 Under Dialogue Underscore 5 > Reed IV Flute Reed I Flute Reed III Hute Reed V Bassoon F Horn 1 Reed II Bt Clarinet sempre TONY TONY Then tonight I will come by for you. MARIA You cannot come by. My mama... Then I will take you to my house— Я> sempre
Ta mb Bongos Moracas jefts ветрге MARIA TONY MARIA TONY (shaking her head) (pulling up a female dummy) Your mama ... She will come running from the kitchen to welcome you. She lives in the Dressed so elegant? I told her you kitchen. were coining.
252 IV Pice, II BL Cl. Fngr, Cym. Elec. Guit. Piano V Sm Maracas TONY She will look at your face and try not to smile. And she will say: III Fl. ’ .. /ft jrt в - /ft ’ * 2” /ft ™ . ""Г"- nr - - - -w - ."г f ~f s ---T-.. /ft ? J .. . - 44— — = a„j. w_j_ ... _ . . . J-l-iy TTY /ft У -j^-- — ~ |д— = — д I*r''''''''''''''''''""'''''""'''''''! ,»1'' 1^......................... TONY MARIA (Arranging another female dummy) 1 take after my mama; delicate boned. (Holding the waist MARIA of dummy’s dress) She is plump, no doubt. Fat! Skinny - but pretty .
253 MARIA (She goes to a male dummy) Not in front Oh, I would like to see Papa Mama will make him ask But Papa of Mama! in this! about your prospects, if you go to church. (He kisses her) (He turns the “mama" dummy around)
254 lb Flute IV Pirc. Stn, Maracas I Elec. Guit III Fl 11 Bb Cl. V Bsn. Piano Й® ft ft lb Oboe MARIA Papa might like you. TONY MARIA (kneeling to the “father’' dummy) He says yes. May I have your daughter’s hand? And your mama? TONY TONY: Gracias' I’m afraid to ask her. Vlns. Vcs.
IV Fl. II B> Cl V Ben Etec Guit. Ill Ob sempre Piano «Celesta Traps MARIA Tell her she’s not getting a daughter; she’s getting rid of aeon! She has good taste. MARIA That color is bad for Anita. tins. TONY She says yes. 1 2 34 —, (He continues to arrange the dummies) 27 Maid of honor!
256 TONY MARIA MARIA Now you see, Anita, , ... „ I told you there was nothing I She puts on a wedding veil) That is my Papa’ to worry about TONY (He takes hat off dummy)
257 No. 9а One Hand, One Heart (Marriage Scene) Tony, Maria 35] Andante con moto dim. e rail Reed IV Flute Reed Ш Oboe Reed 11 B? Clarinet Reed I Bl- Clarinet Reed V Bassoon F Horns I 4P-— ® cresc. ® cresc.
258 poco rail. a tempo poco rail. a tempo (Топу and Maria kneel) [IS] poco rail. TONY For richer, for poorer.. TONY I, Anton, take thee, Maria... a tempo poco rail. MARIA I, Maria, take thee, Anton... a tempo
259 I B- Cl. IV Fl. til Ob. B- Cl % Bsn ,, : ЯР espr. lb Bass Clanne да==— : Tm""" - = E "• ’it. jHp espr. ЯВР Solo 1 — 2В4Й-К- MS ^rrrrrrrrrrrrr^rrrrrrrrrrrrrr,r,rr,-r, r. Я9> rZL. —in ~~ ЯР да dolee Vibr. Ptano TONY From now to forever... softest mallets MARIA Till death do us part. TONY With this ring, I thee wed. MARIA With this ring, I thee wed. Cb. unis. i^przzf*"'^'"""! 1 r , .., «и JFr unis. ЯИР Si "’’’•-T""""""""”— ±=£===zzzz: fl t'iv- jap f* unis. ЯВР div__ _ Ми. Mid d —rf? zz^^zzzzzzzzzzzzzzzz _ ЛР ЖР ЯВР ~з.~ — ЯР z 1.,.Ж,Х,,1 LjlirTl!!' । ...j...........— ЯР - »r gj, ~ -i— Fr J Pf> arco eh -— "'. ''''''''R''''''''''''' —-—- л!..“" """""^z"' Я» C on sord. arcs ^Z=^sac-" Я5Р : ~~ —h—————— zcizzzzzzzzzzz ЖК1- Z: *• ....— '~"""cc ш> —T . ~~ b ,fl> t — - -. -^4;—- - -
260 VI ns- Vcs. Adagio (671 i в*-ci. Piano TONY, jp dolce Adagio jf k~ > ——r I -- - *- . * - . ,,,, >4™ Jjp дДкфШХй------... 2Zlll|r"",'~ ...-2'‘ —у——g......... ------- ЯР ик.'у:тг4и - """""""""z T5755Z —1 ; ----- , , g | м» гг *p'7'ty;'fc""r-"+ , , '„ l..:tzzz::z: Z'["" ....izzzzzz: ' ''" яр >15? I—- »_.—————. " *- т"т...1.7 zz ,„„-l„„„„„—— — Яр"" " — .\Т.ТГГ“77" ""'7 ""У" in “ZZZZZZZ^ZZZZZZ^
261 91 P cresc. -----—------=; f ====------------ р
ISP еж. Maria ТЪпу 107 j (They kiss) Vlns, Vcs V Bsn. яр Ev - en death won’t part tranquiUo_ Ev . en death won’t part Г1071 t 4^ t-ы- 11151
263 pp doiciss
264 IV Fl. II В- Cl. I В- Cl. V Bsn SEGUE
26S No. 10 Tonight Ensemble Maria, Tony, Anita, Riff, Bernardo, Sharks and Jets* Fast and rhythmic J = 132 Reed IV Piccolo Reed I! Bl Clarinet Reed 1 Bl Clarinet Reed Ill Bass Clarinet Reed V Bassoon F Homs | 1 2 Bi IVumpetc 3 1 Trombones 2 Suspended Cymbal Chime Traps Electric Guitar Piano 1 2 34 Violins Violoncellos Contrabass * If the scene is staged with more than the designated five people, the members of the gangs may sing with their respective leaders (except in bars 103-125).
266 tins s И В' Cl. I Bl CI. Ill Bs Cl. V Bsn. B- Tpte Tbn 2 Piano F Has. * straight mutes BERNARDO The RIFF The Jets are gon-na have their day night 7 I 2 34
267
268 П В- Cl. Ill Bf CI V Bsn FHns 1 1 2 B- Tpts 3 __ 1 Tbns * Maracas Traps Pjanc? RifF Wre
269 Traps RIFF & JETS ay» Vfe’re gon-nacut'emdownto size Tb- Bera. & Sharks gon-nahand’em a sur- prise__ Tb - night.
270
272 -----We're gon-na jazz it up and have us a ball! They’re gon-na get it to-night,- -----We’re gon-na jazz it up and have us a ball! They’re gon-na get it to-night i 2 34 VI ns 5 Vcsl Cb. t—*4 > > * /sud. яр sub. ' ' ' ' 1 unis. *г*_Л ? ?l|T - J T > » » f sub. *Ф sub.' ' ' j —^-^—Йр——f——p—— J^sub. f sub. sub. ’ * i
273
274
275 53 II Bl. Cl. IV Bl. Cl. I Al. Sax. Ill Ibn. Sax.. V Bsn. F Hns. ’ Traps Piano
276 su /.£ Йц ,„,„„„„„„J..,„„.M^ II В CI Jt-tg-» . г'"“У у—у—t—w"- » - ...... ....^. -ft—5——I t^X. RS i...,_—j::z::rzz;:: zz -|r-*L^.-_y~ ,,,,,,,,, ЛР > l,n~” P 1 В- Cl чЕ—*4t « Г"""""» .........к........1е...т...у......Ж!.^^.^г^^^^^^^ M— -if- f^..-..,....fcf-».^L.m>—4fc"""-W""""""’lfc""W‘‘““““<—— JF • 7b Flute IV В- CI. Л, T_ x ,~ yr"——-E ♦ ь ь ra'4- ЭЕ *J si* № if* > F Ill Bf Cl Ж f'* I "'*f' —......... :™z^zz:zxzzz 1Хд^1£ТТГ7?& 7 ' " к 7 ,,,.,lh,,,,.i^^ tr^T ,.k ^^—— gi it' tf‘ -W*1 qit . T *4 sT- p ________' , 1 « • M • л л ii‘ v Bsn Xzzxzzzzzz^Lzzz3_zz-Z ст:Ж:гж""~у""""у -w > gZZ^ZI^SZZ^ZL^ pp n > antes । F Hns J. fit < C ©zzqqqzz^qzzzz* .. л"—- ' . 1 ft # cup mutes р B* Tpts * Tims. 1 cup mutes > F ti;:zzzzzzz:z™::zzzzz;:zz^zzzqzzz: SZZZZZZZTTZ^^ ^^4r^^y^^g™™^™2ZJ£ZZZZZZZ-Z^_ZZZZZZZZZ^^^^^^^q > p
277 II Bi Cl. Ш Bs.Cl, - -w . -- > й lb Ш Clarinet 23pnottz==^ zzzzz — l?gj~ ||f|"""""" " [J у ; _:::- “
ЧЭ •етл *ет1Л <fu^L ouetj sdim | suqx | 'SUH Л
279
280
281 II Bi. Cl. I Bl. Ci. Bi Cl. IV Fl.
282 IV Pice. II El Cl, I Bl Cl. Ill Bl CL V Bsn. FHns.1 1 2 B*» Tpts. 3 1 Tbns. 2
283 I B- Cl. B-CI. * Bsn. Ife 1 1 2 •k TptS. 3 *"Sns 2 Chime Traps П Pirc. Ei Cl. B- Cl.
284
285 lb - night, to > > > * > _ firmly , Go down. And when he's hoMered“Un-cle’ Well tear up the town!So I can count on you, boy?_
286 Il Bi Cl. I Bt. Cl. IV Bl Cl III Bs. Cl. V Bsn. Maris Biff Wregcm-nahaveus a ball._ Womb to tomb! 1 2 Vcs. Vine. 5 6 3 4 Cb.
287 II Bi Cl. I Bi Cl. IV Bi Cl. Ml Bs. Cl. V Bsn. nano Maria I’ll Th night___ Tbny lb • night____ Riff Ws’regon-aa rock it to - night!_ Ill see you there a - bout eight.. _ night, night, *ANITA SHARKS VLns *Thp пйг1 nf Anita mav he anompnted hv in th#» winoc frrsm h#»r** tn th#* #*nH
288 II Bf. Cl.
289 * The part of Maria may be augmented by voices in the wings from here to the end.
290 Cb.
lb - night, to - night, 1b - 'night. to stop 'em onceandfor all!---------------- The Jets are gon-na havetheir way, well stop’em once and for all. TheSharksaregon-na havetheir way,.
292 I Pice II El Cl. HI Bl Cl. IV Bs. Sax. V Bsn. F Hns. 1 £ 1 2 Bl1 TpU. 3 Tims. ?, Timp. Xylo. Traps Elec. Guit. Piano Maria Sharks The Sharks are gon-na have their day,
293
294 No. 11 The Rumble Instrumental Tfempo di prologue
morcafo
296
297
298 i-bjfi-C' ~~ HI Picc. II Bb Cl. IV Bb Cl. V Ben. —.. _..._____ -— - , „____ fr, _ L“‘fTTTT“°jg~T < cresc. 3^— TZ:ZZ2ZZ~^^S!C^^=ZZ . ,^.~-_____ ———== ...... / СГ&8С. zHEEEEEE5=EEEEEE ' " ^""—>— w ""•• «f —_j.—4—Jn*_ cresc. g, fr gg | | —gg— «Г If v“"""""*"""""""" - у cresc. C?'£’SC.
299 V Bea.
300
48 301
302 «у cresc.
304
TONY ,__________, Riff, don’t* 1781
308 I Pice. II Bk Cl. Ill Bk Cl. IV Bs, Sax Bsn. F Hns. 1 1 B-- Tpts 2
309 I Picc, П Bt Cl Hl B- Cl. & Sax. \ Bsn.
310 I Pice. II BV Cl. Ill BV Cl. IV Bs. Sax. V Ban dim. molto
ш 311 (The gangs disperse in. panic and confusion) Timp. Pitched l>rs. Xylo. (The stage is empty except for Tony and the bodies of R iff and Bernardo) Pitched Drs. dim. sempre
SLOW CURTAIN I jap dim- pp dim. *) Hold fermata until curtain is down.
313 No. 12 Reed IV Reed I Reed III ACT II I Feel Pretty Maria and Three Girls Allegro (J. > 66+) Flute Flute Flute Reed II Bl Clarinet Reed V Bassoon F Horns Bl 'ГГШГКХ'Г;.. TYombones J Timpani ftmbourine Castanets Spanish Guitar Piano Violins Violoncellos Contrabass f dim. ff dim. him. 2L ff dim. dim. dim. dim. —fc-. *t - i Allegro (J = 66+) dim. TTj .. dim
314
315 Vcs.
317 < X J jp А Ьд • IV F1. I FI. III и. 1 11 В1 С1. V Ben, 1 2 zlsssslziz^ el —«= Л 1 > ^LLx-1 ’/ f — - - .... trrr p »,_i_ Д' у Г' "jgr -УУ • -р— рт pjt Д - zzzrzzzzzzzzzz А > > . f w~X2ZZZZZZZZZZSZMZZZ -— ; *« , —.-Гт' zx;zz > Ъ— / * * T • * • * * b —n ? у w 1 -—=*^~ ' ' » "f1 ’ 7 •' Л f"*^ei*i3^*i i ♦ .... * «. ^вяи^?|и*^ • • . , ss i W -ууГ' — В* Tpts. 3 1 ei > >— *= «/ ™ ? *'*5: > 5'*“ «/ ‘ ’ l»....gr...|»...A -* a I** F « .... ™^2ZZZ^pZ^ZZZ; Tfens. 2 >- •—4- X * '□ГК*,'. '.".rL,~~.Х--1-----^ zg;,_X-^S zzzzzzzzzzzzzzz
31 IV Fl. Bb Tpts. Tbns. Cast. Glock. Span. Guit. риг. 1 HI FI. и m ci. jfsue. =# Cb. Vcs. Vlns. I g 1 P»s- cresc. areo > > zXzzz±zzz±zzz д s pizz. eresc. -— r r r r , i i'„ area wgf sub. fa ^XXZZZZXZJXZ unis, pizz. C7*?SC. arco £— —=Ж ^suK ... cresc. .L t^r иг к .. _Jr •„ -f""'": -;- — — eresc. «jf
319
320 1701 ? A i H r" g g c fl CURTAIN | 78] IV Fl. ZXmFT^J—— Ml L 2ZZд--— r ---~ „ ZZZZZTZTZ t ghg 1 я^(Нт. I Fl. 3£KXZ3E=ZS5Sea= *Hi у ' ——— zzStzzfczzxzzz 3 ж « ЬА > fefl ipyf dim. HI FI. д. и l .... fr .zsMtz сжавszzz tkX.. « ' ' ' - - :... ZZr *"""* Z--.;;;;;;„;„„rrrZ "" Ж , > > i wgf dim. II Bl> Cl. --L.m i7zm-r~’ fcftT "X’--* — ~,,, ZZZZZZZZZ" -„„„„„, ._„-.- > V Bsn. F"Ty= 'H""r- wi • ^|r_.-— izz&zzzzzztzz ~ —- — -i zzzzzzzzzzzzz w zzzzzzzzzzzzx » ff Jw I » Ж""’"" F Hns. ТУ-''''"'-’’ZZTZ*5 ,g gl =zzzzz^=zzzz= ====zzzzz: :::: ""' ------- ::.zzzz ,,,,,,,,,,r jy- • • rfl » x . к a-i*) 1 « a aS 1 2 "f" JX M.g ZZ-T-'-— ' —— — — l:::::::::::::::::: : Bl Tpts. ™ ff > 1 3 •~yr^\ "jF" „- fr£ZZZZ^y~:.- /. — : z.z::t:::::zz ZZZZZZZ —' —»—”^27- ж Tbns. g и* »"<, -«------ ИРЦИГУ’— Bt-fc-- J-——22 ' > * ’’*1* » * Timp. zzzzzzzzxzzz 1 - -— -^^--. д ZZ2ZZZZZZZZZZ Ihmb. ff 7 *"*"*"• ff > > Jl Ar w Ctx&L, SD cbm Traps ZZZ ~"""""~ ™ w _- :"" — —.T "' .' т,:::::Д^х |;"""""""||У""""'""~'". ,jz: w
321 Р
322 110= 118 1 Vcs. i Vine. 2 Cb. ======= _Й2 — Ж’ЛМ^^.'""""^...-.— 3 i. . i — —, —. L1ZZZZZZZ : con sord. Як»-- "^""Z ‘ -g ~m~' - =====—”— ZZT” : nr--- — p W ГТ""^^ ~——— " g^aetij^ |IV "~y-*,,,,,...^.g. ц7Г^" J""j] y— —2EZZZZZZZ^ „.„„r„„„„„„„. , j ft у—у : .„..CT7*“ ^----—- ZZZZZZZSZZZ^2=2 —"——JS—— w >L ? — .............. шг................. - |....—»r—=»—— —- — = — --ff—- q
323
324 - -Safety Bk Tpts. Span. Guit, Th mb. Traps I feel pretty, Oh, so pretty, bright! And I I feel pretty and witty II Bk Cl cup mutes — ,,,,,,,,,,,,,,,,,,, p' cup mute MARIA CONSUELO: “I do?" “I am?” What is going on with you? Vlns. Vcs. ---------Safety - - unis.
325 1 Fl. ш В. IV И. II BS. Cl. V Bsn. f sub Maria p sub.
IV Fl Vcs. Vine. III FL Il Bk Cl. V Ban. SBBWBJBS иииии1,^и^яииИИИи* gZ=^g= ю^ииввяимииии •ЛИИИИИИИИ^И^^^В д^ДЦДВИВ^Д^амь1» ддДЛАЯд I^^HI ддад^д ;3ш^^8^япмив ВПВВмнКВ :^^HbSSSS : ip^wFiC sssssBSI Tamb. { Mana charming, It’s a - larming how charming And so pret-ty That I hard - ly can be zzzzzzsszzzzzz —— ,» : [ZZ^ZZ3X=ZZ2 xzxzzzzzzzzzzzzz ——^-— ~ : EEEEEEEE— p——---ss,--^X^ ' ..;;z — — д/к ——Il ===z= „„s-^-,-,-,-,.; r^zzzzzszzzxzzz rzzzzzsznzzzn * «► /•"% —w—- | 7-L““7“^ ry""T —— -У1—-"1F^ — 7 - <s 7- TrTTZZ^=! ''^::::^-ш.—__ * * I ПГ*Г::”-=::::::::У:ЛХ''7 ' ' Д- y- ~~xz “.„П fc~~~~nc-"""‘ zxzzzzT^z^zz; —у— —у <; -4sa"""4——-f-—
V Bsn. - .„JU hmO—i—d W-—#— (p) F— ,".^."x zzzzzzzzzzxzzx^ MMMi HMMMV ИИИИР JHgN| [ 1 1 -— --- (p) ПИКУ.....'.'.... ..1L..2 '.'''' ' "—""" """"""'' ^2ZZ13£ZZZZZZZ " '.' Ж " zzz zzz==^=z== flk: '. ZX^XZZZZZZZZZ ZZZZZ1EZZZZZ ,,,,, ,, / sub. > ’ i> »; - • . . « /sub. = n/ ^ZZZZZZZZZMZ=2ZZZZZ= » Tpts /sub.
328 * 4 Л д IV Fl. —At— "Д —-у—iy—- —LI" LJ 4 •—----*£ „„„„„ „Z- I Fl. r - - । j I ----i—--4--""— ^F^fcESEE zzzzzzzzzzzz^zzzzzzzzzzzzzz ^—'.L ,, _ Ill Fl. rzzZ----- —— Ob II Bl Cl. 4 ——_ — " --г l = ^ . - 1 r— p 3 СШС- J V Bsn- ЗУ к - \ ... g g r .:.J I)™" mi m— zzzizzzzzzzzzzzzzzzzz^zzzz .. — "'. -- ? * C’rfS£,‘. FHns, | 1 2 B1* Tpts. 3 II 1 1 ===^?zz=zr ====„— .... — : i1^""""'"''''''" .w„„„„„~-„„„ ~~ . У ~ ~ ..: ГГ i» cnesc. g:..:..: ,--,---„.зд- ZIEZZ^EZZZZZZZZZZZZZZ p cresc. Ta mb. (-------------------------1---------------1-----•------1-----»-----1--------------------1----------*•----------1----------------------1 cnesc.
м
331 IV Fl. II Bl Cl V Bsn. F Hns. J B- Tpts. Tbns. 2 limb. Traps Span. Quit. Piano Vine. dim dim. I"" ~ pizz.» dim. dim. ж dim Vcs. Ill Fl. Maria unis. fff FRANCISCA, ROSALIA & CONSUELO if Have dim arco dim. arco — - Д /• L- pizz. pizz. iff arco Him. arco pizz > . V ' : pizz. > - A- - ~ J= >
332
333
334 IV Fl. in love, r (pizi J Span. Guit Piano thinks she’s in love. She thinks she’s in Spain. thinks she’s in love. She thinks she’s In Spain She is - n’t
335 FRANCISCA Or too much to
336
337 Fran. This is not the Ma • ri • a we know! «... fe_p-_^gTJrrF? ?' This is not the Ma * ri - a we know! Mod-est and pure, Po - lite and re-fined. Well - Л-ЦЙ-^ jjjp i ..h--r-^ This is not the Ma - ri - a we know! Mod*eal and pure, Po - lite and re-fined. Well -
Maria la la. A com - mittee______Should be or - ganized to non FRANCISCA & ROSAUA I feel La la la la la la la
341
342 Р
343 V Bsn. [Ж| Fran. What mir-ror where? Which? Wham? What mir-ror where? Where? Whom?
IV FI. I Fl. Ill Fl. II Bt Cl. V Bsn. FHns. | «J p * P —p J L ZZZ7 ::: z==== ;77 t 7- p О*-.#... .. — zzzzzzzzzzzzzzzz^zzzzz — а» 77 p 7777^^^^^, ... w............ .... _ i * F a2 , ~~~ -———— —Zi....... / 1 2 — 7—— - EEEEEzE—=—-: - w^. ' — —yj""g-g ££- Bi Tpts. 3 ZZ— = ' ' ' ZS,ZZm --"ttt" p Thmb. *frape Span. Quit Maria Fran. Ros. Cons. Vlns. I feel stunning Feel like run - ning and danoing for And en - trancing, And en - trancing, Feel like run - ning and danc-ing for And en - trancing. I feel stunning l feel stunning And en - trancing. Feel like running and dancing for joy, I feel stunning Feel like run - ning and danc-ing for Vcs. fb|'""""7777777^ ;::. T —— zz: ---- zzzz::::::s*!„-„„„„„„„„„ , "'/**'""" —2 7 .. . .w . ..- —-T'"”--’- ---•• t, к <.***m^. few* .... . X Д-. . arco a. , :^£zzzz7zzzzezzzzzEzzzz . Ц,,,. zxzzzz2zzzz™z^
347 No.13 Under Dialogue Underscore, Tony Cue: MARIA: Killer, killer, killer .... [Dialogue continues)
348
349 18 J 1 > 7 ^2Д~:1-Т_'_'- 7_~fl ! " 'L/.zz tJ J?** ..„AL. ,, ;.... ..r £ z^bzzzzzzz*ftzzuzzznzEzzzzzzzzz .10L..,..g fl..,.,.* "Л. „г:1 ' '.'fl''.' pp Sl.K® ' ' -~ •"""""• 77. 77JZ7Z7777,.7Z,77777ZS^^ZZZ777Z.7^^Z^7777777^77^^7^ ; : "’"""""""'~"“Z л Г . - ...„ :> <». _O> —°’ ' '"^ ~laF~ IhfcSEzzEEEBz^zzzxzl^^^^S^^^^^S ^^fr.'''''j'..'''''''.....|^.^ylu^ . fi"""* ™ 45L* > л . unis. d iy л-—-, unis B^^!±zz:X77Xzzz:zzzizzzzzzzzzzz3zi^zr:zzzz JIL..J-, ,J,| Ад, .„,*,. .'. M я Г П JL1 дн——fl—Fi—1 LjF "Wfl"~*fl"'""". "ff """Г?. 1 11''.у’.','..'.."Я.".."..".А. fl. ~ fi „ > >>». TMi ±>~ 111 II ”''' '"," ... .— “7“= -. .— —^-^^«===^^"11 — _ ---_• ==Ш=^= - _— -Д' —'"' "~— —" ПД^*"Ь ;— '' ~™ ”--•••••••••’ :Z7.ZZZZZ^ZZZZZZZZZZZ^Z^ZXZ^^ZZ7ZZZZ — , .77Tr77T’7T77T""""""T777L^^^.,„,-,,,,,,,,,^ ''^ _ __ _<Ft _ div. . _, J’A " ~Tf>! ' ' '-" -rfii : __ _-»л£Ц- '-:: div. _ ...«рты*» - — <mT 1 r—Z - ' L }L_ JOU _cr~ —<>. _.~~~—~~" — .„7*1*. 77^±^^^ZZZZZZZZ^ Г7^7:777^777::;:::::'' " „Z ~,~,""777:777^
350 г - - ”" - ™ Safety limp. Traps i: -1 - ИЕ_22 „J SD L | L I ) K 1 | 1 «? paK',"J ?'* ^-a enesc. Cue: TONY: (Speaking, his voice gradually rising into song) Not one of them, not anything.
351 No.13а Ballet Sequence Instrumental, Tony, Maria and a Girl Lo stesso tempo Electric Guitar Lo stesso tempo Violins g 6 Violoncellos Contrabass
352 III Ob, II Bl. Cl. V Bsn, Tbny ^=- p p ~T^"' " Far, far a - way till the walls and the streets disappear. crese. Somewhere there must be a place we ca»
353 F Hn-1
356
357 No.13b (Ballet Sequence continued) Transition to Scherzo Adagio (twice as slow)
156J accel. di piu J = 132 accel. mol to 3S9 IV Fl. > , , y—f.—- y- I............... -ф-—------»; t) f . — p »/> dim. jp dim. J Ill Ob. 11 .72 "7 M w— II Bk Cl. I Bs. Cl. г |~ ] '" 'ff Hl*'' • ——— " / —-— =::-.- Э*"" ^fsab. ff^Tdwi.. dim. wjp dim. j? dim. ft. ДияГ 7 м;;; 7,; x;" к;/, < V Bsn. FHns. 2 dim. inp dim. jp dim. 1 fl '.JL.7'.......-' 77::.: i : ? ::::' ZZZZZZZ2STZZZZZZZ Tpts. 2 31 Cel. • 1 2(1 34 Vlns. 5 6 — ~ _ . — .........—............zz: 4£—— .-.w „ — W.' , 1561 accel. di piu J = 132 accel. molto ft |% Д» r -3 •—I ~->7 □tzzJbzzzzTzzzxz * / —— .. « < 2ZT'.".' ч жр ffdim. J . — A > I JK'" " Д Г д 777’?77'''''''''''''''Т/'"*П^ 7' Vcs. Cb. •У 1яр pdim. f .— 3^ m V" л 1*" '^""" " P H> >< ,,,,,,, д,, у- —-* i ]•» ,,,,—f" 'у'""П"""Г'" """""'"'"я—г—— B«,.,j;„JE »F I —jF / - ;—— -= F " •V j» dim. £=*“- yzzzzzzszzzzzz
360 No. 13с (Ballet Sequence continued) Scherzo
362 IV Fl. III Ob. II B^ Cl. I Bs Cl V Bsn 1 B> Tjrts. 2 Tri. Wood Blk. Glock. Vibr. Elec. Guit. Cel. Piano 1 2 3 /sub. C ЯР non cresc (soft mallets) ЯР non cresc. fsub. /sub. f sub straight mute •ST (soft mallets) Vine. Cb. J. ^cst^ fcEEEEEEEEE —- —z: 77777777:7777777^,., tzz у'. ' " - T~~~- —--—7 ..О У 77] ^7777777777^777777777; 7М77777777..777.7..ДД M7Z7Z77777^777777.7777'Z div. * ZZZZZ3ZZZZZZ у -=- y. -g- -1—.. „
1841 363 о о e О ё e. Ш /?. IV Fl. fef r—r - ZEZSSBtZZX^ZZ PP cresc. 1 ™™ / .-—>4 > *<r* ЯР —— in ot> ,y„,^„„„,„„.„^. n J — < =»*^--^------- PT> ь*Пе e~> crest?. —==zx > / ii mci. fe* g y-y t --^..-y---- *—r 1 *-—•»-— Ж cresc M"> f 4—J JRP IBs. Cl. gp % ~ f~— y-^"'*»r-.'..'.!:-kJ.!- ,,,,,, V Bsn. ЯР cresc. A<J AS -A ущ- f COMPANY (finger snaps)
1 2 34 Vlns. 5 Vcs. Cb. cfefce espr. dulce eepr.
365 (finger snaps) Company
366 [W| > > > • * F ♦ *, > > > HI] > > > > k * ft ft ft Д ft IV И. 7.i|.,.7.7.'T7777j| . .L................... —I-- Й-- .1. ... У 7... ""*** . pcresc. > > > > > rhum > > ; > > HI Ob. TF* * - ——— "'& f- Z » fa......| ...y к 1 1 к T jpcresc. > , > > > > . £ II Bl Cl. ""tq_ г I „ .'ij~”~q "."."."."J'Z'ZZZZZLZ .y - jpcresc. I Bs. Cl. -2.. jpcn?8c. • * —,. , V BsiL Z ZZZZ -—t ,.'7-^77^77777ZZT^Z~t |. |у7Г7::7[;777:д.:7...; -- x - -• F Hns. | (mutes) pcresc.* * *F £ jpcnesc. > > * * '•AS v ! •A open «► w » 1 ” Bt Tpts. (straight mutes) :»y 1 rq ~ j j-g q 2 3 zzzzzzzzzzzzzzzzzzzzzzz zzzz~ztz z;. 77: —--- ,-4,.„,:;:„„„„„,*r.i z< y" Л > * > > * * > *»p stacc. sempre Tbns. .J ZZZ 2 ' : .'.... Z777"7.. ~y~— ^—... Timp. Bongos: Pitched Dre. Th. Susp. Cym. Wood Blk 7У ; - - =ZZ^^3Z=ZZZ== '—> 7. -""|r-:""""""""| - "w . ..By... fr » 777777- •*S - » n . > J"""1 » III _V - 777.7.7777777'7 7 7 7 77.77 7 7 7 7 7 7 7 7 7 ИГ 'У I 777:g;-~7TF~»' Ж" ' W 1 ' Г "‘ W К Dt ZZ Z ** » *» 777777777»^^^^ J ~ = T . П J 1 Л 4 > *• 1 > ’ ¥ ’ Г fl .„=„7777^............;...ZZZ zzzzzz=zzzzz ..ZZfS' f / / > ъ Л 5 ; » Л-Т—Л- -I—Лл»«ь * -У--Л у 1 J J T *' h, Jb , 111 4 f
IV и. Ill Ob. II Bl Cl. I Bs. Cl. V Bsn
368
369 No. 13d (Ballet Sequence continued) Somewhere Adagio J1 = 72 A Girl 1Щ Reed IV Flute , „——— Reed III Flute JZZ „„„„„„„„„„„„„— Reed II Bi Clarinet 1 7~7~7^7^^777Г777:7:"7:"""':' Reed I В!» Clarinet zzzzzzxzzzzzzzxz: . . Reed V Bassoon w . . . ............... .T. ....--. . . . . >.< ц,... ... A 1 F Herns 1 jg; ... ZZZZ ЯР Bl Trumpets 2 3 TYombones g 777^777777777777777777
370 Poco piu tnosso
371
373
374 No.lSe (Ballet Sequence continued) Procession and Nightmare j
и 375 «4 IV Fl. ♦J 4 i*U ..] | l<U - 3 ^==^z; mf zzz dim. Я я 3 z л S rts I Fl. nh- д •*"""* x . ... ' 1 x Tb ОЫ •e ....т^--;— «tf ЯР /7\ Ill Eng. Hn. im. ff nr ..: : - ~' ’~~---- ZZZZZZ3Z — —------—^w —I ' ig~°—— 4*Лг» ft— ЯР ,^S • 3 2.. я w. «. — « 4» & J lari net II Bl. CI. flLWffJt*' P I Hr;77X7.. ...- 1 T”"™" - ' X™ ЯР dim. V Bsn. ^.*..^g"ia [,.,.... zkzzzezzzXzzzzzz nobilmente t ft д 4 u open " я _ —«==: «₽ =Z_ 9 ' 9 jy dim. " - f7\ 11 rat ff , ,, ,zzz XTZjF::::: ;t' zxzzziesp-——; -^F- 4-— ••"Jj — ..-—- —• — BkTpts. pp == »/ z--=— /Р dim. ppp m II д^ж^1д:,:,г,&:»ир* __ —Z. ...L— """* L--. """Г" ~zz Z'±ZZX Tbn.2 Timp. Tam-tam \tl P (str jy aight mute) 1 1 4f ==- । г ЯР dim. 1 Г m ЛР E ’—®= ^==z__ dim. — - - 1—J— 1*4» \ i Й 7 * wgf z=s=»— ——5-4-J JI ** «№ ftp dim. 4* s ...Z^ /74 e V. ! c Chime HML ...—— ...-"- w~— 777 f- •"• " SpX777717'....^F———7^ ••)•• ^”"77777T7XX7X :z 77777....;.^ ЯЧР «V ~——— ЯКР dim. There’s a place for us, There s a place for us.
376
V Bsn. F Hns. Allegro molto <1 = 152 377 J = 138 J = 120 a2 IV Pice. I Fl. Ill Ob. II El Cl. Я*'W । -4—j .. tf , -2E jf f- 4f ~Я4 1* *^^*g-j4.z.z. TZZL 7Z . V '"-2. molto <L <1 <1 L <*« M-T4 JE d •jf mereotiss. » » *-4 > > fi ₽ Off -f- t ~""**l'l^ll'b‘‘~2 jg"M"rL:. .4e„„„„| l/— | piuf iiiii-st * mote •ff marcaliss. 3> 4 > ^***'_ 3* > f - - ''' """" '•..* M iy HZZ ЧТ;''"' ir'zi Г W ptitf ...-Ж?---------тттгИ «г:.:.:.:.' • bg -—^molto ! лг tu, IJjVR ffl jf marcates. > > > tJ pitj jf - molto ж =— «jf marcatiss. , ' w w .......ZZT^—..... ...... Z-.72.77 '. -^^2:7777.777777• 77^x7277:7;;,;;,, - -tz l^l:E.:Lr/ttZZ^ Ez:::; .^^- 1 '' — Tbns. Bl Tpts, 2 Timp Xylo. Traps 4~ "TZZZZF. -. ZX77777Д. ,, Г ,~?.ZZ ** /Н-бдГ 'Л..М....Й... Lb molto j A A “1 71 T > РпЗр» ter mrircaf/.s.y. > >1.» 5-b > > JFly^lLfr —::r;.. ^-~z:— .....'acHgf—f* -^r r > ^,,.,...-.iat.. ---' Ж 1, । A open «jf marcatiiis. •"' ' ~ ^—— z_ 1 _ 277777 . 11 -w--— ;<h~: 14 -Пин-1 ,,,,,, SF 277777. iiiii""~Z. H1*1^ h # open . > > 3>5-k > > ИЕлЛа., —’:: ’"""TT"" ----Z-ZZZZ 2 ; — uti^..s...-..'.7,,iy'''^[:'T ж 4 open > > > >л » > ——— m7777 " — «^""". — 1^ЧД''""7Ж"'11ГЛ1' '¥ 1 — "'-"7.7 open # marcoftss. > > > > > 2_ *** L..:~.| -i Г •/ —~ J- .; :::::::;—~ ' ..?? MpB -*4——Вв* 4 < --• ,, U,...,;,;, — > > ж iff marcatiss. £ zzznzzzzzszzzzzzzzz > I n ii"11* —- -Inir iiBg — "777"77"77- ...lu. . ,'~.7:::: *"”7777777777 .: " 7.C:::::z—77-7У piU f itx TO molto Jf Г7. Ulf SD>exsa * t и 7 •—- - ?' ~ ~ Ж .Й. ^7Zz^,,,,M,,,,,,........ZZ" --- .. 7 7 77. —Zzzzzzzz- Elec. Guit. pia/ Piano 1т...я....т..^*ЪА,,,,т~ит,п >.; 7 -—KI V kJ£”«- ~ fl F yMEZl'l .3 —^z: —- Ж - ftyf fr.; F „ piitf 2^ F-l эийтойо ( J# ,/•*-§^.1 -Z7;;7:,,,,,,,,,,,,-,----zz: J7...z:: 1, , Ml1,!! Lzz 77 ..........^ . ZZZ2777,,,.,- ^4.. BB|..<|...|ji7ZZ|. ;. „, —7777|d£-....l. ...Г-2Т 1 1 „ ; Allegro molto J = 152 Cb. Vlns. 1 E ж af mareatiss. рш f molto •jf man-atiss. i = 120 Piuf —= molto •jf wrata. •gf marcalm. 6 71 Vca, 3 4 piuf piuf ff •jf marcatiss. > > ^fntarcaiigs.
Timp. Susp. Cym. Timb. Traps jfsub. »>>»>>»» Ж > Elec. Guit. >
379 Т
380 1 Иес. V Bsn. 11 Et Cl. Piano
381 55___ > ft I Pice III Ob. II E<- Cl. IV Bs. Sax. V Ben, 1 B'. T|iU 2 3 Tbns. '2 Timp. Susp.Cym. Tam-tam Rano 2 Ves. Elec. Guit, 1 2 3 4 F Hns. I Vlns. 5 6 7 —IIIM -y-ggs—y—. •-r---t-*“ """F fex.-u}. f - >y.— > Э>£4 ж > у bft~> > ? Д"' "'"fll ' f' ' ' ———f—— ЧЙ*Ш J fc ЯМ—y—y~^" ,, -Д4.Л gfek- . . Э>-^ - »i,g » i fy P p :p. rjr*ft -- — ' ir r~~i Г ZZZjtZZZZ_!_?Z_7ZZ MHHM - ftu “z: > ft*e ! z . 7 Ц "k’-y—ft1 К Z g ---——-—------ igz^zst^taizzzzzzzzzzzz '""'1 iTj” ж . ..^»j...__^ > > > > *. i5t> > > r > > ^fcZZp|ZZ^BII^ZZZ3EZZZZZfcZZZZZgSEZ_ZZ —J. 7 ~—y__y——TZZXZ 1 Zf :..2....:2~~~ |_3|^7р77|Е77а7_____-.-_-....... . . . x• • • 71~" 7"'"k —।— --- UZXjyj - J-""g *> 1Л a2*n w iF r CJ?--’' aS _ *e*| O’ > > > > > >k p_> > Л. 7 —Х'ДДг—— L ЛЧ A s L k »—^> 3%-^ i 3 yp У r > > > > > > xX— PT I . И. W R- П 1 1/ 1 • -F F 1/ t "f1 1 1 -j Ч 1 J} ?—kt' г _5. у wn у 5 h|- . .J J 7 L/ r T J— _щ 1 1 —“ r —F 6 ’ * e=—H 1 — Xf < 1 ehU— > f. oM > 1 _ >_ » । sL > fЭГ—- ’' fit.8 И ДД-Ч 1 - ’ N 1 П 1 ' .Ж < 1 ! W W №. < —— W W --- 'C - — □Лу —’ <-*-- W — ft 1 S5fcHm-'X I Ji J Jr 1 йО- > J. 5* г * Jff : yfX-. 1* Г Г Г ” > > > > Я Я ляля n Gf-fr a—г г Л.&Й r z J т _h .fc i > > >_ S' Д > > *та* л , > re дг - 3?м > ,» l5-~x- > » мде .L "• Ъ- П . hwJ. | J , 14 _ —z—hw- -M—♦——a— -1 7Г—tt—M~... -i Ю ВЦ4 к..-ИИ__^С_1И tf r J га »я* л .11Я ь Ь S Д F! ~ *r 1 1 т X > > > i, “t— :%ч W—i 7—, -J»—w ,— —F5 r • 4 — » —— ' Г'ЦУ *> *~ — - •—1 1 1 " L R A 1 *> T»A “ u - 11 A lip'4 > > > > 7* :: I? * .'S'*'' дх1 я * ‘f T 'fcgd "-у J J 7 J1 j y—y—jT ZZZ7_: Z:^.7 '^^.... z^__ -x — xxcizxzzzzzr: > » > A -> 1 Ji™* .a bs > > > 7 Д--4— - — > * * > ______ > * SD >»-| \ *я-ч » > 1 >МНКЙ «,- ~~~мг«--у- a wi д: . я , 'Я..'. ^ rf1 я-я :z2g?::::nzzz....^777 ‘ TDp BD > > > JXf ЖГ Я ' " I .. —ggMJ. — " :/ .’zrzzgz - ~ ~ — ft >£l£ »b£ > ₽H|£ > э>-^ > .> 'b slit) •£ Ml IP* A<l. Д 3 h:> । Д=t Ha Hr~ | ТРЙ^ >|’s Fi ? > *» > 3>—w f p ,,ff ’Я”’Y" " f - - »fc :.:.: 2071 £ JL |K £ .11 a|.|_ Atu., il AI-i-j AtU. .J /Г1--’ Z*11- Ц «А A'ttt Jj Af-W- Atu- еД Aj-X Atw j£—p rrl J---| к i, Ы7 s,-^-k-i - - Г7 л р“Ь * 1— у [ у—^ss^----i'''''''''"‘ J * |r F <! *• TH f m If >k_ * * ^’7 Jff Ь/> - > > ьХ~> » » It) ft’ / > > > > X >y »ir IftT? f f > i > L^-x > > _ J|. *4 F_ r > X n yy j|p.—1 fJ* p • 4 ** * A -7—F--——7—"»’ ж. .... *> *» > ие^ 1- - ’Z~~ Я F JQV i > 1 > k*— -. > > >*.„„ ., _.___.с......д.с.-__^__ _,,__ g"— 8Г''' T *. ...-F > * » » > > * ff* > > > L k 4 » □ааиаЫ-'Т"" — iff 1 ..> > >— > > r> »
382
!217] 383 I Picc. Ill Ob II ЕЬ CL V Bsn. cresc. eresc. cresc. cresc. cresc.
385 I Pice. IV Fl. HI Ob. Tbns. 34 FHns. Piano zzzzzzz=jszzzzzz:zz: ———————^- " —’— .,t.,.M. ... zzzEzxzzpzzX^zzzzzzzzz .. — .L/1 -fa fa fa fa L— » >fea~gT'— p * • ------ :::: —' bb^.>———— . . — ,"''^4'7‘77777;Z'?.'fa fa У~— ...........1....."Z""ET::::2Z.! " 7 ff » >b gb^-y*~~ > Otzzz^zzz^zzzzz: —И fa fa-1..-.fa- fa -""-g— # A<W» ЛОГ Ж' “"""' w-~——-—— -—-»<- ; .? fa ь т-гу ™ynr-ГГ ,,g — 7П'7,Ь,,, 2Н" J > Г > AW* Ж ’У yt'"" u -J —ST—2Г--и. Л „" j .. j । , j j - j. . ,j J^J, J j .^.-J- y—^.^^..^. . r. jy- ‘ > j№f Lfi .... „„ . L l , ; a2 ,-g-^—*] _^,7 g|J7.zij -гятyg<ri<,-<r-'- ХЖ.Я'; Д^"УГ^^ЯГ_ /Л a2 „ > > AW* Ж ДС? fa.'..'.'' —”"y"""fa' —Jr —---- -.. -g-^ fa . у — — 1* ™ fa fa 4*- •> ' ж ----^==L_ jxf Solo >. Hi£.L_ „„,, -''~M^7ZZ777,,,,,, „; —^ .:. ““—............—, — "":T— »» vqr± »-f f f g- f~ t~: p- j* _ig-g . g g r g l *T Г Г Г r •• .^., ,k... Sfe4J4... .< ^~~Г~...'\.. > jXT F“FA m - ' 4 1 --i SO *L * » > > > > J№ > Ц77777;^ J777Z’ \~LjZTZZZ 1 11 ~~—Г"""~ “777." 7 7 1^7"""""'.^ У- v * ^□асм-rf - —q ’ ж ^^У"'""""'"1 jtXF ж ж > ) -ro- l Й« 4fag »g Lb-».-», i.il_ t _ ж S—ж- —..г. IMB-. I 1 j Li»J J Xu 1 1 1 L 1 i 5 1 I 1 1 1 LumLj" Г Г >
(233] Tempo I (Adagio) 386
387 IV Fl. 1 Fl. II Bl Cl. Ill Bl Cl. V Bsn. 1 Bl Tpts. 2 3 Piano 2371 241 жС 1^,,T7, =Z,,,,,,,,,,,;,,,,,,,--..^;s,^^^^^^. .... dfe1. .l 7 —-2—. !.... —— —— wjf espr. A < “—"""""""""""""""""""".-"""""""""""""""""I-""""-"" ttfespr. » “““— - : —: “— —=— *lfesp:r. L^W ж ... j — •ffespr. — ' Jrl": — • • - • -W- -— - . - - w...— - ,.fi« Jfc* -— 4*0 W - —• -* ... — - w . —- - --- - ~ MARIA Somehow, TONY Somehow, Hold my hand and 111 take you there Hold my hand and we’re half - way there. 1 2 3 Vine. * 7 1 2 Vcs. Cb Д11 i L / H 1 H 1 * i и i t . I I | I 1 || | 1 11 I d» 'Ж crgsc. cresc. — 1 | £ ._ Я/* unis. •^espr ЯР |HU-eb,uuuuuuuuuu|uuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu.bw.uuuubbuuuuuu....uu..ub.»№^..uub.uuuuubb«.™ ; - у Эdfezzzz: r .МИ ... JF®' cresr. д *gf espr. JF cn?$c. „^^wr^'11''''...-^ - <<Kf espr. »— - f.-fei ZZZZI^ZZZZZZZZZZZZ JF cresc. 11> «1 я fespr. "1 "" -1 "" """ /> cresc.
388
389 No. 14 Gee, Officer Krupke Cue: ACTION: We’re cruddy juvenile delinquents. So that’s what we give ’em. Jets Fast, vaudeville style 'jFmpre aim. Violins Violoncellos Contrabass 1 2 3 4 / more.
390 П CL III Cl. FHns. Tbns. IV V jp sub. Etec. Guit. t>sub. Piano ACTION' (last time) Dear kind-ly Sergeant Krupke, You got-ta un-der-stand, It’s just our bring-in’ up-ke That Safety-- Vim. Vcs. 1 2 3* 6 7 Fi l«P вК ^И'ЯШ : If .’шгвта I 1 _ МИШИ— —К — [zz^zz^'-J'''''''''1 ’ -J -*4 fisub. 0 —>— jp sub. j» sub. LZ:'.."1 p’ — г ~. — —Г_ jo sub. =+ У Г У—ч 1 “ у “ £_^Т j . ...... —- ]T''''' Tfr -— p Cb.
391 IV Pict. I Fl. II Bk Cl. Ill Bk CI. V Bsn. Ttaps Elec. GuiL Piano Act. иг / > gets us out of hand. Our mothersail are junk-ies, Our fa-thers all are drunks. Got - ly Mo - ses, crest. F Hns. 9 у ... ..y' —у— ———— straight mutes Tbns. 9 . Jf JT- -Г- = : = 17 Vine. Vcs. 12 34 5 6 7 1 2 «tfafi i > cresc = 'ruuiw - 7 ZZZXZZZZZX3K” «* cresc. h J' 2_' W. -.!(!:— cnesc. arcu l ! T ""' “E’sE’SSS; ,,,,,,.^.. rzri ccc c.. 777 -4“ tp* i cresc. * Ip bj. - .th. h._ LA> 1 V В L- _J cresc. " I =±= 4£ Cb.
392 natcherly we’re punks! Gee, Of-fl-cer Krup - ke, we’re ver-у up-set; We nev-er had the love that ev-’ry
393
394 IV Picc. I Fl. II В- Cl. Ill В- Cl V Bsn. F Has. B- TpU. SD. BD Act. good Tbns. 2 *tfbriUtmte "*[ ~ T" ^Ш777777"|Г- "’ ["’’ — ;- .7; 7:|..:.. p' 1 [ J- W"1 "w "~дГ • • • • ft 7 '"X^zzzzz | Lj --“3;-- •jjW7bzT::::xz7777777... —1 Tj ' ->ss- - K. 7 !!!!Ж!!!;' z^xza|£3£3ftzz^zzz „.7....;j2;;-T7,m""F"""' wyF — --.: r?,,, ; — c\7c.z^izz7zz...l... г 72 ~"W~~ —X-,„ „„y—Sg„ ,L 1 - нУ' ' .gy ЧТ f 1« « . . "Zag—X/ MryRT"»" fa ., * ,., , , , zzzzzzzzzzzzzzzz "•*rr*—- k* — ..71... .' .FFF' в* — -лН2!!!!!!!!’Гу— 1 " ' *tf 1 1 1 1 д; 22.22.: — • a, Hfa ь .7,7:.ж~~7" F T • (gr * k '-''"'"::- - "7 77 7..,,,,, ' 7.7 Т7Г2777Г2'7'"”- -""T'-7 !..!..!..:..;..!..2T22777"***“ -w--- fl- г ДгТ' ' т :~™EE=“— TT227Z —•---“ "—-"-""""""ig' " ZZ ,,,MZZ , ^jFlry^y^ —t. zzzzi: 77 ——— -2 „,a "'7''''''''''~JEZ..... !? Elec. Guit. IP Jets 1 2 tins. 5 6 7 3 4 Cb. good. Like in-side, the worst of us is *&wSr~~#"^'''''7.''.. X-----ZZZ г-— 'Г ' 22--^№77—“У“ i;2.зы ~|jfr '~' -fl 1—ft- wt faJ ff .*• good! There is goodtJ > > > _ There is optional un * tapped good. Like in- >., > 1 > side, the worst of us is SREdrzr^rEE .. 2 2 - > 72! .27|2"тПН 7 - ПТ !!!!!p7!!!T—'|2S' 2 „ !i .fa- 'J"L*"""""""'-"''72 .'1ft 1^11Г'Т''"7д7! .' f\ rf * ! good! optional There is good, There ie un - tapped good, lake in-side, the worst of us is <c f* h*. л k* Iff* Д b* _ к*. Ь*- й*. Як”8 2,,'"T ; b-—— 7 "I !.. 22/--fT-— • jjp8u6. flL Я *Й" '—-у«fZTZTXTZ Г7 1~~ .^rj.,,,,,,......----- 2224Й2 Д» """'"j""""","j 72.21 ::: ksg*'"""" gW? 7Z7T'"' ,'ft 1 Е"!Ш — J> w6. r div.XuW--r*^“^“ ; ! j 1 ЧГ2.! 2 2! fcy""777"'777' - Г fa-177.2.;;;; ” t : j> sub. I 2Tt22!!7!:!!!!!!!»j*!!!!!T22T. . М-Р7=7:,,,,,,,,,,,Д^7Т^ ~~T I,» .... Ж I..!..!..!..!..!..!.'!..!7t..!7.!!. ——" 1 — • Jr ' 1 arco *ЖЦ>'4ИГЙ У fa ^fc77i7 7 wf lu, ' ' \ if"" 1й —' —ИГ-— 4Ы—^-1-
Cue: SNOWBOY: Just tell it
396 Safety Elec. Guit. F Hns. | Tbns. I Bi Tpts. | V Bsn. Traps » sub. IV Picc. II Cl. Ill Bi. Cl. т ——" —- ^^ zz - . / .- Д —— ' Tjyy r FW — —. Z..~ ZZZZZZ jMi / * zlzTzz.i _ "... —— riT— J. Л T.'TZZZZlXJZ -г ft / j? sub. # » *J "" -—Ь MMliy1 "" —-k ~: ...*«. y----y— J , » » > »>>> fisub. L- =. i n - Г zzp: ,, • , " "zz"""" 1 ,, - —==========: f> sub. ACTION (to DIESEL) (last time) Dear kinddy Judge,your Hon-or, my par-ants treat me f p sub.
397 II Bl Cl. Art. crcsc. V Ben. Tbns. Elec. Guit. With all their mar-i - jua-na, They won’t give me a puff. They did - n’t ......." J. cresc. cresc. ** •••••••••• I' •*' 1 unis. T _i ГЦ 7 J n cr^sc. ZZkZZZZT^—- .'^|Z?.7.'7.77^77777777777^777^77777777777777777777777777777 -: pzr=zzzzzzzzz^z^ ^rz^zzzzzzzz^= f „ —L..= if i Jy— —_— cresc. Ц* . if i л •cresc.
*ip DIESEL (ae Judge > Right! Of - fi • cer Krup-
399 >
400 = /
92 №1 401 IV Pice. F Лрагг^ *^6 ^6 ~ ip Jy ““ p I FI. —“W - F f mare. ^^4 II Bl- Cl.l „ ,, ,|-| ZZZ^XZZZZZZ^ZZZZZ 4fc . F f marc. III Bb CI.| g if » F f marc. , > V Bsn xztzzzzzzzszzzzzzz: F JT - molto '> f marc. a2 > F Hns. 1 г:7Т.''.''.гу'.#.'ж'''.''.''Ж'77: F* “ > f / mare, open x 1 3 - BlTpts. 2 I..:::..:...::— / mare. open *< . , open by,» ha* «в / marc. > 1! Tbns. k.. F molto = fmarc, [ > 2| Ъ Л, > jf marc. IXtxLvl ic L SD «< Г 1 7 * ir 7 F “ J 7 1 7 J 1 1 J $ J *y J T J 7 J Traps i * Г т BD > 4 4 • к» g« /' Elec. Guit. Wre dis-turbed, Wre themort die - turbed, Like we're psy - cho - lo-gic-’ly dis-turbed.
402 psub. p sub. Piano Vine. | Cue: DIESEL: So take him to 1 2 Vra. 3 4 Cb
p sub. ACTIONS to A-RAB) (last time! My fa-ther is a bas-tard, My
404 V Bsn. 119| III Bt Cl. /L Ьх- :._z::777:7777— ...; — ' . zxzzzzzz===rzz: ^^" 7 z^rrzzzzzzzzzz ," " ", — j£«PK-|» =— „..„„„ *„„„„„„„„„„„„777 '—•-----— » .... ...^ --STZTZ-.-^ zzzzzzzz^tzzzzz: :— *—- cresc. cresc. Act. Й 2 I < -Ур tr~"P P""*g"| ma’s an S. 0. B. My grand-pa’s al-waya plastered, My grand-ma push-es tea. My sis-ter wears a [119] ,...T '''''''''''' 3j eresc. / Vlns. | — —5—&—- *!• T - nJ “t J Й s » CT€Sf\ 6 7 *7 '"^ —— tf ^-^"'-— _T - Iirr^ ,„„^„„„„, ШИШММД— Гт трис: ™ IP ’ # pizx. unis. jj# 7 » if# 7 w cresc. Vcs. 7, ' —"Tr ,,,,,,,,,,, —у----------;-,, ^„„„„„„„^TZ: zjzzzzzzzszzzzzz: <Ц« ,L._ (H# eresc. Cb *7"g[^2^"'"‘‘|’ ' cres?*^*
405 Piano A-RAB (as Psychiatrist) Yes!
» Elec, Guit. Of-n-cer Krup-ke, you’re real -ly a slob.* This boy don't need a Cb. Л i - F1" 1 1 - znxdEzzzzezz Ж Ж 2Х\ p O-rtrfc 1—4 .F-Щ-зи 3>*" ; Л, «3 ’ ’ * > p —’ • ЧТ • У Э*'— * -> ZZZZZZZZZ3SZZZZZZZZ^ л ¥" u f 1 w > -4 - —' " * — --Й-- У Ц|^7 pizz ft ft > jf. .k 4-Ki..— -4~.. .7..
407 И
408 IV Pice. jw , . V-—1— = J gHt 1 iU Xmarc.^ —52 .u. 4^ 1 Fl. >""" - — „„у,„„с. М,.... Ъ. Г WnZZZZZ-- » ' ' 'J~“- fmarc. F“ «< 11 Bt Cl. H -1=JL “S'111""""" MOJiO 11111 ^11111111111111111 1 II ii Il . 1 3 |«l 4 ,?i з fmarc. Л Л „JEp. fr.±.p....~. Ill Bi Cl. - •{-"[ - —д 1япч1Ч1Ч1Ч1Ч1~ччги*|^уд«‘«др*> и и и и и и и и и , и u„ и и и U 1 и и и и и и U J и и и и и 1 и и и и UIU и и и.Ill,и и f marc. V Bsn. S.-------------^ ZZZCZZZZZZZEZZ^— F Has. 2 * H> > h-<F < > —ggiiiiiiiiiiiiiiiiiiiiu a 5 * / marc. 2 , _> ** * /Л 1 и • ♦ MMMMMMW op f marc. tA. A 1 Hi* I------------ Bt Tpts. f marc. 2 3| a2 open ~ - X marc. > > Tbns. -,., zK.zzzzxzxjbzz^ — — — 4f J marc. Vfe, are sick Wa are sick, sick, sick, Like we’re so - сто - lo - ci - cal - ly sick!
409
j> sub.
411 IV Pice. nKzfczzzzzzzzzzzzzzzzzzzz TZ. .7ZZ7Z~ 7 - 777::::i —- 7777777777 ZZ ^7Z7^,„^-«—,,,, zz: 7 \ .-^-’""7;; /- I Fl. - ~7" . zzzrzzzz=zzzzzzzz 77'7777777777777777777. - - " '" - — w ПИ» —— ZZZZZZ=3ZZZZ=Z=Z Ш II Bl Cl. | .... if 7 L ,„„lb > — rt^~';^Z7*K777J».A. ••7TZZZ < "f""~"Z7777.,„„7 7| ^--••••••••••••- ~ * -гт— -—; cnesc. Ill Bt Cl. Ю....Н *—•— " “ tyaf H— '. K~:—? .1 • :z=— -Л”” ' ' ' —J— L kflj i<F 3 1 cresc. V Bsn. njf "S 1 77777.777TZ77ZZZZ-. 777777777.7 *>"-'"7777777.77'. '77~~'"ZZZZ77..TZ , -_„Z^ 7777777777 . »77 ——•—7 7777777 -W'777777 — Bl, Tpts. Tbns. TYape Elec. Guit, Piano Act Vta. < p crest. cresc. cresc. buck. Like be a so-da jerk-er, Which means like be a schmuck. not I’m an - ti cresc.
412 on-ly an-ti work. Gio - ry os - ky! That’s why I’m a jerk! BABY JOHN (as Female Social Worker) Eek! Of - fi - cer Krup ke, you’ve
413 Elec. Guit. V Bsn. II Bl Cl. gptft - ———- ......g...... -—7 - T..... -7~*———7 ZZZ. '""”7 — p — -Efi __Ь SL- r 4--:^ p *£- —... ’ :ZZ«— —————— •°fr V ь_rV"— p " i*E cresc. ff i У-- f---— *."'ГГ'"П""""'*г ~~ —— .zzzz* ———; ------- ~ZZZ3 --^W-"-— ZZXZZ..JT"": * •~""К"'"Г T*) f 3 p |r*— ''сгезс. — zzz . zzz: ... zy J ZZX- &ZZZL straight mutes Wood Blk. Piano eresc. done it a - gain— This boy don’t need a job, he needs a year in the pen___ It ain’t just a ques i 3 4 Vlns, 5 .——— m?.Z— — У~В<^7^===е ^cjneec. ^jr™:'.,..| gB^^zzzzzzzz,,, Lirr— ~ —ту* #Г 'Йе 1 '^cresr. ~""7 z -"'- __^,,,,,, '""""Г ; .1 / - ----- : IX" z-_ - —-. .. . ...,- -— ; - —-* елеяс. 61 7 д-жу". : , ^ —>-—— ZZIZZZ.ZZZ.,.,,,, 4 ~~7^ zz,...m4 ;ZZZ zzzzzz ZZZSL ::: 1 - - -—-Ir'"" ~ - у—IL- , ' НЦ— ,mi 1 СЛИС. 11 2 Vcs. 3 4 №|n — f* ~ : T z ^ — _.:: 1 J> - - '"У—"Ж——Ж—-—.'.’ jg "".2X erne. F_z - -I? .——I Z~z :: :i ш w к Cb. cresc. • "У 4y “"T*"- - - b | — cresc-
414 I’m no good! We’re no
IV Pice. I Fl. II Bl Cl. Ill Bl Cl. V Bsn.
416 II B- CL —-ar— .....J........... — III Bi Cl aOA -~^=> : ЯР "" ЯР Я\Г 1 B- Cl. *!^L_ V Bsn F Hns | > X > Л a2 > > > £ *ди Лг таи jFT* IlLJI — — V > > > > iW f » » ж straight mute '4— 11 B- Tpts 2 31 Tbns 2 > > a2 ?‘ ff ... > > > > * > > > ". ' ...-.J.;.’ Я straight mutes Я straight mutes ЯР ЯР DIESEL {as Judge) The trou - ble is he*e era * sty. A-RAB (as Psychiatrist) The trou - ble is he drinks. BABY JOHN (as Female Social Worker)
417 II III W- Cl. ..." д z; — =д ^^^ — '...—; m—'zz cresc. g^zzzzz.. z^zzzzz=zz=zzz =±—— -jT-T""""* ... — "-..1 „2 ,L zzzjz-, cresc. lb .Flute 7 T~Z' 7 - Im""7 7' ...... p’•‘“‘‘77. -• „„„„„:. ..- „ •~1 lrj; — cresc. t a2 ;;; — 7 cresc. ••?•:: z.^Ezzzzzz_ 1- .7 PftZL •fc.g'" y-”-1 —V — », L -— t ь —22Z .—— Ui flu_ * .^^V" i —- : ’--в 7П-- --—- ZZZZZ-^ — ^ZZ— л # it.j - cresc. -"•¥""""' •••• ttf Zb-— -z ====ZZ3ZZZ=ZZZZ ''ZZ7TZ:..- - 7Z77L. ~ a ,: ht cresc. y/ziF..|| 7jL,'' ZZZZZ. t — : a.ft-— 7* 9 £ :::. ' 7ZZZ7? /.. ' 'T В>-С1. I V Bsn. BtTpte. Piano The troB-ble is he stinks. The trou-ble is he’s trou - ble is he s la - zy. ДГД<- if F '.... 1 z:3 ... J ..7zzzL.j,i. —?""""'tMf ; Ml"*" .....' *— "" *f -afc.—» д| 7 cresc. дГ ^#--"""'"""<1' t —. . . . fc » fc. "ЖГ i i i i ж. П -~7~' , ——-Г cresc. •Jf w g »,' " .——. a- ZZX—-___Z__ZZZZZZZ— - д"""" ...s=asssjis^' "'""" . 7 T ' ..J unis, arco d <r \ ' —- J**' Z'.. .. Bet' -Z—: 77^ I..,,,., —— IF cresc. Pp —- T'""zJ ш— Г7. . Л—zj -X—zZZZC" Г cresc.
(flutter)
420
421 No. 14а Change of Scene Instrumental Cae; ANYBODYS: Thanks, Daddy-O.
422
Adagio Л= 72 423 Tb Bass Clarinet I Pise. II El CI. Ill TW Sax. IV Bs. Sax. VBsn. ff Xylo. Traps Piano Bl Tpts. I F Над. | Tbns. | DTpt. Ш 7Z.~7^77~77.~.™77 i 7,; ;,T Л 1 . > ** ff „ > lb Bl T limpet /Л C1 aS > ff — /Tv <Гг Ц- IMB "« тй I ff /TV '*^SSS -Й-ЗД 7 — !> 5555^^55 Е^™*55 ff a ' * i— — » ,» 1 :: = 12 34 0 1 .t: zfczxzdz^ifcixzzz । $ k> у p p :|fc •:jHv 4 Л\ 1 > -ft > к*Я* F Ц *> di U л 2. J J 1'11 (.-T| JS > k> & .-E Vine.
424 No.15 A Boy Like That and I Have a Love Duet Maria, Anita Cue; ANITA: And you still don't know: Tony is one of them’
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426
427
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429 •Р ......= And he s the boy who gets your love________________ And gets your heart. Ver-у smart, Ma-ri - a, ver-у
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431 Anita And when he’s done, hell leave you lone-ly. He'll tnur-der your love;. He murdered mine.
432 V Bsn B‘ Tpts dim. Elec Guit Piano Anita Just wait and see, Just wait, Ma - ri - a, Just wait and see! * MARIA jfmolto cant. Oh no, An dim. An - i - ta, cresc. motto Vis. 4 Cb. fl 2 3 1 2 6 7 Vim. f V *1 fl у fl -:: £77777:~ j ...'.'* 'I""""""—;;;; f ..^.......M.„ •Г 3JF^ V fl V fl — dim. L f*fl fl v « > sub. enesc. n-'-m Йт/*-"4*' p, , -. ’--— Г~~ 77>‘‘7; '""" -":::::::::::::::::17LZ77 ; 7" < д .~ir— " 'Щ1*' '»' r W'"'"r''W~~ tl _ TT __ U ПЛ Я w ' pg n .. .. •gT dim. J flj R ._.. .X” ~~~~ JP cresc. •J . 7F arco dim. - - J fi sub. t pio. ( - г - cresc * _T ~ * :F1L:: :..:..:..:..f .....11 □,.... ;; “" „„l-,^u,Lzz: p sub. рж x cresc, arco dim. J''''''''''''''' J T. : 1 7 ill „ .1 ГТ T" - .1 , 7"-— •uu7ul7u7u7u7 . Z ft sub. ₽>» , i i cresc. I zz arm. jfliA-gi 1 Г J —±~ = —T— fl 1 — -"- .................. --._ cresc. *9 sub.
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434 I hear your words And in my head I know they're smart. But my heart, An - i - ta, But my
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436 Elec Guit. Piano
437 [52]
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440 (Meno) rail. rail, (Meno) rail. rail. [68] Andante sostenuto Maria [68] Andante sostenuto con sori. r • con sord. cresc. «J •# s я> con sori. cresc. ff*» >> -4- I ^ц^-zzzzzz: JT con sori. cresc. 1 ♦- —- —- -f v я* erese. —==-———. - —— ------------ - .............?.~.n-............................^
441
442 IV Fl. crest. »f -^= II В- Cl.l it— " , Л* cresc. i""।>. . — 1 В- CL - - : -;ZZZZ^Z^:: zzzzzzzzzzzzzzzzzzzzzzzz " " 1 и *—_ jO o _ J1» “ ж ж crest. V =======^ HI Bs. Cl. 3 др -O- cresc. - ...r~ ♦'*> jL V Bsn. *WWff"""" " ;<-; ; i , crest’. ... Piano
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447 iv и. Ill Bs Cl. VBsn. 1[ F Hns. 2 1 2 1 Tbns. 2 meno 'ft M it —< 1 """ 1 m. """"5 dalciss. cresc. *tp espr. zz mdfo 1 ЯР dolciss. ~2^*"" ::1 eresc. •y ft*» 0— Z - ~ " r=Z7777==Z:=ZZZZZZZ —p-—p, — ZZZZZZZZ777Z7ZZZZZ2ZZZZZZ7 —rz" - :: — : zzz_z molto —111111 JHP rfofciss. cresc. чВ> <ft'a i E~—-—--^= —-t— ; J""""'Z^.... —; .—rzz. Z.. 1 , . -<*rZ7'~ - ZZ“~---" —4 ZX— m-c/to ^-Tm ЯР dolciss. cresc. ♦ espr. . zz яга 'izz1" Z..''"""""~"'‘*"' w„ ~-------—- ZZZZ -- ;zzzzz==zz=zzzzz== -~zz:zzz- ...w —;zzz: 'Ж'—ZZZZZ- '' I Z—Z^^ZZZ.z * molto --1"""" jy — zP ql, -k -'. w „ -•—--- ^Z^-zzi.:::.:......;... . "^^zzzz:..—- ——~zzzzz — --—z-—- — w nwfto fm ' „ „ „ I „ •* f **"— — "' zzzzz ;-. '**7 zzz::.: ' ••• —-zzzz.... TTZZZZZZZZIZZZZZZTZZZZZZ z_S£^—: moto ИГТ,;;, | ; zzz"- г : ~;Z " ^zztz ~"zzz —.— " - .,ZZZZZ'—WL__ --ZZ. = •* ** Z- 11 ЛИР Hfi fl . z-z-zzZZZZ" zZZZZZZ -~=ZZZZZ7 zzzrzz1:::.... / "'" -— :•••••• ’~7zzz777 ZZZ: 7"" ZZZZZ::.::-; /'Z—ZZ:: =—ЯИР W ' —1 „ ' —» — Z—-.7: - - —: — — ", „ -- ^Z7ZZZ_Z —' - — ..."." z» =zz=^^=z^==: TZZZZZZZZZTZZZZZZZZZZZZZ^ molto Timp. Piano * z= molto лт»-'"""" др Waters* erase. Maria erase. When love comes strong, There no right or wrong, Your love is ANTTA jy erase. When love conjee no right or wrong, Your love IWymeno 1 2 3 Vlns. 61 H 1 2 Vcs. 3 4 Cb. <r ° zz= тойо »•»«>—jp ffoZciss. cresc. ;; J - *y espr. J- - - “""IT Zzr=zz=z====x= ^ZTtZZZZZZZZTZZTTTTTTiTTT^Z j; - - --7 -T 0 ZZZZz molto -l-ji—- - Jf> cfo/CJSS. crest. - RP - Z —— 77zzz.:z7:z.:.z.'z:.: ZZ|ZZZZZZ7ZZZZZZ77777777ZZ —ZTZ===Z- — zzTzzgzmoZto^--""" jy dolcies. RjT~ -=y crese. TY •]Kf - Г ’~- -j -77ZTZZZ7Z7Z.Z.Z. 7777IZZZ^tZZZZjZ7ZZZZ7ZZ77Z j-i y^"TzzzzzUkz^ — —— == molto ——>f> ..... .k—J dolciss. unis. cresc. <* espr. _ «у „„ ^zzzzzzzzzzzzzzzzzzzzzzzz — -Z*** -«a*- _ ..— nwZfo jy dokiss. crest. «у ^9- —i~""-? ? ?! ~—Mt—~~ 7Z^^^.Z.~"""" Z^®*ZZZZ7777777777777ZZ^=ZZZZ —**-::/777777 - .—r=-—< ..^^~"та.....^^ z: .. doleiss. Я> erase.
*** [112] con mote poco rail. rail, (molto) ,Лл , > —x s,- IV Fl. IIЮ Cl. I Bl Cl. «jf cresc. ,,,y,,,^ —-*= "’hi i... J " i1 : j . Ъ A* J — efferesc. tqf crest. — ====== k> g г n #** Ill Bs. Cl г;;;;;;;;---;;;;;-- ZTZZZ: 9 9 ж Tt > > > a* ' «ff crest-. Ц* <► 5> - - - 1 w • |f > kS VBsn. * та — cresc 3^ > ,1 1 П -1П1 —' _ 1 » V 1 1 F Has. crest. —" —- - ДР 2 ... . Ж . •gf cresc. > 4» 1 "^T'''" ••— К Tpte ml *—1 z ..zz: Г " fip ** » СЧ C*5 <г jp cresc. -» •> w> • * — nW. a*. HP - l > cresc. nW «e* ISS 7—— Tbns. « » -» 2 jp cresc. > :|f — ; ~~ Timp. | gp cresc. F 7 i уч-*1 ' JF am -Ж- J, Piano' | /» cresc. Л <j t у* 1 „ = Й1» -> cresc ?F IT Jf_ J Maria ** your
449 118| Adagio fi i ..... lb Piccolo IV Fl. . : _ — — " = — '"--- «Г *-* 1 > sufe-JJF s= тЫ&»я”м~ЯФ II Bt. CI, * • '• ' —- -- ---- - :::::::::::::::::::: ....... . . . — — — — —~— — — — — — „„„„„ <T >• sub.jg? ~ motto —flHP lb Alto Saxophone /ft I B« Cl. ' ............... : <► sub.ff —•. molto:*—fff> Th Bl> Clarinet /ft IIIBs. CI. ..JP *—~ЖР > 7777777'"""""""""**1"""""""' •-- /ft V Bsn. : ~~~" sub. J0F= molten-*-* ддр ?A , k /ft F Hns. g Д„ . “ u sub.jf^=molto— /ft I BkTpts. 2 3| Tbns. 2 sab. ff —г motto —jfft 2. lb D Trumpet /ft — sub ff =Wfo—‘ЯУ — /ft ' sub.ff FPP
450 No.15a Change of Scene Instrumental Cue: SCHRANK: And his name? MARIA: JosA Tempo di prologue Reed IV Piccolo ,......,,,, _„..... p —д : IZZZZZZZZZZZZZZZZZZZ — '7•''' t.j ’У~,г~“у7ш-- Reed II Bt Clarinet Reed III Bt Clarinet Reed I Alto Saxopbone Reed V Bassoon DTfrumpet Bt TYumpeU | 'frombones 4 Pitched Drums Electric Guitar Piano Violins Violoncellos Contrabass ff F Homs 2 ^,*|"гГ||~ — — > ' сшггё —=z / i-Xlu£L_ з _ Lstrt ight mute . ;77 - _ "!r Tempo di prologue jar
8 451 IV Picc. 11 Bi. CI. HI В» Cl. V Bsn. cnese.
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4W No.16 Taunting Scene* Instrumental Juke Box £A coin й pw/ in the duke Box) f under dialogue) The Mambo section of this acene is pre-recorded and must seem to be coming from the Juke Box.
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457 Гр| Е - г!Лг Г-ИчНгИ, ;г1, .rf ДГ «* & 0 9* «4 /
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463 Juke Box
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467
IV Be. Sax. TSmp. > Bongos^ Maracas Cowbells TYape Spaa. Gum. Piano marcatissimo ar, в—Л f , » ak-y 1= l~2'.
469 V Bsn.
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No. 17 Finale <n Cue; TONY: Yes we can. We will. Adagio Reed I Flute F Homs Timpani Maria, Tony i Reed IV Flute Reed II Bt Clarinet Reed III B. Clarinet Reed V Bassoon 1 Bl "frumpets TYombones 2 3 1 2 ,,,,;, » & № * » ... - ,.L - —_ — - _ _ , - ДдпГта*д — w --------------- : - - V :: 2 ~ zzzzzzzrg.::::::::rr~ f *я - - --X": — . J Electric Guitar Piano / > (She falters and stops) MARIA * Hold my hand and we're half-way there. Hold my hand and I’ll take you there Somehow,.. TONY •« cresc. -------------------------------------------- / » Some day!. (He dies) , Hold my hand and I’ll take you there Somehow,. Adagio Violins Violoncellos Contrabass jf^Wf ----n—r'-'-w-""'-'---"'-'-'-'-'-'-'-'-'-'-'-'-'"-’ :::::::::: : zzzzzzzzzxxxzxx: -w *Ffff w
IV и. II Ю- Cl HI Cl. V Ben. ПИ* ff :. ; --—• — т W ^-— LZZZ ....: izzzzxzzzzz ZZT molto —ff« /ft. """"' ' ••• .. ZZZZZZZZZZZZZZZXZ ТГТТТ"'77''::!Т777!'7.!. ~ — " ~-=-; —~ zz: ~ molto —-ff» Л .A M. Г УПГ"»ЦТ! Lt™ —— ! .,,...„„„w, . ~—. —’-"--w Zz^molto—gp Ib Oboe /*4 T! — ;;;r "...-.- - „„„„„ „, . — ,_........., ZZZZZ2SZZZZZ ~zmolto—jf /ft !:.. ——Z zzzrzzzzzzzzzzrz I Fl. Timp, Имо 4 Vine- 7 Vcs. 1 2 1 2 3 F Hne j MARIA: Stay back! (Dialogue continues) long consord ** ®5^ con sort. =—- — 9f “7i’~ ЛЛЛ9ЙЛ , fW' /7л /Л :l"—T ШГ- — T-Mgl—f —•T T......: л\ ~ чг ” consort. " ж' unis. ... g ^-"— - ; : —- - : t --— i ......^^ — w --— «V* con sort. ZZS=- ==—ЯЗР Д,",у"»'..'1 '''W--J~—j- — ——— —^-----— j,} у— ft t J* ( div. l*"1 —H|. ‘к §« 7=“>ИР .... Г" IZZ." . — . try <r —r,!.Z! .. A ... я/ con sort.. div. Я» unis, _ /*ч r- z^z=zqgjzzzz= * — ent J4F ЛЧ 1 «.„^е».^д....... ...
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